There is no way or reason to be subtle about why Pilar was in Costa Rica. At thirty-one she was still unmarried and Hand was one of her few old friends also still unmarried, and the only attractive old friend she’d never slept with. So she knew, when she hung up the phone with Hand five weeks prior, that she would sleep with him in Alta, and she knew it on the plane and on the drive to the coast.
Was she in any way saddened by the predictability of the outcome? Was it unromantic? She decided that it was not. Sex and things like sex — things people pretend they regret— weren’t about a decision made in a heated moment. The decision is made when you leave the house, when you get on a plane, when you dial a number.
She would arrive and hope that he still looked the way she liked him to look — lean, bigmouthed, clean. They would spend the first day pretending to be friends only, barely touching arms. The second night they would drink at dinner, and drink after that, amid shirtless and dreadlocked surfers, and then would sleep together in a tentative and civilized way. That much was assured, because Pilar had done this kind of thing before — with Mark in Toronto, with Angela in San Diego — and there was never variation in the setup; only the aftermath was alterable. Afterward, with Hand, there could be very little change in their affection and respect for each other: she was too careful, and he too loosely strung. Afterward, with Mark, she’d had to tolerate his frequent references to their weekend, both the almost-funny—“I saw you naked!”—and those helping him achieve a personal sort of release—“What were you wearing that weekend? Tell me again. Wait, hold on…”—but again, with Hand, she knew it would be mild, perhaps even forgotten, if it didn’t grow into something else. But would they want to continue having sex? That’s the simple and only question. And that depended on so many things: Would he do something strange with his tongue? Was his naked body odd in any disastrous way? Was he awkward-moving when nude? Would he cry (Mark) or become callous (Angela)? His legs might be too thin or pale, or his penis purple, or too narrow, his mouth too—
This story is not about Pilar and Hand falling in love.
Once close to Alta, the road devolved from two lanes paved to one lane dusty and everywhere potholed. The cars each way weaved and ducked, passengers inside with their hands braced against the roof. It was ten miles of this, and it felt like hours before the trees and farms gave way to the shanties and shops that announced Alta. A combination juice bar and art gallery called Forget It, Sue. Then a recycling center. More plots for sale. The place was still raw, the road still dust. Barefoot boys on bikes and mopeds outsped the cars, better navigating the road’s holes, while women let groceries in blue-striped plastic bags pull their arms earthward. Just past a Best Western and on the right side of the road, a thin line of trees hid the beach, wide and flat, rippling into a delta berthing small boats of rotting wood.
The hotel where they’d agreed to meet was called the Shangri La, above the main strip, nameless. The town titled none of its streets, but there was a primary artery, the length of three city blocks, with most of the town’s shops and restaurants attached. The Shangri La, on the hill, was white, and shone like a monument against a teal blue sky. It overhung a small garden full of iguanas, snakes, and mice, its deck jutting its strong chin toward the ocean.
The owner, a fit and sunburned German named Hans, gave Pilar keys and directions to the room, No. 5, and while walking up the steps and then along the deck, past the pool, with a preposterous view of the big ridiculous Pacific to her left, the sun teetering above, the waves blithely carrying surfers in, she actually had the feeling, momentarily, that this was not, actually, her doing this, that in fact she was still in Chicago, or even Wisconsin, and was imagining this — that she was just inhabiting a daydream concocted during, say, a dimly lit afternoon salad-bar lunch at Wendy’s. It really seemed more plausible than the reality of her in this moment, actually walking barefoot around a pool shaped like a curling kitten, bordered in hand-painted tiles of orange and blue, now stepping over two teak-brown surfers on straw mats, on her way to a room, down a long white hallway with geckos scampering on the ceiling above, in a hillside seaside hotel in Costa Rica, which holds Hand, whom she’d known for seventeen years, who was still alive, and not only still alive, but here.
Pilar was worried that her back was oversoaked from the drive, that Hand would feel her moisture and be appalled. But when she opened the door and they grabbed each other and hugged, he was just as wet as she was. He smelled like pineapple and sweat. His chin was hot on her shoulder, his hair damp.
“No air conditioning here,” he said. He said it in a guttural Spanish accent. Pilar hoped he would stop.
“Oh,” she said.
“Jesss, eeet eeez veddy hot here, jess,” he said, and then sighed, giving up.
The room was high-ceilinged and open, with a kitchen, a breakfast nook, a bedroom a few steps up. A fan spun overhead, its pull string ticking with every two or three turns. The deck overlooked the pool and the town and then the ocean. She couldn’t believe it all.
“This is crazy,” she said.
“I know,” he said, now speaking like he normally spoke. She had known him since seventh grade.
The floor was tile. The whole place was tile. She had come to expect carpeting in hotels.
“That’s pretty normal down here, the tile,” Hand said. “Anywhere south of Texas is like that.”
There was a plunger in the corner of the room, with a handle that looked precisely like a dildo. She made a note to joke about it later. Hand was standing in the corner. A gust jumped through the open window and jumbled a chime over the doorway.
She stepped over to Hand and slipped her arms around his waist and smelled his smell. She closed her eyes and pictured her old kitchen and the wallpaper there, a pattern of Disney dwarves bubbled from heat and humidity.
They left her things in the room and bobbed down the white stone steps. Outside, in the sherbet light that soon enough, with a shrug, would relinquish the day to night, there were horses. Four, just downhill from the hoteclass="underline" one standing still in the road, two sitting nearby in the long gray-green roadside grass, the fourth one, white (the others were black), standing by the hotel’s straight hedge, just west of the hotel’s cherry door. Pilar and Hand looked around for the owners of the horses. They were shod but had no saddles, no bridles. Four horses, all gaunt, alone. Every horse stared at Pilar and Hand, two people from Wisconsin.
“I almost forgot you were coming,” Hand said.
They were standing and talking while the horses watched.
“What does that mean?” Pilar said. She was scratching the top of her head with one finger, in a circular motion.
“I don’t know.” He stumbled for a minute, backtracking, explaining that he’d been looking forward to her coming, but that in the past twenty-four hours he’d spaced her arrival.
“You forgot it was today, or forgot completely?” she asked.
“Your hair is dark,” he said.
“It was winter where I was. You’re not going to answer.”
“Did it used to be so dark?”
“I don’t know. Didn’t it?”
They walked by the horses; the horses watched with mild interest. Pilar didn’t know what to expect from the horses. There was nothing remarkable about their appearance, but they gave her a chill and she wasn’t sure why. She had rarely seen horses unaccompanied or unfenced and they looked huge and sinewy and tightly wound. She was enchanted by them, the novelty of having them so close to their hotel, but at the same time she wanted them gone. The size of their eyes implied a wide but focused intelligence, and she imagined that they would take the first opportunity to break into their room and kill them both.