Luigi shrugged his shoulders and answered with a disagreeable laugh, "Long may you think so, poverino; I serve for money, not love, and look to it that I get my wages, else it would go ill with both of us. Keep all you can get, boy; our master is apt to forget his servants."
Tino did not like the look, half scornful, half pitiful, which Luigi gave him, and wondered why he did not love the good signor. Later he found out; but all was pleasant now, and lunch at a café completed the delights of that long morning.
The rooms were empty when they returned; and bidding him keep out of mischief, Luigi left Tino alone for several hours. But he found plenty of amusement in examining all the wonders the apartment contained, receiving the precious parcels as they arrived, practising his new bow before the long mirror, and eating the nuts that he had bought of a jolly old woman at a street corner.
Then he went to lounge on the balcony that ran along the front of the hotel, and watched the lively scene below, till sunset sent the promenaders home to dress for dinner. Feeling a sudden pang of homesickness as he thought of Stella, Tino got his guitar and sang the old songs to comfort his loneliness.
The first was hardly ended before one after the other five little heads popped out of a window farther down the balcony; and presently a group of pretty children were listening and smiling as the nice boy played and sang to them. A gentleman looked out; and a lady evidently listened, for the end of a lace flounce lay on the threshold of the long window, and a pair of white hands clapped when he finished a gay air in his best style.
This was his first taste of applause, and he liked it, and twanged away merrily till his master's voice called him in just as he was beginning to answer the questions the eager children asked him.
"Go and dress! I shall take you down to dinner with me presently. But mind this, Iwill answer questions; do you keep quiet, and leave me to tell what I think best. Remember, or I pack you home at once."
Tino promised, and was soon absorbed in getting into his new clothes; Luigi came to help him, and when he was finished off, a very handsome lad emerged from the closet to make his best bow to his master, who, also in fine array, surveyed him with entire approval.
"Very good! I thought you would make a passable butterfly when you shed your grub's skin. Stand up and keep your hands out of your pockets. Mind what I told you about supping soup noisily, and don't handle your fork like a shovel. See what others do, smile, and hold your tongue. There is the gong. Let us go."
Tino's heart beat as he followed Mario down the long hall to the great salle à manger with its glittering table d'hôte and many guests. But the consciousness of new clothes sustained him, so he held up his head, turned out his toes, and took his place, trying to look as if everything was not very new and dazzling to him.
Two elderly ladies sat opposite, and he heard one say to the other in bad Italian, "Behold the lovely boy, Maria; I should like to paint him."
And the other answered, "We will be amiable to him, and perhaps we may get him for a model. Just what I want for a little Saint John."
Tino smiled at them till his black eyes sparkled and his white teeth shone, for he understood and enjoyed their praise. The artistic ladies smiled back, and watched him with interest long after he had forgotten them, for that dinner was a serious affair to the boy, with a heavy silver spoon and fork to manage, a napkin to unfold, and three glasses to steer clear of for fear of a general upset, so awkward did he feel.
Every one else was too busy to mind his mistakes; and the ladies set them down to bashfulness, as he got red in the face, and dared not look up after spilling his soup and dropping a roll.
Presently, while waiting for dessert, he forgot himself in something Mario was saying to his neighbor on the other side: -
"A poor little fellow whom I found starving in the streets at Genoa. He has a voice; I have a heart, and I adore music. I took him to myself, and shall do my best for him. Ah, yes! in this selfish world one must not forget the helpless and the poor."
Tino stared, wondering what other boy the good signor had befriended, and was still more bewildered when Mario turned to him with a paternal air, to add in that pious tone so new to the boy, -
"This is my little friend, and he will gladly come and sing to your young ladies after dinner. Many thanks for the honor; I shall bring him out at my parlor concerts, and so fit him for his place by and by. Bow and smile, quick!"
The last words were in a sharp whisper; and Tino obeyed with a sudden bob of the head that sent his curls over his eyes, and then laughed such a boyish laugh as he shook them back that the gentleman leaning forward to look at him joined in it, and the ladies smiled sympathetically as they pushed a dish of bonbons nearer to him. Mario gave him an indulgent look, and went on in the same benevolent tone telling all he meant to do, till the kindly gentleman from Rome was much interested, having lads of his own and being fond of music.
Tino listened to the fine tales told of him and hoped no one would ask him about Genoa, for he would surely betray that he had never been there and could not lie as glibly as Mario did. He felt rather like the little old woman who did not know whether she was herself or not, but consoled himself by smiling at the ladies and eating a whole plateful of little cakes standing near him.
When they rose, Tino made his bow, and Mario walked down the long hall with his hand on the boy's shoulder and a friendly air very impressive to the spectators, who began at once to gossip about the pretty lad and his kind protector, just as the cunning gentleman planned to have them.
As soon as they were out of sight, Mario's manner changed; and telling Tino to sit down and digest his dinner or he would n't be able to sing a note, he went to the balcony to smoke till the servant came to conduct them to Conte Alborghetti's salon.
"Now mind, boy; do exactly as I tell you, or I 'll drop you like a hot chestnut and leave you to get home as you can," said Mario, in a sharp whisper, as they paused on the threshold of the door.
"I will, signor, indeed I will!" murmured Tino, scared by the flash of his master's black eye and the grip of his hand, as he pulled the bashful boy forward.
In they went, and for a moment Tino only perceived a large light room full of people, who all looked at him as he stood beside Mario with his guitar slung over his shoulder, red cheeks, and such a flutter at his heart that he felt sure he could never sing there. The amiable host came to meet and present them to a group of ladies, while a flock of children drew near to look at and listen to the "nice singing boy from Genoa."
Mario, having paid his thanks and compliments in his best manner, opened the little concert by a grand piece upon the piano, proving that he was a fine musician, though Tino already began to fancy he was not quite so good a man as he wished to appear. Then he sang several airs from operas; and Tino forgot himself in listening delightedly to the mellow voice of his master, for the lad loved music and had never heard any like this before.
When Tino's turn came, he had lost his first shyness, and though his lips were dry and breath short, and he gave the guitar an awkward bang against the piano as he pulled it round ready to play upon, the curiosity in the faces of the children and the kindly interest of the ladies gave him courage to start bravely off with "Bella Monica," – the easiest as well as gayest of his songs. It went well; and with each verse his voice grew clearer, his hand firmer, and his eyes fuller of boyish pleasure in his own power to please.
For please he did, and when he ended with a loud twang and kissed his hand to the audience as he always used to do to the girls at home, every one clapped heartily, and the gentlemen cried, "Bravo, piccolo! He sings in truth like a little nightingale; encore, encore!"