"Superintendent Hammer?" Windy hovered in the doorway. "I'm sorry, but the governor can't be reached at the moment. Apparently, he's in transition."
Hammer looked up from a stack of reports and memos she was reviewing. "What do you mean, he's in transition?"
"Traveling somewhere. Maybe even walking back to the mansion. I'm not sure."
"He's in transit?"
"Or on his way there, I guess." Windy got more tangled up in her fib. "But I don't think anybody can reach him right now, to cut to the point. So it's not just you."
"Of course it's just me!" Hammer looked at the VASCAR memo again, wondering how she would handle the administration's latest and perhaps most damaging lamebrain decision. "He's not going to talk to me and you can stop trying to make me feel better about it."
"Well, it's not nice of him." Windy put her hands on her hips. "And I hope you won't get mad at me just because of how he treats you. It's not fair to shoot the messenger."
Kill the messenger, Hammer irritably thought. You shoot the piano player and kill the messenger. My God, I can't stop thinking in cliches! And I hate cliches!
"One of the men I was dating last month told me that the only reason the governor appointed you is because he's always getting bad press about all our highway problems and needs someone he can pass the scapegoat to," Windy said, "and I don't think you should blame yourself for that or take it personal."
Hammer could not believe she had inherited such a hairball for a secretary. If only it weren't so difficult to fire state employees. No wonder the last superintendent had retired early with a heart condition and Parkinson's disease, but what the hell had been on his mind when he hired Windy Brees? For starters, how do you get past her name? And it should have been apparent the first time she opened her mouth that she was an embarrassment and incompetent, a perky little idiot caked with makeup who minced about, tilting her head this way and that in an attempt to appear submissive and cute and in need of powerful men to take care of her.
It was past 6:00 P.M., and Hammer packed up her briefcase and headed home. She drove through downtown feeling certain that VASCAR was going to ruin her career and there didn't seem to be a thing she could do about it. Was it merely coincidental that the very day Andy launched a website that was supposed to make the state police look good, the governor had decided to launch a program that would make the state police look bad? Was it mere chance that Andy had rather much slammed Tangier Island by indicating that it had once been a nest for pirates, and now the governor was going after the Islanders? Not to mention, she was desperately short of helicopter pilots and the few troopers left in the aviation unit needed to spend their time looking for criminals and marijuana fields, as opposed to tracking speeders on a tiny island or elsewhere.
Hammer brooded about Andy as she continued working herself into a state of fulminating paranoia. She should never have allowed him to write his Internet essays uncensored. But that had been part of the agreement.
"I'm not doing it if you edit me," he had told her last year. "One obvious reason for anonymity is that no one knows what Trooper Truth is going to say or has any control over it, otherwise the truth would be lost. If you read my essays before they're posted on the Internet, Superintendent Hammer, then I know very well what you'll do. You're going to start worrying about criticisms, blame, and political problems. That's what bureaucrats focus on, unfortunately. Not that I'm calling you a bureaucrat."
"Of course that's what you're calling me," she had said, deeply offended.
And maybe he was right, Hammer dismally thought as she followed East Broad Street toward her restored neighborhood of Church Hill. Maybe she was turning into a bureaucrat who was far too consumed by what people thought and said about her. What had happened to her firm but diplomatic way of dealing with complaints and demands from the public?
She called Andy on her cell phone. "We have a potential emergency," she told him. "The governor wants to put speed traps on Tangier Island and all hell's going to break loose."
"I heard about it," he said.
"How?" She was startled.
"I wish you had said something to me," Andy added in frustration as he sat in front of his computer, going through the hundreds of e-mails Trooper Truth had gotten so far this day. "I didn't even have a clue until Miss Friend sent me an e-mail. I may need an assistant. I'll never keep up with all the mail I'm getting," he declared as his computer announced you've got mail! four more times.
"VASCAR wasn't my idea, for God's sake!" Hammer replied. "And who is Miss Friend? The focus right now should be on these outrageous hijackings and assaults- not on speeding! Andy, I need your help with this. We've got to figure out what to do."
"There's only one thing to do," he said as he typed. "I'll go to Tangier Island myself and paint a speed trap and see what the response is. Better I should do it than someone else, and I can use Trooper Truth to counter any negativity directed at you and the state police, and I'll show the public what a bad idea VASCAR is, and maybe the governor will drop the damn program and let us work real crimes. All I need is a couple cans of reflective, fast-drying paint, a brush, a helicopter, and a little time to appropriately revise tomorrow's essay on mummies."
"What the hell do mummies have to do with anything?" Hammer protested.
Like most people, I grew up watching mummies in horror films. Having done a lot of archaeological research of late, I can tell you, the reader, that these terrifying depictions of a living dead person bound in strips of cloth aren't accurate-or fair.
Mummies can't hurt us unless they spread an infectious disease from antiquity, which isn't likely, although I suspect you could suffer an adverse respiratory reaction after inhaling layers of dust in a creepy, cold place. I suppose you could injure yourself while looking for a mummy or find yourself lost deep inside a pyramid and die of thirst and starvation, or you could certainly encounter a grave robber and get into a violent altercation.
In death investigation, the term mummy refers to a dead person whose body has been exposed to extreme cold or aridness. Instead of decomposing, the body dries out and can remain in this state of preservation for decades or hundreds of years. This type of mummy, which typically shows up in cellars or the desert, is not a true mummy, but you can rest assured that anthropologists and others will refer to dried-out bodies as mummified because the term is here to stay. I will admit that it probably sounds better for an expert witness to say a victim was mummified than to admit that the poor soul was shriveled up and dried out and looked like a skeleton covered with shoe leather.
The word mummy is derived from the Arabic word for bitumen, which in the original Persian form meant wax. So mummy is a substance such as bitumen, which is a type of asphalt used in Asia Minor, and a mummy is a person or animal that has been preserved by artificial means, although it would not be accurate in modern times to refer to an embalmed body as a mummy. The reason for this is simple. Bodies embalmed with formaldehyde are not necessarily well preserved. If you dig up an embalmed body a hundred years later, depending on where it was buried, you are probably going to find that the dead person isn't as well preserved as a thousand-year-old Egyptian mummy.
In our society, we do not fill the embalmed person's belly with pure myrrh, cassia, and other perfumes, nor do we stuff bitumen into the limbs or steep the body in the mineral natron for seventy days before tightly binding it in strips of flaxen cloth that are then smeared with gum, which is what the Egyptians often used instead of glue. A modern embalmed body is not placed inside a human-shaped wooden case that is leaned up against a wall inside a cool, dry sepulcher.