Perhaps there should be. Stealing anothers face the tricks of Glustrod and his devil-bloods. Arts borrowed from the Other Side
We must use such weapons as we can find. I have no love for Mamun, but he is right. They are called the Hundred Words because they are a hundred. We are two, and time has not been kind to us.
Then why do they wait?
You know Khalul, brother. Ever careful, watchful, deliberate. He will not risk his children until he must
Through the chinks in the bare twigs Ferro watched the three men pass between the guards and out of the gate in the high palace wall. She gave them a few moments, then she started up and strode after, shoulders back, as though she was about important business. She felt the hard stares of the armoured men flanking the gate, but they were used to her coming and going now. For once they kept their silence.
Between the great buildings, around the statues, through the dull gardens she followed the two Magi and their apprentice across the Agriont. She kept her distance, loitering in doorways, under trees, walking close behind those few people hurrying down the windy streets. Sometimes, above the buildings in a square, or at the end of a lane, the top of the great mass of the Makers House reared up. Hazy grey through the drizzle to begin with, but growing more black, vast and distinct with each stride she took.
The three men led her to a ramshackle building with crumbling turrets sticking from its sagging roof. Ferro knelt and watched from behind a corner while Bayaz beat on the rickety door with the end of his staff.
I am glad you did not find the Seed, brother, said Yulwei, while they waited. That thing is better left buried.
I wonder if you will still think so when the Hundred Words swarm through the streets of the Agriont, howling for our blood?
God will forgive me, I think. There are worse things than Khaluls Eaters.
Ferros nails dug into her palms. There was a figure standing at one of the grimy windows, peering out at Yulwei and Bayaz. A long, lean figure with a black mask and short hair. The woman who had chased her and Ninefingers, long before. Ferros hand strayed on an instinct towards her sword, then she realised she had left it in the palace, and cursed her foolishness. Ninefingers had been right. You could never have too many knives.
The door wobbled open, some words were muttered, the two old men went through, Quai at their back, head bowed. The masked woman watched for a while longer, then stepped back from the window into the darkness. Ferro sprang over a hedge as the door wobbled closed, wedged her foot in the gap and slid through sideways, stealing into the deep shadows on the other side. The door clattered shut on its creaking hinges.
Down a long hallway, dusty paintings on one wall, dusty windows in the other. All the way the back of Ferros neck prickled, waiting for the black masks to come boiling out of the shadows. But nothing came besides the echoing footsteps up ahead, the mindless droning of the old mens voices.
This place has changed, Yulwei was saying. Since that day we fought Kanedias. The day the Old Time ended. It rained, then.
I remember it.
I lay wounded on the bridge, in the rain. I saw them fall, the Maker and his daughter. From on high, they tumbled down. Hard to believe, that I smiled to see it, then. Vengeance is a fleeting thrill. The doubts, we carry to our graves. Ferro sneered at that. If she could have the vengeance she would live with the doubts.
Time has brought us both regrets, muttered Bayaz.
More of them with every passing year. A strange thing, though. I could have sworn, as I lay there, that it was Kanedias who fell first, and Tolomei second.
Memory can tell lies, especially to men who have lived as long as we. The Maker threw down his daughter, then I him. And so the Old Time ended.
So it did, murmured Yulwei. So much lost. And now we are come to this
Quais head snapped round and Ferro plastered herself against the wall behind a leaning cabinet. He stood there, for a long moment, frowning towards her. Then he followed the others. Ferro waited, holding her breath, until the three of them turned a corner and passed out of sight.
She caught them up in a crumbling courtyard, choked with dead weeds, littered with broken slates fallen from the roofs above. A man in a stained shirt led them up a long stairway, towards a dark arch high in the high wall of the Agriont. He had a bunch of jingling keys in his gnarled hands, was muttering something about eggs. Once they had passed into the tunnel Ferro padded across the open space and up the steps, pausing near the top.
We will come back shortly, she heard Bayaz growling. Leave the door ajar.
Its always kept locked, a voice answered. Thats the rule. Its been kept locked all my life, and I dont plan to
Then wait here until we come back! But go nowhere! I have many better things to do than sit waiting on the wrong side of your locked doors! Keys turned. Old hinges squealed. Ferros fingers slid round a loose lump of stone and gripped it tightly.
The man in the dirty shirt was pulling the gates shut as she crept to the top of the steps. He muttered angrily as he fumbled with his keys, metal clinking. There was a dull thump as the stone clubbed him across his bald spot. He gasped, lurched forward, Ferro caught his limp body under the arms and lowered him carefully to the ground.
Then she set the rock down and relieved him of his keys with a hooked finger.
As Ferro lifted her hand to push the doors open, a strange sensation washed over her. Like a cool breeze on a hot day, surprising, at first, then delightful. A shiver, not at all unpleasant, worked its way up her spine and made her breath catch. She pressed her hand to the weathered wood, the grain brushing warm and welcoming against her palm. She eased the door open just wide enough to peer through.
A narrow bridge sprang out from the wall of the Agriont, no more than a stride across, without rail or parapet. At the far end it met the side of the Makers Housea soaring cliff of bare rock, shining black with the rain. Bayaz, Yulwei and Quai stood before a gate at the end of that strip of stone. A gate of dark metal, marked in the centre with bright circles. Rings of letters that Ferro did not understand. She watched Bayaz pull something out from the collar of his shirt. She watched the circles begin to move, to turn, to spin, her heart pounding in her ears. The doors moved silently apart. Slowly, reluctantly, almost, the three men passed into that square of blackness, and were gone.
The House of the Maker stood open.
Grey water slapped at hard stone below as Ferro followed them across the bridge. The rain kissed and the wind nipped at her skin. In the distance, smudges of smoke rose from the smouldering city and into the muddy sky, but her eyes were fixed on the yawning portal straight ahead. She loitered on the threshold for a moment, her hands clenched into fists.
Then she stepped into the darkness.
It was neither cold nor warm on the other side of the gate. The air was so still, and flat, and silent that it seemed to weigh heavily on Ferros shoulders, to press at her ears. A few muffled steps and the light had all faded. Wind, and rain, and the open sky were dimly remembered dreams. She felt she walked a hundred miles beneath the dead earth. Time itself seemed to have stopped. Ferro crept up to a wide archway and peered through.
The hall beyond was like a temple, but it would have swallowed whole even the great temple in Shaffa, where thousands called hourly out to God. It dwarfed the lofty dome where Jezal dan Luthar had been given a crown. It was an expanse that made even the vastness of ruined Aulcus seem petty. A place crowded with solemn shadows, peopled with sullen echoes, bounded by angry, unyielding stone. The tomb of long-dead giants.
The grave of forgotten gods.
Yulwei and Bayaz stood at its centre. Tiny, insect figures in an ocean of gleaming darkness. Ferro pressed herself to the cold rock, striving to pick their words out from the sea of echoes.