Endless were the things we had to destroy in those great purgings. First, there were nearly all the houses and buildings of the old time. In the end we did not save in England one building in five thousand that was standing when the comet came. Year by year, as we made our homes afresh in accordance with the saner needs of our new social families, we swept away more and more of those horrible structures, the ancient residential houses, hastily built, without imagination, without beauty, without common honesty, without even comfort or convenience, in which the early twentieth century had sheltered until scarcely one remained; we saved nothing but what was beautiful or interesting out of all their gaunt and melancholy abundance. The actual houses, of course, we could not drag to our fires, but we brought all their ill-fitting deal doors, their dreadful window sashes, their servant-tormenting staircases, their dank, dark cupboards, the verminous papers from their scaly walls, their dust and dirt-sodden carpets, their ill-designed and yet pretentious tables and chairs, sideboards and chests of drawers, the old dirt-saturated books, their ornaments—their dirty, decayed, and altogether painful ornaments—amidst which I remember there were sometimes even STUFFED DEAD BIRDS!—we burnt them all. The paint-plastered woodwork, with coat above coat of nasty paint, that in particular blazed finely. I have already tried to give you an impression of old-world furniture, of Parload's bedroom, my mother's room, Mr. Gabbitas's sitting-room, but, thank Heaven! there is nothing in life now to convey the peculiar dinginess of it all. For one thing, there is no more imperfect combustion of coal going on everywhere, and no roadways like grassless open scars along the earth from which dust pours out perpetually. We burnt and destroyed most of our private buildings and all the woodwork, all our furniture, except a few score thousand pieces of distinct and intentional beauty, from which our present forms have developed, nearly all our hangings and carpets, and also we destroyed almost every scrap of old-world clothing. Only a few carefully disinfected types and vestiges of that remain now in our museums.
One writes now with a peculiar horror of the dress of the old world. The men's clothes were worn without any cleansing process at all, except an occasional superficial brushing, for periods of a year or so; they were made of dark obscurely mixed patterns to conceal the stage of defilement they had reached, and they were of a felted and porous texture admirably calculated to accumulate drifting matter. Many women wore skirts of similar substances, and of so long and inconvenient a form that they inevitably trailed among all the abomination of our horse-frequented roads. It was our boast in England that the whole of our population was booted—their feet were for the most part ugly enough to need it,—but it becomes now inconceivable how they could have imprisoned their feet in the amazing cases of leather and imitations of leather they used. I have heard it said that a large part of the physical decline that was apparent in our people during the closing years of the nineteenth century, though no doubt due in part to the miscellaneous badness of the food they ate, was in the main attributable to the vileness of the common footwear. They shirked open-air exercise altogether because their boots wore out ruinously and pinched and hurt them if they took it. I have mentioned, I think, the part my own boots played in the squalid drama of my adolescence. I had a sense of unholy triumph over a fallen enemy when at last I found myself steering truck after truck of cheap boots and shoes (unsold stock from Swathinglea) to the run-off by the top of the Glanville blast furnaces.
"Plup!" they would drop into the cone when Beltane came, and the roar of their burning would fill the air. Never a cold would come from the saturation of their brown paper soles, never a corn from their foolish shapes, never a nail in them get home at last in suffering flesh. . . .
Most of our public buildings we destroyed and burnt as we reshaped our plan of habitation, our theater sheds, our banks, and inconvenient business warrens, our factories (these in the first year of all), and all the "unmeaning repetition" of silly little sham Gothic churches and meeting-houses, mean looking shells of stone and mortar without love, invention, or any beauty at all in them, that men had thrust into the face of their sweated God, even as they thrust cheap food into the mouths of their sweated workers; all these we also swept away in the course of that first decade. Then we had the whole of the superseded steam-railway system to scrap and get rid of, stations, signals, fences, rolling stock; a plant of ill-planned, smoke-distributing nuisance apparatus, that would, under former conditions, have maintained an offensive dwindling obstructive life for perhaps half a century. Then also there was a great harvest of fences, notice boards, hoardings, ugly sheds, all the corrugated iron in the world, and everything that was smeared with tar, all our gas works and petroleum stores, all our horse vehicles and vans and lorries had to be erased. . . . But I have said enough now perhaps to give some idea of the bulk and quality of our great bonfires, our burnings up, our meltings down, our toil of sheer wreckage, over and above the constructive effort, in those early years.
But these were the coarse material bases of the Phoenix fires of the world. These were but the outward and visible signs of the innumerable claims, rights, adhesions, debts, bills, deeds, and charters that were cast upon the fires; a vast accumulation of insignia and uniforms neither curious enough nor beautiful enough to preserve, went to swell the blaze, and all (saving a few truly glorious trophies and memories) of our symbols, our apparatus and material of war. Then innumerable triumphs of our old, bastard, half-commercial, fine-art were presently condemned, great oil paintings, done to please the half-educated middle-class, glared for a moment and were gone, Academy marbles crumbled to useful lime, a gross multitude of silly statuettes and decorative crockery, and hangings, and embroideries, and bad music, and musical instruments shared this fate. And books, countless books, too, and bales of newspapers went also to these pyres. From the private houses in Swathinglea alone—which I had deemed, perhaps not unjustly, altogether illiterate—we gathered a whole dust-cart full of cheap ill-printed editions of the minor English classics—for the most part very dull stuff indeed and still clean—and about a truckload of thumbed and dog-eared penny fiction, watery base stuff, the dropsy of our nation's mind. . . . And it seemed to me that when we gathered those books and papers together, we gathered together something more than print and paper, we gathered warped and crippled ideas and contagious base suggestions, the formulae of dull tolerances and stupid impatiences, the mean defensive ingenuities of sluggish habits of thinking and timid and indolent evasions. There was more than a touch of malignant satisfaction for me in helping gather it all together.
I was so busy, I say, with my share in this dustman's work that I did not notice, as I should otherwise have done, the little indications of change in my mother's state. Indeed, I thought her a little stronger; she was slightly flushed, slightly more talkative. . . .
On Beltane Eve, and our Lowchester rummage being finished, I went along the valley to the far end of Swathinglea to help sort the stock of the detached group of potbanks there—their chief output had been mantel ornaments in imitation of marble, and there was very little sorting, I found, to be done—and there it was nurse Anna found me at last by telephone, and told me my mother had died in the morning suddenly and very shortly after my departure.