Nearly Headless Nick and Moaning Myrtle aren’t the only permanent residents of Hogwarts. The castle walls are lined with portraits whose subjects can move, speak and interact with students – including the Fat Lady, who guards the entrance to Gryffindor Tower, and the many previous headmasters who are more than ready to offer advice to their successors.
Hogwarts Portraits
by J.K. Rowling
Hogwarts portraits are able to talk and move around from picture to picture. They behave like their subjects. However, the degree to which they can interact with the people looking at them depends not on the skill of the painter, but on the power of the witch or wizard painted.
When a magical portrait is taken, the witch or wizard artist will naturally use enchantments to ensure that the painting will be able to move in the usual way. The portrait will be able to use some of the subject’s favourite phrases and imitate their general demeanour. Thus, Sir Cadogan’s portrait is forever challenging people to a fight, falling off its horse and behaving in a fairly unbalanced way, which is how the subject appeared to the poor wizard who had to paint him, while the portrait of the Fat Lady continues to indulge her love of good food, drink and tip-top security long after her living model passed away.
However, neither of these portraits would be capable of having a particularly in-depth discussion about more complex aspects of their lives: they are literally and metaphorically two-dimensional. They are only representations of the living subjects as seen by the artist.
Some magical portraits are capable of considerably more interaction with the living world. Traditionally, a headmaster or headmistress is painted before their death. Once the portrait is completed, the headmaster or headmistress in question keeps it under lock and key, regularly visiting it in its cupboard (if so desired) to teach it to act and behave exactly like themselves, and imparting all kinds of useful memories and pieces of knowledge that may then be shared through the centuries with their successors in office.
The depth of knowledge and insight contained in some of the headmasters’ and headmistresses’ portraits is unknown to any but the incumbents of the office and the few students who have realised, over the centuries, that the portraits’ apparent sleepiness when visitors arrive in the office is not necessarily genuine.
Perhaps the most outspoken portrait to grace the castle walls is Sir Cadogan, who Harry, Ron and Hermione encountered in their third year at Hogwarts. Often seen chasing after his fat pony, Sir Cadogan is a boastful knight who challenges passers-by to duels whenever he is given the opportunity. Legend has it that Sir Cadogan was as brash and brave in life as he appears to be in his portrait.
Sir Cadogan
by J.K. Rowling
BIRTHDAY:
Unknown
WAND:
(According to legend) Blackthorn and troll whisker, nine inches, combustible
HOGWARTS HOUSE:
Gryffindor
SPECIAL ABILITIES:
Insane bravery
PARENTAGE:
Wizard father, witch mother
FAMILY:
Three wives are believed to have left him, rumoured to have had seventeen known children
Before the wizarding community was forced into hiding, it was not unusual for a wizard to live in the Muggle community and hold down what we would now think of as a Muggle job.
It is widely believed in wizarding circles that Sir Cadogan was one of the famous Knights of the Round Table, albeit a little-known one, and that he achieved this position through his friendship with Merlin. He has certainly been excised from all Muggle volumes of King Arthur’s story, but wizarding versions of the tales include Sir Cadogan alongside Sir Lancelot, Sir Bedivere and Sir Percivale. These tales reveal him to be hot-headed and peppery, and brave to the point of foolhardiness, but a good man in a corner.
Sir Cadogan’s most famous encounter was with the Wyvern of Wye, a dragonish creature that was terrorizing the West Country. At their first encounter, the beast ate Sir Cadogan’s handsome steed, bit his wand in half and melted his sword and visor. Unable to see through the steam rising from his melting helmet, Sir Cadogan barely escaped with his life. However, rather than running away, he staggered into a nearby meadow, grabbed a small, fat pony grazing there, leapt upon it and galloped back towards the wyvern with nothing but his broken wand in his hand, prepared to meet a valiant death. The creature lowered its fearsome head to swallow Sir Cadogan and the pony whole, but the splintered and misfiring wand pierced its tongue, igniting the gassy fumes rising from its stomach and causing the wyvern to explode.
Elderly witches and wizards still use the saying ‘I’ll take Cadogan’s pony’ to mean, ‘I’ll salvage the best I can from a tricky situation’.
Sir Cadogan’s portrait, which hangs on the seventh floor of Hogwarts Castle, shows him with the pony he rode forever more (which, understandably perhaps, never much liked him) and accurately depicts his hot temper, his love of a foolhardy challenge and his determination to beat the enemy, come what may.
CHAPTER SIX
SECRETS OF THE CASTLE
