"Are you feeling so worn out!" he smilingly remarked in a low tone of voice.
Chin Ch'uan pursed up her lips and gave him a smile. Then waving her hand so as to bid him quit the room, she again closed her eyes.
Pao-yue, at the sight of her, felt considerable affection for her and unable to tear himself away, so quietly stretching his head forward, and noticing that Madame Wang's eyes were shut, he extracted from a purse, suspended about his person, one of the 'scented-snow-for-moistening-mouth pills,' with which it was full, and placed it on Chin Ch'uan-erh's lips. Chin Ch'uan-erh, however, did not open her eyes, but simply held (the pill) in her mouth. Pao-yue then approached her and took her hand in his. "I'll ask you of your mistress," he gently observed smiling, "and you and I will live together."
To this Chin Ch'uan-erh said not a word.
"If that won't do," Pao-yue continued, "I'll wait for your mistress to wake and appeal to her at once."
Chin Ch'uan-erh distended her eyes wide, and pushed Pao-yue off. "What's the hurry?" she laughed. "'A gold hair-pin may fall into the well; but if it's yours it will remain yours only.' Is it possible that you don't even see the spirit of this proverb? But I'll tell you a smart thing. Just you go into the small court, on the east side, and you'll find for yourself what Mr. Chia Huau and Ts'ai Yun are up to!"
"Let them be up to whatever they like," smiled Pao-yue, "I shall simply stick to your side!"
But he then saw Madame Wang twist herself round, get up, and give a slap to Chin Ch'uan-erh on her mouth. "You mean wench!" she exclaimed, abusing her, while she pointed her finger at her, "it's you, and the like of you, who corrupt these fine young fellows with all the nice things you teach them!"
The moment Pao-yue perceived Madame Wang rise, he bolted like a streak of smoke. Chin Ch'uan-erh, meanwhile, felt half of her face as hot as fire, yet she did not dare utter one word of complaint. The various waiting-maids soon came to hear that Madame Wang had awoke and they rushed in in a body.
"Go and tell your mother," Madame Wang thereupon said to Yue Ch'uan-erh, "to fetch your elder sister away."
Chin Ch'uan-erh, at these words, speedily fell on her knees. With tears in her eyes: "I won't venture to do it again," she pleaded. "If you, Madame, wish to flog me, or to scold me do so at once, and as much as you like but don't send me away. You will thus accomplish an act of heavenly grace! I've been in attendance on your ladyship for about ten years, and if you now drive me away, will I be able to look at any one in the face?"
Though Madame Wang was a generous, tender-hearted person, and had at no time raised her hand to give a single blow to any servant-girl, she, however, when she accidentally discovered Chin Ch'uan-erh behave on this occasion in this barefaced manner, a manner which had all her lifetime been most reprehensible to her, was so overcome by passion that she gave Chin Ch'uan-erh just one slap and spoke to her a few sharp words. And albeit Chin Ch'uan-erh indulged in solicitous entreaties, she would not on any account keep her in her service. At length, Chin Ch'uan-erh's mother, Dame Pao, was sent for to take her away. Chin Ch'uan-erh therefore had to conceal her disgrace, suppress her resentment, and quit the mansion.
But without any further reference to her, we will now take up our story with Pao-yue. As soon as he saw Madame Wang awake, his spirits were crushed. All alone he hastily made his way into the Ta Kuan garden. Here his attention was attracted by the ruddy sun, shining in the zenith, the shade of the trees extending far and wide, the song of the cicadas, filling the ear; and by a perfect stillness, not even broken by the echo of a human voice. But the instant he got near the trellis, with the cinnamon roses, the sound of sobs fell on his ear. Doubts and surmises crept into Pao-yue's mind, so halting at once, he listened with intentness. Then actually he discerned some one on the off-side of the trellis. This was the fifth moon, the season when the flowers and foliage of the cinnamon roses were in full bloom. Furtively peeping through an aperture in the fence, Pao-yue saw a young girl squatting under the flowers and digging the ground with a hair-pin she held in her hand. As she dug, she silently gave way to tears.
"Can it be possible," mused Pao-yue, "that this girl too is stupid? Can she also be following P'in Erh's example and come to inter flowers? Why if she's likewise really burying flowers," he afterwards went on to smilingly reflect, "this can aptly be termed: 'Tung Shih tries to imitate a frown.' But not only is what she does not original, but it is despicable to boot. You needn't," he meant to shout out to the girl, at the conclusion of this train of thought, "try and copy Miss Lin's example." But before the words had issued from his mouth, he luckily scrutinised her a second time, and found that the girl's features were quite unfamiliar to him, that she was no menial, and that she looked like one of the twelve singing maids, who were getting up the plays. He could not, however, make out what roles she filled: scholars, girls, old men, women, or buffoons. Pao-yue quickly put out his tongue and stopped his mouth with his hand. "How fortunate," he inwardly soliloquised, "that I didn't make any reckless remark! It was all because of my inconsiderate talk on the last two occasions, that P'in Erh got angry with me, and that Pao-ch'ai felt hurt. And had I now given them offence also, I would have been in a still more awkward fix!"
While wrapt in these thoughts, he felt much annoyance at not being able to recognise who she was. But on further minute inspection, he noticed that this maiden, with contracted eyebrows, as beautiful as the hills in spring, frowning eyes as clear as the streams in autumn, a face, with transparent skin, and a slim waist, was elegant and beautiful and almost the very image of Lin Tai-yue. Pao-yue could not, from the very first, make up his mind to wrench himself away. But as he stood gazing at her in a doltish mood, he realised that, although she was tracing on the ground with the gold hair-pin, she was not digging a hole to bury flowers in, but was merely delineating characters on the surface of the soil. Pao-yue's eyes followed the hair-pin from first to last, as it went up and as it came down. He watched each dash, each dot and each hook. He counted the strokes. They numbered eighteen. He himself then set to work and sketched with his finger on the palm of his hand, the lines, in their various directions, and in the order they had been traced a few minutes back, so as to endeavour to guess what the character was. On completing the sketch, he discovered, the moment he came to reflect, that it was the character "Ch'iang," in the combination, 'Ch'iang Wei,' representing cinnamon roses.
"She too," pondered Pao-yue, "must have been bent upon writing verses, or supplying some line or other, and at the sight now of the flowers, the idea must have suggested itself to her mind. Or it may very likely be that having spontaneously devised a couplet, she got suddenly elated and began, for fear it should slip from her memory, to trace it on the ground so as to tone the rhythm. Yet there's no saying. Let me see, however, what she's going to write next."