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His eyes, glancing round the chandlery, returned to me. 'You've done a lot of sailing, have you? I mean, you know the Mediterranean?'

'Pretty well.'

He didn't pursue that. 'Wade said you rented out villas.'

'Depends when you want to rent. Our main business, apart from boats, is villa maintenance. We only own two villas ourselves arid they're fairly well booked. I'll get my wife down if you like. She looks after the renting of them.'

But he was shaking his head. 'No, sorry — I'm not wanting to rent.'

'Then what do you want?' I asked, glancing rather pointedly at the clock on the wall.

'Nothing. Just the charts.' I had rolled them up for him and he reached out, but then changed his mind, pushing his hand into his hip pocket and coming up with a photograph. 'Have you met this man — on the island here?' He handed me the photograph. It was a full-face picture, head and shoulders, of a big, bearded man wearing a seaman's peaked cap, a scarf round his neck and what looked like an anorak or some sort of dark jacket.

'What makes you think I might have met him?' I asked.

'Wade thought, if he was here, perhaps he'd have chartered a yacht from you, or he might have come to you about renting a villa.'

'We haven't any yachts for charter, only an old converted fishing boat,' I told him. 'As for villas, there are thousands here, and a lot of people doing what we do — care and maintenance.' The man in the photograph looked as though he had seen a lot of life, a very strong face with big teeth showing through the beard, eyes deeply wrinkled at the comers and lines across the forehead. There was something about the eyes. They were wide and staring, so that they seemed to be looking out at the world with hostility. 'What's his name?' I asked.

He didn't reply for a moment, then he gave a little shrug. 'Evans. Patrick Evans. Or Jones. Sometimes Jones — it varies. I thought he might be in Malta.' He shook his head. 'Wade said if he wasn't in Malta I'd probably find him here.'

'He's Welsh, is he?' I was still looking down at the photograph, puzzled by something in that hard stare that seemed vaguely familiar. Then, because of the silence, I looked up. 'A friend of yours?'

He seemed to have some difficulty answering that, his eyes slipping away from me. 'I've met him,' he muttered vaguely, picking up the charts and tucking the roll under his arm. 'Let me know, will you, if he turns up.' And he added, 'You can keep the photograph.'

I asked him where I could get in touch with him and he scribbled his address on a sheet of paper I tore out of our receipts book. It was in Fornells, a private address, not a hotel. And he had written his name — Gareth Lloyd Jones. 'Perhaps we could have a drink together sometime,' he suggested. Then he was walking out with an easy, almost casual wave of the hand, all the hesitancy gone as though relieved to get away from me and out into the sunshine.

I watched him drive off and then my gaze returned to the photograph. Soo called down that coffee was ready Weekdays coffee was all we had in the morning. Sunday was the only day we treated ourselves to an English breakfast. I went back upstairs, and when I showed her the photograph, she said without a moment's hesitation, 'I'm sure he didn't have a beard.'

I took it to the window, looking at it in the clear sunlight, trying to visualise the man clean-shaven. 'The eyes were different, too,' she said, joining me at the window, the bulge of her pregnancy showing through the looseness of her dressing gown.

'Who is he?'

'Es Grau, don't you remember?' And she added, 'You're not concentrating.'

'How the hell can I?' I gave her bottom a smack, caught hold of one buttock and pulled her close so that her stomach was hard against me. 'Any kicks yet?'

She thrust herself clear, turning quickly and pouring the coffee. 'He was in that little bar-restaurant where they haul the boats up. It was raining and we had a cup of coffee and a Quinta there after we'd looked at that villa out near S'Albufera. Now do you remember? He was with two or three Menorquins.

She poured me my coffee and I stood sipping it, staring down at the photograph. I remembered the man now, but only vaguely. I had been more interested in the other two. One was Ismail Fuxa. I had never met him, but I had recognised him instantly from pictures in the local press. He was a member of the Partido Socialista,on the extreme left of the party and very active politically. My attention, however, had been focused on the little man sitting with his back to the window. I was almost certain he was the fellow I had chased one evening out near Binicalaf Nou. It had been dusk and I had stopped off to check one of the two villas we had under care in that neighbourhood. As I let myself in through the front door he had jumped out of a side window. He had had to run right past me and I had had a brief glimpse of his face looking scared. I went after him of course, but he had a motor bike parked down the dirt road and he'd got away from me.

When I returned to the villa and went into the big downstairs room I found he had sprayed URBANIZAR ES DESTRUIERright across one wall, and below that the letters SALV… I knew the rest of it by heart, so many villas had been sprayed with it — SALVEMO MENORCA.'Yes,' I said. 'I remember now. But it was months ago, last autumn.' I was thinking of all that had happened since, the orchestrated build-up of hostility by the separatists 'That was the first,' I added, gazing out at the limpid harbour water where a cruise ship showed white against the far shore.

The first what?' Her back was turned as she filled her cup.

'The first of our villas to be daubed.'

'They've only sprayed two of them, and they're not ours anyway. We only look after them.' She turned, cup in hand, pushing her dog out of the way with a bare foot. It was a basenji so we called it Benjie and it slept on her bed, a pleasant little fellow all dressed in cafe-au-laitwith a long, serious head, a perpetual frown, spindly legs and a curlycue of a tail. It was barkless and I could never understand the purpose of a dog that was a virtual mute. 'I've got something in mind,' she said. 'I want to talk to you about it'

I knew what was coming then and turned my back on her, gazing out of the window again. 'Just look at it1'

'Look at what' You haven't been listening '

'The morning,' I said The sun on the water, everything crystal bright' And I began to sing, 'Oh, what a bootiful mormn'. Oh, what a bootiful dayRemember that moonlit evening in the courtyard of your mother's house, the old gramophone?' I tried to grab her, thinking to take her mind off her obsession with property But she evaded me, eyes gone black and suddenly wide, hands across her belly 'Go on,' she said 'Finish it, why don't you7'

'I got a bootiful feehn', Everything's gain' ma way 'She came back to the window then, gazing out, but not seeing the sunshine or the golden gleam of the water. That's the feeling I've got,' she said, and she was looking straight at me 'Miguel rang last night.' I could see it in her eyes. For weeks she had been on at me to take advantage of the rash of villas that had recently come on to the market. She put her cup down, then turned to face me again. 'It was just before you came in. I didn't tell you because we were already late for the Rawlings', and afterwards… Well, it wasn't the moment, was it?'

'What did Miguel want?' Miguel Gallardo was the contractor we used when there was maintenance work we couldn't handle ourselves. He was now building a villa out on Punta Codolar, a bare, bleak headland in the north of the island that was crisscrossed with the half-completed roads of a new wbamzacion.'He needs help,' she said.

'Money?'

She nodded. 'It's all this build-up of trouble in the Med, of course — Libya in particular. The American he's building for has suddenly got cold feet and wants out. He's offering Miguel the whole place in lieu of what he owes him.' She reached out, her fingers gripping my arm as though she had hold of the villa already. 'I had a look at it with Petra when you were delivering that boat to Ajaccio, and now he says we can have it, as it stands, at cost. We pay Miguel's account, and that's that — it's ours.' She gave me the figure then, adding, 'It's a chance in a million, Mike.'