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“Oh, spare me the fate of the pen-pushing man In the comfortless gloom of his office, Where there’s never a blot and it’s all spick-and-span, And he never spills mid-morning coffees. But grant me instead my own mess of a desk With my books and my letters and clutter, Where the tea has been spilt and the filing’s grotesque, And the drawers may contain bread and butter. And let me thank God that I don’t have to be Like that miserable office-bound blighter. I’m disorganized, messy, untidy – and free! Thank God for the life of a writer!’”

 Again it was cheap rhetoric. And again it worked. The quotation from one of Esmond Chadleigh’s most famous light verses brought an instinctive round of applause from the Trustees’ Meeting. They had been won round by someone who was no longer even a Trustee.

As the clapping died, Belinda Chadleigh smiled at no one in particular and said, ‘I like that poem.’

Chapter Three

Carole Seddon decided there was no time like the present. The squabblings and confrontations at the meeting had only strengthened her resolve to resign from her Trusteeship. She couldn’t pretend the same level of interest in the fate of Bracketts that had been shown by the other committee members. It was time for a dignified withdrawal.

As they left the main building, Carole hurried to catch up with Gina Locke, who was walking determinedly towards the converted stable block which now housed the Administrative Office. The Director didn’t have the air of a woman who had just suffered a humiliating defeat.

‘Gina, I just wanted to say sorry . . .’ Carole began.

‘No need to say sorry to me. Nothing that happened in that meeting was your fault. I was glad to have your support.’

‘No, I didn’t mean—’

‘Sheila may reckon she’s won this round, but she won’t win in the long term. She no longer has any power at Bracketts, and soon she’s going to have to come to terms with that.’

‘She seemed to have power over that meeting,’ said Carole.

‘Oh yes, she won a cheap propaganda victory with the Trustees, but she no longer has any influence in the day-to-day running of the place.’

‘Your tone could almost imply that the Trustees aren’t very important.’

Gina stopped, adjusted her papers, and looked up into Carole’s pale blue eyes. She hesitated for a second, then seemed to make the decision that she was on safe ground. ‘It would be rather offensive for me to say that, wouldn’t it? To such a new Trustee?’

Carole shrugged, and gave a reassuring grin. ‘My back is broad.’

‘All right then, I’ll tell you.’ Gina smiled. ‘In the overall scheme of things here at Bracketts, the Trustees aren’t that important. They have to be there – that’s part of the terms of the way the charity was set up – and some of them have very useful contacts, which can make my job a lot easier. But a lot of what they do is just rubber-stamping decisions that have already been made. The Bracketts Trustees are a very typically British institution, a system of checks and balances . . .’

‘There to provide the illusion of consultation and democracy . . .?’

‘Exactly.’ The Director smiled at Carole’s ready understanding of the situation. ‘So while in my job it would be very foolish of me to antagonize the Trustees – and while on major issues I must bow to their decisions . . . at least for the time being – most of the time I get on with running Bracketts exactly as I think it should be run. For heaven’s sake, the Trustees only meet six times a year. There’s the occasional exchange of letters and phone calls between meetings, but most of the time I can get on with my own job without any interference.’

‘The use of that word implies you’d be happier if there was no Board of Trustees.’

‘No question about that.’ Gina’s response was so instinctive that she felt she should perhaps soften it a bit. ‘I’m sorry, that’s the knee-jerk reaction you’d get from anyone in my position. Professional administrators always resent the presence of amateur advisory boards. That’s just one of the rules of business – as true in the heritage industry as it is anywhere else. From my point of view, the Trustees are just a pain in the butt.’

‘Well, thank you for being so frank,’ said Carole in mock-affront. ‘For telling me that, as a Trustee, I am entirely redundant.’

‘Oh, I didn’t mean—’

‘Don’t worry. I’m not at all offended. In fact, what you’ve told me makes it rather easier for me to say what I was about to—’

‘No, the Trustees are a pain in the butt, but they exist, and that’s it. I have to work with them – which is why it’s so important that I get as many like-minded people on the Board as possible. Which is why I persuaded them to ask you to join, Carole. The more support I can get at those meetings from people like you, the easier my job becomes.’

‘Ah.’ Suddenly what Carole was about to say had become more difficult again.

They had reached the entrance to the stable block. ‘But if there’s something you want to talk about, come on in.’

‘Well . . .’

Carole’s indecision was interrupted by the ungainly arrival across the yard of a stocky young man in clean blue overalls. He moved with the suppressed excitement of a child with a secret to tell, and his face was childlike too. Though probably in his twenties, he had the flat face and thick neck that characterized Down’s syndrome. He was ruddy and freckled from outside work. Excitement sparkled in his watery blue eyes.

‘Gina. Gina.’

‘Yes, Jonny. Look, you can see I’m talking to someone,’ she reprimanded with surprising gentleness. ‘You shouldn’t interrupt.’

‘I know, but sorry, I . . . There’s something . . .’

‘This is Carole Seddon. Jonny Tyson.’

The young man held out his hand very correctly, then thought better of the idea, and wiped it on his overalls. ‘Bit dirty. Been digging.’

‘Jonny’s one of the Volunteers. They’re working in the kitchen garden, preparing the space where the Museum will be built.’ Gina smiled, again with great compassion. ‘We couldn’t manage without Jonny.’

His beam of gratitude for the compliment nearly split his face in half, but he was still agitated, bouncing uneasily on the balls of his feet, as if trying to contain the power of his muscular body. ‘Please, Gina. There’s something . . . where we’ve been digging. Could you come and have a look?’

‘Yes, all right, Jonny.’ The Director moved towards the stable block door. ‘I’m just going to have a word with Carole, and then I’ll—’

‘Please, it’d be better if you could come straight away.’

There was no panic in his voice, but the urgency communicated itself from the trembling intensity of his body.

‘All right. Carole, we can talk as we go along . . . if that’s all right with you?’

‘Fine.’

‘No, I don’t think . . .’ But the two women had already moved on before Jonny Tyson could articulate his objection.

The kitchen garden of Bracketts was between the main house and the field which had been tarmacked over into a car park, so it had the ideal position for a Visitors’ Centre. Every new arrival would have to pass by at the start of their tour, and as they left they would hopefully visit the gift shop to load up with Esmond Chadleigh mugs and tea towels, as well as copies of those of his books that remained in print.