"We shall never come to any conclusion at all at this rate," she said. "As it appears that civilisation is so much more complex than we had any notion, would it not be better to confine ourselves to our original enquiry? We agreed that it was the object of life to produce good people and good books. All this time we have been talking of aeroplanes, factories, and money. Let us talk about men themselves and their arts, for that is the heart of the matter."
So the diners out stepped forward with long slips of paper containing answers to their questions. These had been framed after much consideration. A good man, we had agreed, must at any rate be honest, passionate, and unworldly. But whether or not a particular man possessed those qualities could only be discovered by asking questions, often beginning at a remote distance from the centre. Is Kensington a nice place to live in? Where is your son being educated—and your daughter? Now please tell me, what do you pay for your cigars? By the way, is Sir Joseph a baronet or only a knight? Often it seemed that we learnt more from trivial questions of this kind than from more direct ones. "I accepted my peerage," said Lord Bunkum, "because my wife wished it." I forget how many titles were accepted for the same reason. "Working fifteen hours out of the twenty-four, as I do——" ten thousand professional men began.
"No, no, of course you can neither read nor write. But why do you work so hard?" "My dear lady, with a growing family——" "But why does your family grow?" Their wives wished that too, or perhaps it was the British Empire. But more significant than the answers were the refusals to answer. Very few would reply at all to questions about morality and religion, and such answers as were given were not serious. Questions as to the value of money and power were almost invariably brushed aside, or pressed at extreme risk to the asker. "I'm sure," said Jill, "that if Sir Harley Tightboots hadn't been carving the mutton when I asked him about the capitalist system he would have cut my throat. The only reason why we escaped with our lives over and over again is that men are at once so hungry and so chivalrous. They despise us too much to mind what we say."
"Of course they despise us," said Eleanor. "At the same time how do you account for this—I made enquiries among the artists. Now, no woman has ever been an artist, has she, Poll?"
"Jane-Austen-Charlotte-Brontë-George-Eliot," cried Poll, like a man crying muffins in a back street.
"Damn the woman!" someone exclaimed. "What a bore she is!"
"Since Sappho there has been no female of first rate——" Eleanor began, quoting from a weekly newspaper.
"It's now well known that Sappho was the somewhat lewd invention of Professor Hobkin," Ruth interrupted.
"Anyhow, there is no reason to suppose that any woman ever has been able to write or ever will be able to write," Eleanor continued. "And yet, whenever I go among authors they never cease to talk to me about their books. Masterly! I say, or Shakespeare himself! (for one must say something) and I assure you, they believe me."
"That proves nothing," said Jane. "They all do it. Only," she sighed, "it doesn't seem to help us much. Perhaps we had better examine modern literature next. Liz, it's your turn."
Elizabeth rose and said that in order to prosecute her enquiry she had dressed as a man and been taken for a reviewer.
"I have read new books pretty steadily for the past five years," said she. "Mr. Wells is the most popular living writer; then comes Mr. Arnold Bennett; then Mr. Compton Mackenzie; Mr. McKenna and Mr. Walpole may be bracketed together." She sat down.
"But you've told us nothing!" we expostulated. "Or do you mean that these gentlemen have greatly surpassed Jane-Elliot and that English fiction is——where's that review of yours? Oh, yes, 'safe in their hands.'"
"Safe, quite safe," she said, shifting uneasily from foot to foot. "And I'm sure that they give away even more than they receive."
We were all sure of that. "But," we pressed her, "do they write good books?"
"Good books?" she said, looking at the ceiling. "You must remember," she began, speaking with extreme rapidity, "that fiction is the mirror of life. And you can't deny that education is of the highest importance, and that it would be extremely annoying, if you found yourself alone at Brighton late at night, not to know which was the best boarding house to stay at, and suppose it was a dripping Sunday evening—wouldn't it be nice to go to the Movies?"
"But what has that got to do with it?" we asked.
"Nothing—nothing—nothing whatever," she replied.
"Well, tell us the truth," we bade her.
"The truth? But isn't it wonderful," she broke off—"Mr. Chitter has written a weekly article for the past thirty years upon love or hot buttered toast and has sent all his sons to Eton——"
"The truth!" we demanded.
"Oh, the truth," she stammered, "the truth has nothing to do with literature," and sitting down she refused to say another word.
It all seemed to us very inconclusive.
"Ladies, we must try to sum up the results," Jane was beginning, when a hum, which had been heard for some time through the open window, drowned her voice.
"War! War! War! Declaration of War!" men were shouting in the street below.
We looked at each other in horror.
"What war?" we cried. "What war?" We remembered, too late, that we had never thought of sending anyone to the House of Commons. We had forgotten all about it. We turned to Poll, who had reached the history shelves in the London Library, and asked her to enlighten us.
"Why," we cried, "do men go to war?"
"Sometimes for one reason, sometimes for another," she replied calmly. "In 1760, for example——" The shouts outside drowned her words. "Again in 1797—in 1804—It was the Austrians in 1866—1870 was the Franco-Prussian—In 1900 on the other hand——"
"But it's now 1914!" we cut her short.
"Ah, I don't know what they're going to war for now," she admitted.
* * * * *
The war was over and peace was in process of being signed, when I once more found myself with Castalia in the room where our meetings used to be held. We began idly turning over the pages of our old minute books. "Queer," I mused, "to see what we were thinking five years ago." "We are agreed," Castalia quoted, reading over my shoulder, "that it is the object of life to produce good people and good books." We made no comment upon that. "A good man is at any rate honest, passionate and unworldly." "What a woman's language!" I observed. "Oh, dear," cried Castalia, pushing the book away from her, "what fools we were! It was all Poll's father's fault," she went on. "I believe he did it on purpose—that ridiculous will, I mean, forcing Poll to read all the books in the London Library. If we hadn't learnt to read," she said bitterly, "we might still have been bearing children in ignorance and that I believe was the happiest life after all. I know what you're going to say about war," she checked me, "and the horror of bearing children to see them killed, but our mothers did it, and their mothers, and their mothers before them. And they didn't complain. They couldn't read. I've done my best," she sighed, "to prevent my little girl from learning to read, but what's the use? I caught Ann only yesterday with a newspaper in her hand and she was beginning to ask me if it was 'true.' Next she'll ask me whether Mr. Lloyd George is a good man, then whether Mr. Arnold Bennett is a good novelist, and finally whether I believe in God. How can I bring my daughter up to believe in nothing?" she demanded.
"Surely you could teach her to believe that a man's intellect is, and always will be, fundamentally superior to a woman's?" I suggested. She brightened at this and began to turn over our old minutes again. "Yes," she said, "think of their discoveries, their mathematics, their science, their philosophy, their scholarship——" and then she began to laugh, "I shall never forget old Hobkin and the hairpin," she said, and went on reading and laughing and I thought she was quite happy, when suddenly she drew the book from her and burst out, "Oh, Cassandra, why do you torment me? Don't you know that our belief in man's intellect is the greatest fallacy of them all?" "What?" I exclaimed. "Ask any journalist, schoolmaster, politician or public house keeper in the land and they will all tell you that men are much cleverer than women." "As if I doubted it," she said scornfully. "How could they help it? Haven't we bred them and fed and kept them in comfort since the beginning of time so that they may be clever even if they're nothing else? It's all our doing!" she cried. "We insisted upon having intellect and now we've got it. And it's intellect," she continued, "that's at the bottom of it. What could be more charming than a boy before he has begun to cultivate his intellect? He is beautiful to look at; he gives himself no airs; he understands the meaning of art and literature instinctively; he goes about enjoying his life and making other people enjoy theirs. Then they teach him to cultivate his intellect. He becomes a barrister, a civil servant, a general, an author, a professor. Every day he goes to an office. Every year he produces a book. He maintains a whole family by the products of his brain—poor devil! Soon he cannot come into a room without making us all feel uncomfortable; he condescends to every woman he meets, and dares not tell the truth even to his own wife; instead of rejoicing our eyes we have to shut them if we are to take him in our arms. True, they console themselves with stars of all shapes, ribbons of all shades, and incomes of all sizes—but what is to console us? That we shall be able in ten years' time to spend a week-end at Lahore? Or that the least insect in Japan has a name twice the length of its body? Oh, Cassandra, for Heaven's sake let us devise a method by which men may bear children! It is our only chance. For unless we provide them with some innocent occupation we shall get neither good people nor good books; we shall perish beneath the fruits of their unbridled activity; and not a human being will survive to know that there once was Shakespeare!"