There had been much fear in Kassau when the ship of Ivar Forkbeard had entered the inlet. But it had come at midday. And on its mast, round and of painted wood, had hung the white shield. His men had rowed slowly, singing a dirge at the oars. Even the tarnhead at the ship’s prow had been swung back on the great wooden hinges. Sometimes, in light raiding galleys, it is so attached, to remove its weight from the prow’s height, to ensure greater stability in high seas; it is always, however, at the prow in harbour, or when the ship enters an inlet or river to make its strike; in calm seas, of course, there is little or no damage in permitting it to surmount the prow generally. That the tarnhead was hinged back, as the ship entered the inlet, was suitable indication, like the white shield, that it came in peace.
The ship was a beautiful ship, sleek and well-lined. It was a twenty-bencher, but this nomenclature may be confusing. There were twenty beches to a side, with two men to each bench. It carried, thus, forty oars, with two men to each oar. Tersites of Port Kar, the controversial inventer and shipwright, had advocated more than one man to an oar but, generally, the southern galleys utilised one man per oar, three oars and three men on a diagonal bench, facing aft, the oars staggered, the diagonality of the bench permitting the multiplicity of levers. The oars were generally some nineteen feet in length, and narrower than the southern oars, that they might cut and sweep with great speed, more rapidly than the wider bladed oar; and with two men to each oar, and the lightness of the ship, this would produce great speed. As in the southern galleys the keel to beam ratiowas designed, too, for swiftness, being generally in the neighbourhood of one to eight. Forkbeard’s ship, or serpent, as they are sometimes called, was approximately eighty Gorean feet in length, with a beam of some ten feet Gorean. His ship, like most of the northern ships, did not have a rowing frame, and the rowers sat within the hull proper, facing, of course, aft. The thole ports, I noted, had covers on the inside, on swivels, which permitted them to be closed when the ship was under sail. The sail was quite different from the southern ships, being generally squarish, though somewhat wider at the bottom.The mast, like that of the southern ships, could be lowered. It fitted into two blocks of wood, and was wedged into the top block by means of a heavy diagonal plug, driven tight with hammers. The northern ship carries one sail, not the several sails, all lateens, of the southern ships, which must be removed and replaced. It is an all-purpose sail, hung straight from a spar of needle wood. It can be shortened or let out by reefing ropes. At its edges, corner spars can hold it spread from the ship. I doubted that such a ship could sail as close to the wind as a lateen-rigged ship, but the advantages of being able to shorten or let out sail in a matter of moments were not inconsiderable. The sail was striped, red and white. The ship like most of the northern ships, was clinker built, being constructed of overlapping planks, or strakes, the frame then fitted within them. Between the strakes, tarred ropes and tar served as calking. Outside the planks, too, was a coating of painted tar, to protect then from the sea, and the depredations of ship worms. The tar was painted red and black, in irregular lines. The ship, at night, mast down with such colourings, moving inland on a river, among the shadows, would be extremely difficult to detect.It was a raider’s ship. The clinker-built construction, as opposed to the carvel construction of the south, with flush planking, is somewhat more inclined to leak, but is much stronger in the high waters of the north. The clinker construction allows the ship to literally bend and twist, almost elastically, in a vicious sea; the hull planking can be bent more than a foot Gorean without buckling. The decking on the ship is loose, and may be lifted or put to one side, to increase cargo space. The ship. Of course, is open. To protect goods or men from the rain or sun a large rectangle of boskhide, on stakes, tentlike stretched to cleats on the gunwales, is sometime used. This same rectangle of boskhide may be used, dropped between the gunwales, to collect rainwater. At night the men sleep on the deck, in waterproof bags, sewn from the skins of the sea sleen; in such a bag, also, they store their gear, generally beneath their bench. In some such ships, the men sit not on benches, but on their own large, locked sea chests, fixed in place, using them as benches.When, in the harbour, the ship rested on its moorings, the shields, overlapping, of its men were hung on the sides; this was another indication of peaceful intent. The shields were round, and of wood, variously painted, some reinforced with iron bands, others with leather, some with small bronze plates. In battle, of course, such shields are not hung on the side of the ship; they would obstruct the thole ports; but even if oars were not used they would be within the hull, at hand; why should a crewman expose himself to missile fire to retrieve a shield so fastened? Also, of course, when the ship is under sail they are not carried on the side, for the waves, always a menace in a ship with a low freeboard, would strike against them, and perhaps even tear them from the ship. But now they hung at the ship’s side, tied by their straps to the wooden bars inside the gunwales. The men did not carry their shields. They came in peace.
I had turned away and walked to the temple, for I wished tohave a place to stand.
Another feature of the northern ships is that they have, in effect, a prow on each end. This permits them to be beached, on rollers, more easily. They can be brought to land in either direction, a valuable property in the rocky, swift northern waters. Furthermore this permits the rowers, in reversing positions on the benches, to reverse the direction of the ship. This adds considerably to the manoeuvrability of the craft. It is almost impossible to ram one of the swift ships of the north.
The procession, I knew, must now be on its way to the temple.
Within the temple the incense hung thick about the rafters. It smarted my eyes, it sickened me.
The litany and responses of the congregation were now completed and the initiates, some twenty within the rail, began to sing in archaic Gorean. I could make out little of the wording. There was an accompaniment by sistrums. Portions of the hymn were taken up by four delicate boys standing outside the white rail on a raised platform. Their heads were shaved and they wore robes resembling those of the initiates. Choirs of such boys often sang in the great temples. They were young male slaves, purchased by initiates, castrated by civil authorities and, in the monasteries, trained in song. I supposed, to one versed in music, their soprano voices were very beautiful,Here in the far north, of course, in Kassau, to have any such boys, properly trained in the archaic hymns, indicated some wealth. I did not think such singers existed even in Lydius. The High Initiate of Kassau obviously was a man of expensive tastes.
I looked about myself. Most of the people seemed poor, fishermen, sawyers, porters, peasants. Most wore simple garments of plain wool, or even rep-cloth. The feet of many were bound in skins. Their backs were often bowed, their eyes vacant.The furnishings of the temple were quite splendid, gold hangings, and chains of gold, and lamps of gold, burning the finest of imported tharlarion oils. I looked into the hungry eyes of a child, clinging in a sack to its mother’s back. She kept nodding her head in prayer. The temple itself is quite large. It is some one hundred and twenty feet in length, and forty feet in width and height. Its roof, wooden-shingled, is supported on the walls, and two rows of squared pillars. On these pillars, and at places on the walls, were nailed sheets of gold. On these were inscribed prayers and invocations to the Priest-Kings. There were many candles in the sanctuary. They made the air even closer, burning the oxygen. The high altar, of marble, setting on a platform, also marble, of three broad steps, was surmounted by a great rounded circle of gold, which is often taken as a symbol of Priest-Kings. It is without beginning or end. It stands, I suppose, for eternity.At the foot of the altarbeasts were sometimes sacrificed, their horns held, their heads twisted, the blood from their opened throats caught in shallow golden bowls, to be poured upon the altar; too, choice portions of their flesh would be burnt upon the altar, the smoke escaping through a small hole in the roof. The temple, incidentally, is orientatedto the Sardar. When the High Initiate stands facing the altar, before the circle of gold, he faces the distant Sardar, the abode of Priest-Kings. He bows and prays to the distant Sardar and lifts the burned meat to the remote denizens ofthose mysterious mountains.