He watched Mort climb the stairs towards him.
“Are you angry about something?” he said. “I started work, but I got rather tied up with other things. Very difficult, walking through—why are you looking at me like that?”
“What are you doing here?”
“I might ask you the same question. Would you like a strawberry?”
Mort glanced at the small wooden punnet in the wizard’s hands.
“In mid-winter?”
“Actually, they’re sprouts with a dash of enchantment.”
“They taste like strawberries?”
Cutwell sighed. “No, like sprouts. The spell isn’t totally efficient. I thought they might cheer the princess up, but she threw them at me. Shame to waste them. Be my guest.”
Mort gaped at him.
“She threw them at you?”
“Very accurately, I’m afraid. Very strong-minded young lady.”
Hi, said a voice in the back of Mort’s mind, it’s you again, pointing out to yourself that the chances of the princess even contemplating you know with this fellow are on the far side of remote.
Go away, thought Mort. His subconscious was worrying him. It appeared to have a direct line to parts of his body that he wanted to ignore at the moment.
“Why are you here?” he said aloud. “Is it something to do with all these pictures?”
“Good idea, wasn’t it?” beamed Cutwell. “I’m rather proud of it myself.”
“Excuse me,” said Mort weakly. “I’ve had a busy day. I think I’d like to sit down somewhere.”
“There’s the Throne Room,” said Cutwell. “There’s no-one in there at this time of night. Everyone’s asleep.”
Mort nodded, and then looked suspiciously at the young wizard.
“What are you doing up, then?” he said.
“Um,” said Cutwell, “um, I just thought I’d see if there was anything in the pantry.”
He shrugged.[6]
Now is the time to report that Cutwell too notices that Mort, even a Mort weary with riding and lack of sleep, is somehow glowing from within and in some strange way unconnected with size is nevertheless larger than life. The difference is that Cutwell is, by training, a better guesser than other people and knows that in occult matters the obvious answer is usually the wrong one.
Mort can move absentmindedly through walls and drink neat widowmaker soberly not because he is turning into a ghost, but because he is becoming dangerously real.
In fact, as the boy stumbles while they walk along the silent corridors and steps through a marble pillar without noticing, it’s obvious that the world is becoming a pretty insubstantial place from his point of view.
“You just walked through a marble pillar,” observed Cutwell. “How did you do it?”
“Did I?” Mort looked around. The pillar looked sound enough. He poked an arm towards it, and slightly bruised his elbow.
“I could have sworn you did,” said Cutwell. “Wizards notice these things, you know.” He reached into the pocket of his robe.
“Then have you noticed the mist dome around the country?” said Mort.
Cutwell squeaked. The jar in his hand dropped and smashed on the tiles; there was the smell of slightly rancid salad dressing.
“Already?”
“I don’t know about already,” said Mort, “but there’s this sort of crackling wall sliding over the land and no-one else seems to worry about it and—”
“How fast was it moving?”
“—it changes things!”
“You saw it? How far away is it? How fast is it moving?”
“Of course I saw it. I rode through it twice. It was like—”
“But you’re not a wizard, so why—”
“What are you doing here, anyway—”
Cutwell took a deep breath. “Everyone shut up!” he screamed.
There was silence. Then the wizard grabbed Mort’s arm. “Come on,” he said, pulling him back along the corridor. “I don’t know who you are exactly and I hope I’ve got time to find out one day but something really horrible is going to happen soon and I think you’re involved, somehow.”
“Something horrible? When?”
“That depends on how far away the interface is and how fast it’s moving,” said Cutwell, dragging Mort down a side passage. When they were outside a small oak door he let go of his arm and fumbled in his pocket again, removing a small hard piece of cheese and an unpleasantly squashy tomato.
“Hold these, will you? Thank you.” He delved again, produced a key and unlocked the door.
“It’s going to kill the princess, isn’t it?” said Mort.
“Yes,” said Cutwell, “and then again, no.” He paused with his hand on the doorhandle. “That was pretty perspicacious of you. How did you know?”
“I—” Mort hesitated.
“She told me a very strange story,” said Cutwell.
“I expect she did,” said Mort. “If it was unbelievable, it was true.”
“You’re him, are you? Death’s assistant?”
“Yes. Off duty at the moment, though.”
“Pleased to hear it.”
Cutwell shut the door behind them and fumbled for a candlestick. There was a pop, a flash of blue light and a whimper.
“Sorry,” he said, sucking his fingers. “Fire spell. Never really got the hang of it.”
“You were expecting the dome thing, weren’t you?” said Mort urgently. “What will happen when it closes in?”
The wizard sat down heavily on the remains of a bacon sandwich.
“I’m not exactly sure,” he said. “It’ll be interesting to watch. But not from inside, I’m afraid. What I think will happen is that the last week will never have existed.”
“She’ll suddenly die?”
“You don’t quite understand. She will have been dead for a week. All this—” he waved his hands vaguely in the air—“will not have happened. The assassin will have done his job. You will have done yours. History will have healed itself. Everything will be all right. From History’s point of view, that is. There really isn’t any other.”
Mort stared out of the narrow window. He could see across the courtyard into the glowing streets outside, where a picture of the princess smiled at the sky.
“Tell me about the pictures,” he said. “That looks like some sort of wizard thing.”
“I’m not sure if it’s working. You see, people were beginning to get upset and they didn’t know why, and that made it worse. Their minds were in one reality and their bodies were in another. Very unpleasant. They couldn’t get used to the idea that she was still alive. I thought the pictures might be a good idea but, you know, people just don’t see what their mind tells them isn’t there.”
“I could have told you that,” said Mort bitterly.
“I had the town criers out during the daytime,” Cutwell continued. “I thought that if people could come to believe in her, then this new reality could become the real one.”
“Mmmph?” said Mort. He turned away from the window. “What do you mean?”
“Well, you see—I reckoned that if enough people believed in her, they could change reality. It works for gods. If people stop believing in a god, he dies. If a lot of them believe in him, he grows stronger.”
“I didn’t know that. I thought gods were just gods.”
“They don’t like it talked about,” said Cutwell, shuffling through the heap of books and parchments on his worktable.
“Well, that might work for gods, because they’re special,” said Mort. “People are—more solid. It wouldn’t work for people.”
“That’s not true. Let’s suppose you went out of here and prowled around the palace. One of the guards would probably see you and he’d think you were a thief and he’d fire his crossbow. I mean, in his reality you’d be a thief. It wouldn’t actually be true but you’d be just as dead as if it was. Belief is powerful stuff. I’m a wizard. We know about these things. Look here.”
6
There had been half a jar of elderly mayonnaise, a piece of very old cheese, and a tomato with white mould growing on it. Since during the day the pantry of the palace of Sto Lat normally contained fifteen whole stags, one hundred brace of partridges, fifty hogsheads of butter, two hundred jugs of hares, seventy-five sides of beef, two miles of assorted sausages, various fowls, eighty dozen eggs, several Circle Sea sturgeon, a vat of caviar and an elephant’s leg stuffed with olives, Cutwell had learned once again that one universal manifestation of raw, natural magic throughout the universe is this: that any domestic food store, raided furtively in the middle of the night, always contains, no matter what its daytime inventory, half a jar of elderly mayonnaise, a piece of very old cheese, and a tomato with white mould growing on it.