The other thousand or so facts in the file on Dykes had as little discernible bearing on his murder as those I have given for samples.
On Joan Wellman, the Bronx had not been as much in love with the hit-and-run theory as Wellman suspected, but it was just as well that her father did not have access to the police file. They didn't care much for Joan's version of her Friday date in her letter home, especially since they could find no one among her office associates to whom she had mentioned it. I gave them a low mark on that, knowing how full offices are of petty jealousies and being willing to give our client's daughter credit for enough sense to keep her mouth shut about her private affairs. Aside from the search for the car that had run over her, the Bronx had mostly concentrated on her boy friends. If you want to give the average dick a job he really likes, sit him down with a man who has been seen fairly recently in the company of a pretty girl who has just died a sudden and violent death. Think of the questions he can ask. Look at the ground he can cover, no matter who the man is, with no risk of a comeback that will cost him anything.
So the Bronx had done the boy friends up brown, especially an advertising copywriter named Atchison, apparently because his name began with "A" and had a "c" and an "h" in it, and it had dawned upon some eagle eye that Archer did too, and what more do you want?" Luckily for Atchison, he had taken a four-thirty train Friday afternoon, February second, to spend the weekend with friends at Westport. Two dicks had worked like dogs trying to pry that alibi loose, with no success.
As far as I could tell from the file, it looked as if Joan had had not only beauty and intelligence but also good old-fashioned virtue. The three boy friends who had been flushed were unanimous on that they had admired and respected her. One of them had been after her for a year to marry him and had had hopes. If any of them had had reason to prefer her dead, the Bronx had failed to dig up a hint of it.
I went back home and typed it all up for Wolfe, and got reports on the phone from Saul and Fred and Orrie.
I spent most of Wednesday at the office of Scholl and Hanna on Forty-fifth Street. What I got out of it was a respectful appreciation of the book-publishing business as a means of corralling jack. The office took up two whole floors, with nothing spared anywhere in the way of rugs and furniture. Scholl was in Florida, I was told, and Hanna never got in until ten-thirty. I was escorted down a hall to the room of a junior executive who needed a haircut and was chewing gum, and when I showed him the note I had from our client he said they would be glad to cooperate with the bereaved father of their late employee, and I could ask questions of any of the staff I cared to see, starting with him if I wanted to. But would I please tell him, had something new turned up? City detectives, three of them, had been there again yesterday, for hours, and now here was Nero Wolfe's Archie Goodwin. What was stirring? I told him something harmless and began on him.
The fact that Wolfe never leaves the office on business, unless there is an incentive more urgent than the prospect of a fee, such as saving his own skin, has a lot to do with the way I work. When I'm out on a case and get something helpful I like to recognize it before I deliver it to Wolfe, but as I left Scholl and Hanna's I couldn't see a crumb. It was hard to believe that I had spent nearly five hours in the office where Joan Wellman had worked, questioning everybody from the office boy to Hanna himself, without getting a single useful item, but that was how it looked. The one thing that tied in at all was an entry in the columns of a big book I had been shown. I give it with the column headings:
number: 16237
date: Oct. 2
name and address: Baird Archer, General Delivery, Clinton Station, N. Y. City
title: Put Not Your Trust
detaiclass="underline" Novel 246 pp.
postage enclosed: 630
read by: Joan Wellman
disposition: Rejected
ret'd. mail Oct. 27
That was my haul. The manuscript had been received by mail. No one had ever heard of Baird Archer, except for that entry. No one else had looked at the manuscript or remembered anything about it. If Joan had made any comment on it to anyone they had forgotten it. She had not mentioned the phone call from Baird Archer or her appointment with him. I could go on with negatives for a page.
When I reported to Wolfe that evening I told him, "It looks o me as if we're all set. Two hundred and forty-six sheets of typewriter paper weigh a lot more than twenty-one ounces. Either he wrote on both sides, or he used thin light paper, or he didn't enclose enough postage. All we have to do is find out which and we've got him,"
"Harlequin," he growled.
"Have you a better suggestion? From what I've brought in?"
"No."
"Did I get anything at all?"
"No."
"Okay. That's what I mean. Two days of me, nothing. Two days of the boys calling on typing services, nothing. At two hundred bucks a day, four C's of Wellman's money already gone. This would be all right for an agency or the cops, that's how they work, but it's not your way. I'll bet you a week's pay you haven't turned your brain on it once during the forty-eight hours!"
"On what?" he demanded. "I can't grapple, with a shadow. Get me something of him - a gesture, an odor, a word, a sound he made. Bring me something."
I had to admit, though of course not to him, that he had a point. You could say that Cramer had a trained army looking for Baird Archer, but it wouldn't mean much. They had no idea what he looked like. They had no evidence that anyone had ever known him, or even met him, by that name. There was no proof that Baird Archer had ever been anything but a name. It would be about the same if you just made up a name for a man, say Freetham Choade, and then tried to find him. After you look in the phone book, what do you do next?
I spent the rest of that week collecting some very interesting data about the quality and tone of publishers' offices. I learned that Simon and Schuster, in Rockefeller Center, had fallen hard for modern and didn't give a damn what it cost; that Harper and Brothers liked old desks and didn't care for ashtrays; that the Viking Press had a good eye for contours and comeliness when hiring female help; that The Macmillan Company had got itself confused with a Pullman car; and so on. I covered the whole trade, big and little, and the only concrete "result was a dinner date with a young woman at Scribner's who struck me as worth following up on the chance that she might have something I would like to know about. No one anywhere knew anything about a Baird Archer. If he had submitted the manuscript of "Put Not Your Trust" to any other firm than Scholl and Hanna, there was no record or memory of it.
Over the weekend I had a couple of talks with Purley Stebbins. If we were getting nowhere fast, so were the cops. They had uncovered a Baird Archer somewhere down in Virginia, but he was over eighty and couldn't read or write. Their big idea was to find some link between Leonard Dykes and Joan Wellman, and three of Cramer's best men were clawing away at it. When I reported that to Wolfe Sunday evening he snorted.
"Jackassery. I gave them the link."
"Yes, sir," I said sympathetically. "That was what tired you out."
"I am not tired out. I am not even tired."
"Then I lied to our client. The second time he called today I told him that you were exhausted with overwork on his case. I had to tell him something drastic because he's getting impatient. What's wrong with the beer? Too cold?"
"No. I am considering you. Most of these typing services are run by women, aren't they?"
"Not most. All."
"Then you will start on that tomorrow morning. You may be luckier than Saul and Fred and Orrie, but they will continue at it too. We'll finish that job before we try something else. Some of the women are surely young and personable. Don't overwork."