From the doorway Tante Rose saw Baron Samedi, and a shudder ran down her spine, but she did not retreat. She greeted him with a bow, shaking the asson with its clinking of little bones, and asked permission to go to the bed. The loa of cemeteries and crossroads, with his white skull face and black hat, moved aside, inviting her to approach Dona Eugenia, who was gasping like a fish, wet with sweat, her eyes red with terror, fighting against her body, which was struggling to cast out the baby while she was using all her strength to hold it in. Tante Rose placed one of her seed and shell necklaces around my mistress's neck and spoke a few words of consolation to her, which I repeated in Spanish. Then she turned toward the baron.
Dr. Parmentier was watching with fascination, although he saw only Tante Rose's part, while I saw everything. My godmother lighted a cigar and waved it around, filling the air with a smoke that made it difficult to breathe because the window was always closed to prevent mosquitoes from coming in. Then she drew a chalk circle around the bed and whirled in a few dance steps, pointing to the four corners of the room with the asson. Once her greeting to the spirits was concluded, she made an altar out of several sacred objects she took from her pouch and then placed offerings of rum and little stones on it. Lastly she sat at the foot of the bed, ready to negotiate with the baron. The two of them became immersed in a long exchange in Creole so fast and incomprehensible that I understood little of it, though several times I heard Seraphine's name. They argued, they grew angry, they laughed, she smoked the cigar and blew out smoke that he swallowed in big mouthfuls. That continued for quite a while, and Dr. Parmentier began to lose patience. He tried to open the window, but it had been shut for so long it was stuck. Coughing and teary from the smoke, he took Dona Eugenia's pulse as if he didn't know that babies emerge far below the pulse in the wrist.
Finally Tante Rose and the baron reached an agreement. She went to the door and with a profound bow showed the loa out, who left making his little froglike hops. Then Tante Rose explained the situation to my mistress: what she had in her womb was not cemetery meat but a normal baby that Baron Samedi would not take away. Dona Eugenia stopped arguing and concentrated on pushing with all her might, and soon a gush of yellow liquid and blood stained the sheets. When the head of the baby appeared, my godmother took it gently and helped the body out. She handed me the newborn child and announced that it was a little boy, but the mother did not even want to look at it; she turned her face to the wall and closed her eyes, exhausted. I pressed the baby to my chest, holding it tight because it was covered with something lardy and slippery. I was absolutely sure that it would be up to me to love this child as if it were my own, and now, after all these years and all that love, I know that I was not mistaken. I wept.
Tante Rose waited until my mistress expelled what was left inside her and cleaned her up; then with one swallow she drank the rum offering on the altar, put her belongings back into her pouch, and left the room, clutching her walking stick as all the while the doctor was rapidly writing in his notebook. I kept weeping as I washed the baby, who was as light as a kitten. I wrapped him in the little blanket I had knitted during my afternoons in the gallery and carried him to his father so he would know him, but my master had so much cognac in his body I couldn't wake him. In the corridor a slave with swollen breasts was waiting, recently bathed, her head shaved for lice; she would give her milk to the son of the masters in the big house, while her baby was given rice water in the Negro quarters. No white woman nursed her children; that's what I thought then. The woman sat down on the floor, legs crossed, opened her blouse, and took the little one, who fastened himself to her breast. I felt that my skin was burning and my nipples hardened; my body was ready for that baby boy.
At that same hour, in Tante Rose's cabin, Seraphine died alone, unaware because she was sleeping. This is how it was.
The Concubine
They named the boy Maurice. His father was shaken to his boots by that unexpected gift from heaven, which had come to combat his loneliness and stir his ambition. That child was going to carry on the Valmorain dynasty. The master declared a feast day; no one on the plantation worked. He had a number of animals roasted, and assigned three helpers to Tante Mathilde so there would be no shortage of spicy corn dishes and vegetables and cakes for everyone. He gave permission to have a kalenda in the main patio in front of the big house, which soon filled with a noisy crowd. The slaves adorned themselves with what little they had-a colored rag, a necklace of shells, a flower. They brought their drums and other improvised instruments, and after a bit there was music and people were dancing under the mocking gaze of Cambray. The master had two barrels of taffia distributed, and every slave received a generous dose in his gourd for a toast. Tete appeared in the gallery with the baby wrapped in a mantilla, and the father took him and lifted him over his head to show to the slaves. "This is my heir! He will be called Maurice Valmorain, that is my father's name!" he exclaimed, hoarse with emotion and still hungover from his drunkenness the night before. A silence like the depths of the sea greeted his words. Even Cambray was startled. This ignorant white man had committed the incredible blunder of giving his son the name of a deceased grandfather, who on being summoned could rise from his grave and kidnap his grandson and take him back with him to the world of the dead. Valmorain believed that the silence was respect, and ordered a second round of taffia and a continuation of the rejoicing. Tete took back the newborn and rushed away with him, sprinkling his face with a rain of saliva to protect him from the disgrace invoked by his father's rashness.
The next day, when the domestic slaves had cleaned the refuse from the patio and the others had gone back to the cane fields, Dr. Parmentier quickly prepared to go back to the city. Little Maurice was suckling like a calf at his wet nurse's breast, and Eugenia was showing no symptoms of fatal womb fever. Tete had rubbed her breasts with a mixture of honey and butter and bandaged them with a red cloth, Tante Rose's method for drying up milk before it began to flow. On Eugenia's night table she lined up the vials of drops for sleep, the cachets for pain, and syrups for enduring fear, not to heal her, as the doctor himself admitted, but to ease her existence. The Spanish woman was a shadow of ashen skin and ravaged face, more from tincture of opium than from her deranged mind. Maurice had suffered the effects of the drug in his mother's womb, the physician explained to Valmorain, which was why he had been born so small and frail; he would be sickly and needed air, sun, and good nourishment. He ordered them to give three raw eggs a day to the wet nurse to fortify her milk. "Now your mistress and the baby are both in your care, Tete. They could not be in better hands," he added. Toulouse Valmorain paid the doctor generously for his services and bade him farewell with regret, for he truly esteemed the cultivated, good-natured man with whom he had enjoyed countless card games in the long evenings of Saint-Lazare. He would miss the conversations with him, especially those in which they were not in agreement, because that forced him to exercise the forgotten art of arguing for pleasure. He chose two armed commandeurs to accompany the physician to Le Cap.