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Around the great stadium the tenement barrens stretch, miles of delirium, men sitting in tipped-back chairs against the walls of hollow buildings, sofas burning in the lots, and there is a sense these chanting thousands have, wincing in the sun, that the future is pressing in, collapsing toward them, that they are everywhere surrounded by signs of the fated landscape and human struggle of the Last Days, and here in the middle of their columned body, lank-haired and up-close, stands Karen Janney, holding a cluster of starry jasmine and thinking of the bloodstorm to come. She is waiting to file past Master and sees him with the single floating eye of the crowd, inseparable from her own apparatus of vision but sharper-sighted, able to perceive more deeply. She feels intact, rayed with well-being. They all feel the same, young people from fifty countries, immunized against the language of self. They're forgetting who they are under their clothes, leaving behind all the small banes and body woes, the daylong list of sore gums and sweaty nape and need to pee, ancient rumbles in the gut, momentary chills and tics, the fungoid dampness between the toes, the deep spasm near the shoulder blade that's charged with mortal reckoning. All gone now. They stand and chant, fortified by the blood of numbers.

Karen glances over at Kim Jo Pak, soft-eyed and plump in his nice new suit and boxy shoes, husband-for-eternity.

She knows her flesh parents are in the stands somewhere. Knows what they're saying, sees the gestures and expressions. Dad trying to use old college logic to make sense of it all. Mom wearing the haunted stare that means she was put on earth strictly to suffer. They're all around us, parents in the thousands, afraid of our intensity. This is what frightens them. We really believe. They bring us up to believe but when we show them true belief they call out psychiatrists and police. We know who God is. This makes us crazy in the world.

Karen's mindstream sometimes slows down, veering into sets of whole words. They take a funny snub-nosed form, the rudimentary English spoken by some of Master's chief assistants.

They have God once-week. Do not understand. Must sacrifice together. Build with hands God's home on earth.

Karen says to Kim, "This is where the Yankees play."

He nods and smiles, blankly. Nothing about him strikes her so forcefully as his hair, which is shiny and fine and ink-black, with a Sunday-comics look. It is the thing that makes him real to her.

"Baseball," she says, using the word to sum up a hundred happy abstractions, themes that flare to life in the crowd shout and diamond symmetry, in the details of a dusty slide. The word has resonance if you're American, a sense of shared heart and untranslatable lore. But she only means to suggest the democratic clamor, a history of sweat and play on sun-dazed afternoons, an openness of form that makes the game a kind of welcome to my country.

The other word is "cult." How they love to use it against us. Gives them the false term they need to define us as eerie-eyed children. And how they hate our willingness to work and struggle. They want to snatch us back to the land of lawns. That we are willing to live on the road, sleep on the floor, crowd into vans and drive all night, fund-raising, serving Master. That our true father is a foreigner and nonwhite. How they silently despise. They keep our rooms ready. They have our names on their lips. But we're a lifetime away, weeping through hours of fist-pounding prayer.

World in pieces. It is shock of shocks. But there is plan. Pali-pali. Bring hurry-up time to all man.

She does not dream anymore except about Master. They all dream about him. They see him in visions. He stands in the room with them when his three-dimensional body is thousands of miles away. They talk about him and weep. The tears roll down their faces and form puddles on the floor and drip into the room below. He is part of the structure of their protein. He lifts them out of ordinary strips of space and time and then shows them the blessedness of lives devoted to the ordinary, to work, prayer and obedience.

Rodge offers the binoculars to Maureen. She shakes her head firmly. It is like looking for the body of a loved one after a typhoon.

Balloons in clusters rise by the thousands, sailing past the rim of the upper deck. Karen lifts her veil and passes below the pulpit, which is rimmed on three sides by bulletproof panels. She feels the blast of Master's being, the solar force of a charismatic soul. Never so close before. He sprinkles mist from a holy bottle in her face. She sees Kim move his lips, following Master's chant word for word. She's close enough to the grandstand to see people crowding the rails, standing everywhere to take pictures. Did she ever think she'd find herself in a stadium in New York, photographed by thousands of people? There may be as many people taking pictures as there are brides and grooms. One of them for every one of us. Clickety-click. The thought makes the couples a little giddy. They feel that space is contagious. They're here but also there, already in the albums and slide projectors, filling picture frames with their microcosmic bodies, the minikin selves they are trying to become.

They veer back to the outfield grass to resume formation. There are folk troupes near both dugouts dancing to gongs and drums. Karen fades into the thousands, the columned mass. She feels the meter of their breathing. They're a world family now, each marriage a channel to salvation. Master chooses every mate, seeing in a vision how backgrounds and characters match. It is a mandate from heaven, preordained, each person put here to meet the perfect other. Forty days of separation before they're alone in a room, allowed to touch and love. Or longer. Or years if Master sees the need. Take cold showers. It is this rigor that draws the strong. Their self-control cuts deep against the age, against the private ciphers, the systems of isolated craving. Husband and wife agree to live in different countries, doing missionary work, extending the breadth of the body common. Satan hates cold showers.

The crowd-eye hangs brightly above them like the triangle eye on a dollar bill.

A firecracker goes off, another M-8o banging out of an exit ramp with a hard flat impact that drives people's heads into their torsos. Maureen looks battle-stunned. There are lines of boys wending through empty rows high in the upper deck, some of them only ten or twelve years old, moving with the princely swagger of famous street-felons. She decides she doesn't see them.

"I'll tell you this," Rodge says. "I fully intend to examine this organization. Hit the libraries, get on the phone, contact parents, truly delve. You hear about support groups that people call for all kinds of things."

"We need support. I grant you that. But you're light-years too late."

"I think we ought to change our flight as soon as we get back to the hotel and then check out and get going."

"They'll charge us for the room for tonight anyway. We may as well get tickets to something."

"The sooner we get started on this."

"Raring to go. Oh boy. What fun."

"I want to read everything I can get my hands on. Only did some skimming but that's because I didn't know she was involved in something so grandiose. We ought to get some hotline numbers and see who's out there that we can talk to."

"You sound like one of those people, you know, when they get struck down by some rare disease they learn every inch of material they can find in the medical books and phone up doctors on three continents and hunt day and night for people with the same awful thing."