"The whole of alchemy is nothing but an allegorical description of the human factory and its work of transforming base metals (coarse substances) into precious ones (fine substances).
"We have followed the development of two octaves. The third octave, that is, the octave of impressions, begins through a conscious effort. Do 48 passes to re 24; re 24 passes to mi 12. At this point the development of the octave comes to a stop. (See Fig. 38.)
| wsJ | ||
| /re\ | ||
| \2A) | ||
| 4-х | ||
| [uj | ||
| Development of the octave of impressions after the first conscious "shock." | ||
| Fig. 38 | ||
| "Now if we examine the result of the development of these three octaves, we shall see that the first octave has reached si 12, the second la 6, and the third mi 12. Thus the first and third octaves stop at notes which are unable to pass to the following notes. | ||
The complete picture of the intensive work of the organism and of the intensive production of substances from the products of nutrition after the
first conscious "shock." __
Fig. 39
"For the two octaves to develop further, a second conscious shock is needed at a certain point in the machine, a new conscious effort is necessary which will enable the two octaves to continue their development. The nature of this effort demands special study. From the point of view of the general work of the machine it can be said in general that this effort is connected with the emotional life, that it is a special kind of influence over one's emotions. But what this kind of influence really is, and how it has to be produced, can be explained only in connection with a general description of the work of the human factory or the human machine.
"The practice of not expressing unpleasant emotions, of not 'identifying,' of not 'considering inwardly,' is the preparation for the second effort.
"If we now take the work of the human factory as a whole, we shall be able to see at the moments when the production of fine substances is arrested by what means we can increase the productivity of the factory. We see that, under ordinary conditions and working with one mechanical 'shock' the factory produces a very small quantity of the fine substances, in fact only si 12. Working with one mechanical and one conscious 'shock' the factory now produces a much greater quantity of the fine substances. Working with two conscious 'shocks' the factory will produce a quantity of the fine substances such as, in the course of time, will completely change the character of the factory itself.
"The three-story factory represents the universe in miniature and is constructed according to the same laws and on the same plan as the whole universe.
"In order to understand the analogy between man, the human organism, and the universe, let us take the world as we did before in the form of three octaves from the Absolute to the sun, from the sun to the earth, and from the earth to the moon. Each of these three octaves lacks a semitone between fa and mi and in each octave the place of this missing semitone is taken by a certain kind of 'shock' which is created artificially at the given point. If we now begin to look for an analogy between the three-story factory and the three octaves of the universe, we ought to realize that the three 'additional shocks' in the three octaves of the universe correspond to the three kinds of food entering the human organism. The 'shock' in the lower octave corresponds to physical food; this 'shock' is do 768 of the cosmic three-story factory. The 'shock' in the middle octave corresponds to air. It is do 192 of the cosmic factory. The 'shock' in the upper octave corresponds to impressions; it is do 48 of the cosmic factory. In the inner work of this cosmic three-story factory all three kinds of food undergo the same transformation as in the human factory, on the same plan and in accordance with the same laws. A further study of the analogy between man and the universe is possible only after an exact study of the human machine and after the respective 'places' of each of the 'hydrogens' in our organism has been established exactly. This means thatto proceed with any further study we must find the exact purpose of each 'hydrogen,' that is to say, each 'hydrogen' must be defined chemically, psychologically, physiologically, and anatomically, in other words, its functions, its place in the human organism, and, if possible, the peculiar sensations connected with it must be defined.
"The study of the work of the human organism as a chemical factory shows us three stages in the evolution of the human machine.
"The first stage refers to the work of the human organism as it has been created by nature, that is to say, to the life and functions of man number one, number two, and number three. The first octave, that is, the octave of food, develops in a normal way to mi 192. At this point it automatically receives a 'shock' from the beginning of the second octave, and its development goes on consecutively to si 12. The second octave, that is, the air octave, begins with do 192 and develops to mi 48 where it stops. The third octave, that is, the octave of impressions, begins with do 48 and stops there. Thus seven notes of the first octave, three notes of the second, and one note of the third octave represent a complete picture of the work of the 'human factory' in its first or natural stage. Nature has provided only one 'shock,' that is, the 'shock' received from the entrance of the second octave which helps mi of the first octave to pass to fa. But nature did not foresee and did not provide for the second 'shock,' that is, the 'shock' that would help the development of the third octave and thereby enable mi of the second octave to pass to fa. A man must create this 'shock' by his own personal efforts if he desires to increase the output of the fine hydrogens in his organism.
"The second stage refers to the work of the human organism when a man creates a conscious volitional 'shock' at the point do 48. In the first place this volitional 'shock' is transmitted to the second octave which develops as far as sol 12, or even further up to la 6 and so on, if the work of the organism is sufficiently intense. The same 'shock' also enables the third octave to develop, that is, the octave of impressions which in this event reaches mi 12. Thus in the second stage of the work of the human organism, we see the full development of the second octave and three notes of the third octave. The first octave has stopped at the note si 12, the third at the note mi 12. Neither of these octaves can proceed any further without a fresh 'shock.' The nature of this second 'shock' cannot be so easily described as the nature of the first volitional 'shock' at do 48. In order to understand the nature of this 'shock' it is necessary to understand the meaning of si 12 and mi 12.
"The effort which creates this 'shock' must consist in work on the emotions, in the transformation and transmutation of the emotions. This transmutation of the emotions will then help the transmutation of si 12 in the human organism. No serious growth, that is, no growth of higher bodies within the organism, is possible without this transmutation. The idea of this transmutation was known to many ancient teachings as well as to some comparatively recent ones, such as the alchemy of the Middle Ages. But the alchemists spoke of this transmutation in the allegorical forms of the transformation of base metals into precious ones. In reality, however, they meant the transformation of coarse 'hydrogens' into finer ones in the human organism, chiefly of the transformation of mi 12. If this transformation is attained, a man can be said to have 'achieved what he was striving for, and it can also be said that, until this transformation is attained, all results attained by a man can be lost because they are not fixed in him in any way; moreover, they are attained only in the spheres of thought and emotion. Real, objective results can be obtained only after the transmutation of mi 12 has begun.