So when Fay's papa at last appeared, finding it impossible to keep away from the happy little party any longer, Johnny decided at once that the handsome man in the velvet coat was the king of the enchanted land, and gazed at him with reverence and awe. A most gracious king he proved to be; for after talking pleasantly to Mrs. Morris, and joking Fay on storming the walls, he proposed to carry Johnny off, and catching him up, strode away with the astonished boy on his shoulder, while the little girl danced before to open doors and clear the way.
Johnny thought he could n't be surprised any more; but when he had mounted many stairs and found himself in a great room with a glass roof, full of rich curtains, strange armor, pretty things, and pictures everywhere, he just sat in the big chair where he was placed, and stared in silent delight.
"This is papa's studio, and that the famous picture, and here is where I work; and is n't it pleasant? and aren't you glad to see it?" said Fay, skipping about to do the honors of the place.
"I don't believe heaven is beautifuller," answered Johnny, in a low tone, as his eyes went from the green tree-tops peeping in at the windows to the great sunny picture of a Roman garden, with pretty children at play among the crumbling statues and fountains.
"I 'm glad you like it, for we mean to have you come here a great deal. I sit to papa very often, and get so tired; and you can talk to me, and then you can see me draw and model in clay, and then we 'll go in the garden, and Nanna will show you how to make baskets, and then we 'll play."
Johnny nodded and beamed at this charming prospect, and for an hour explored the mysteries of the studio, with Fay for a guide and papa for an amused spectator. He liked the boy more and more, and was glad Fay had so harmless a playmate to expend her energies and compassion upon. He assented to every plan proposed, and really hoped to be able to help these poor neighbors; for he had a kind heart, and loved his little daughter even more than his art.
When at last Mrs. Morris found courage to call Johnny away, he went without a word, and lay down in the dingy room, his face still shining with the happy thoughts that filled his mind, hungry for just such pleasures, and never fed before.
After that day everything went smoothly, and both children blossomed like the flowers in that pleasant garden, where the magic of love and pity, fresh air and sunshine, soon worked miracles. Fay learned patience and gentleness from Johnny; he grew daily stronger on the better food Nanna gave him, and the exercise he was tempted to take; and both spent very happy days working and playing, sometimes under the trees, where the pretty baskets were made, or in the studio, where both pairs of small hands modelled graceful things in clay, or daubed amazing pictures with the artist's old brushes and discarded canvases.
Mrs. Morris washed everything washable in the house, and did up Fay's frocks so daintily that she looked more like an elf than ever when her head shone out from the fluted frills, like the yellow middle of a daisy with its white petals all spread.
As he watched the children playing together, the artist, having no great work in hand, made several pretty sketches of them, and then had a fine idea of painting the garden scene where Fay first talked to Johnny. It pleased his fancy, and the little people sat for him nicely; so he made a charming thing of it, putting in the cat, dog, bird, and toad as the various characters in Shakspeare's lovely play, while the flowers were the elves, peeping and listening in all manner of merry, pretty ways.
He called it "Little Pyramus and Thisbe," and it so pleased a certain rich lady that she paid a large price for it; and then, discovering that it told a true story, she generously added enough to send Johnny and his mother to the country, when Fay and her father were ready to go.
But it was to a lovelier land than the boy had ever read of in his fairy books, and to a happier life than mending shoes in the dingy court. In the autumn they all sailed gayly away together, to live for years in sunny Italy, where Johnny grew tall and strong, and learned to paint with a kind master and a faithful young friend, who always rejoiced that she found and delivered him, thanks to the wonderful hole in the wall.
X.
THE PIGGY GIRL
"I won't be washed! I won't be washed!" screamed little Betty, kicking and slapping the maid who undressed her one night.
"You 'd better go and live with the pigs, dirty child," said Maria, scrubbing away at two very grubby hands.
"I wish I could! I love to be dirty, – I will be dirty!" roared Betty, throwing the sponge out of the window and the soap under the table.
Maria could do nothing with her; so she bundled her into bed half wiped, telling her to go to sleep right away.
"I won't! I 'll go and live with Mrs. Gleason's pigs, and have nothing to do but eat and sleep, and roll in the dirt, and never, never be washed any more," said Betty to herself.
She lay thinking about it and blinking at the moon for a while; then she got up very softly, and crept down the back stairs, through the garden, to the sty where two nice little pigs were fast asleep among the straw in their small house. They only grunted when Betty crept into a corner, laughing at the fun it would be to play piggy and live here with no Maria to wash her and no careful mamma to keep saying, -
"Put on a clean apron, dear!"
Next morning she was waked up by hearing Mrs. Gleason pour milk into the trough. She lay very still till the woman was gone; then she crept out and drank all she wanted, and took the best bits of cold potato and bread for her breakfast, and the lazy pigs did not get up till she was done. While they ate and rooted in the dirt, Betty slept as long as she liked, with no school, no errands, no patchwork to do. She liked it, and kept hidden till night; then she went home, and opened the little window in the store closet, and got in and took as many good things to eat and carry away as she liked. She had a fine walk in her nightgown, and saw the flowers asleep, heard the little birds chirp in the nest, and watched the fireflies and moths at their pretty play. No one saw her but the cats; and they played with her, and hopped at her toes, in the moonlight, and had great fun.
When she was tired she went to sleep with the pigs, and dozed all the next day, only coming out to eat and drink when the milk was brought and the cold bits; for Mrs. Gleason took good care of her pigs, and gave them clean straw often, and kept them as nice as she could.
Betty lived in this queer way a long time, and soon looked more like a pig than a little girl; for her nightgown got dirty, her hair was never combed, her face was never washed, and she loved to dig in the mud till her hands looked like paws. She never talked, but began to grunt as the pigs did, and burrowed into the straw to sleep, and squealed when they crowded her, and quarrelled over the food, eating with her nose in the trough like a real pig. At first she used to play about at night, and steal things to eat; and people set traps to catch the thief in their gardens, and the cook in her own house scolded about the rats that carried off the cake and pies out of her pantry. But by and by she got too lazy and fat to care for anything but sleeping and eating, and never left the sty. She went on her hands and knees now, and began to wonder if a little tail would n't grow and her nose change to a snout.
All summer she played be a pig, and thought it good fun; but when the autumn came it was cold, and she longed for her nice warm flannel nightgown, and got tired of cold victuals, and began to wish she had a fire to sit by and good buckwheat cakes to eat. She was ashamed to go home, and wondered what she should do after this silly frolic. She asked the pigs how they managed in winter; but they only grunted, and she could not remember what became of them, for the sty was always empty in cold weather.