"You know the prayer 'Holy God, Holy the Firm, Holy the Immortal'? This prayer comes from ancient knowledge. Holy God means the Absolute or All. Holy the Firm also means the Absolute or Nothing. Holy the Immortal signifies that which is between them, that is, the six notes of the ray of creation, with organic life. All three taken together make one. This is the coexistent and indivisible Trinity.
"We must now dwell on the idea of the 'additional shocks' which make it possible for the lines of forces to reach a projected aim. As I said before, shocks may occur accidentally. Accident is of course a very uncertain thing. But those lines of development of forces which are straightened out by accident, and which man can sometimes see, or suppose, or expect, create in him more than anything else the illusion of straight lines. That is to say, he thinks that straight lines are the rule and broken and interrupted lines the exception. This in its turn creates in him the illusion that it is possible to do; possible to attain a projected aim. In reality a man can do nothing. If by accident his activity gives a result, even though it resembles only in appearance or in name the original aim, a man assures himself and others that he has attained the aim which he set before himself and that anyone else would also be able to attain his aim, and others believe him. In reality this is illusion. A man can win at roulette. But this would be accident. Attaining an aim which one has set before oneself in life or in any particular sphere of human activity is just the same kind of accident. The only difference is that in regard to roulette a man at least knows for certain whether he has lost or won on each separate occasion, that is, on each separate stake. But in the activities of his life, particularly with activities of the kind that many people are concerned in and when years pass between the beginning of something and its result, a man can very easily deceive himself and take the result 'obtained' as the result desired, that is, believe that he has won when on the whole he has lost.
"The greatest insult for a 'man-machine' is to tell him that he can do nothing, can attain nothing, that he can never move towards any aim whatever and that in striving towards one he will inevitably create another. Actually of course it cannot be otherwise. The 'man-machine' is in the power of accident. His activities may fall by accident into some sort of channel which has been created by cosmic or mechanical forces and they may by accident move along this channel for a certain time, giving the illusion that aims of some kind are being attained. Such accidental correspondence of results with the aims we have set before us or the attainment of aims in small things which can have no consequences creates in mechanical man the conviction that he is able to attain any aim, 'is able to conquer nature' as it is called, is able to 'arrange the whole of his life,' and so on.
"As a matter of fact he is of course unable to do anything of the kind because not only has he no control over things outside himself but he has no control even over things within himself. This last must be very clearly understood and assimilated; at the same time it must be understood that control over things begins with control over things in ourselves, with control over ourselves. A man who cannot control himself, or the course of things within himself, can control nothing.
"In what way can control be attained?
"The technical part of this is explained by the law of octaves. Octaves can develop consecutively and continuously in the desired direction if 'additional shocks' enter them at the moments necessary, that is, at the moments when vibrations slow down. If 'additional shocks' do not enter at the necessary moments octaves change their direction. To entertain hopes of accidental 'shocks' coming from somewhere by themselves at the moments necessary is of course out of the question. There remains for a man the choice either of finding a direction for his activities which corresponds to the mechanical line of events of a given moment, in other words of 'going where the wind blows' or 'swimming with the stream,' even if this contradicts his inner inclinations, convictions, and sympathies, or of reconciling himself to the failure of everything he starts out
to do; or he can learn to recognize the moments of the 'intervals' in all lines of his activity and learn to create the 'additional shocks,' in other words, learn to apply to his own activities the method which cosmic forces make use of in creating 'additional shocks' at the moments necessary.
"The possibility of artificial, that is, specially created, 'additional shocks' gives a practical meaning to the study of the law of octaves and makes this study obligatory and necessary if a man desires to step out of the role of passive spectator of that which is happening to him and around him.
"The 'man-machine' can do nothing. To him and around him everything happens. In order to do it is necessary to know the law of octaves, to know the moments of the 'intervals' and be able to create necessary 'additional shocks.'
"It is only possible to learn this in a school, that is to say, in a rightly organized school which follows all esoteric traditions. Without the help of a school a man by himself can never understand the law of octaves, the points of the 'intervals,' and the order of creating 'shocks.' He cannot understand because certain conditions are necessary for this purpose, and these conditions can only be created in a school which is itself created upon these principles.
"How a school is created on the principles of the law of octaves will be explained in due course. And this in its turn will explain to you one aspect of the union of the law of seven with the law of three. In the meantime it can be said only that in school teaching, a man is given examples of both descending (creative) and ascending (or evolutionary) cosmic octaves. Western thought, knowing neither about octaves nor about the law of three, confuses the ascending and the descending lines and does not understand that the line of evolution is opposed to the line' of creation, that is to say, it goes against it as though against the stream.
"In the study of the law of octaves it must be remembered that octaves in their relation to each other are divided into fundamental and subordinate. The fundamental octave can be likened to the trunk of a tree giving off branches of lateral octaves. The seven fundamental notes of the octave and the two 'intervals,' the bearers of new directions, give altogether nine links of a chain, three groups of three links each.
"The fundamental octaves are connected with the secondary or subordinate octaves in a certain definite way. Out of the subordinate octaves of the first order come the subordinate octaves of the second order, and so on. The construction of octaves can be compared with the construction of a tree. From the straight basic trunk there come out boughs on all sides which divide in their turn and pass into branches- becoming smaller and smaller, and finally are covered with leaves. The same process goes on in the construction of the leaves, in the formation of the veins, the serrations, and so on.