There was a curtain in front of Ungo-Bungo's cage. At the appropriate moment there were growls and the sound of a length of chain being slapped against a metal plate. The spieler wound up on a high note: "ladies and gentlemen, the one and only UNGO-BUNGO!" The curtain dropped.
The ape-man was squatting at the back of his cage. He dropped his chain, got up, and shuffled forward. He grasped two of the bars and shook them. They were appropriately loose and rattled alarmingly. Ungo-Bungo snarled at the patrons, showing his even, yellow teeth.
Dr. Saddler stared hard. This was something new in the ape-man line. Ungo-Bungo was about five feet three, but very massive, with enormous hunched shoulders. Above and below his blue swimming trunks thick, grizzled hair covered him from crown to ankle. His short, stout-muscled arms ended in big hands with thick, gnarled fingers. His neck projected slightly forward, so that from the front he seemed to have but little neck at all.
His face well, thought Dr. Saddler, she knew all the living races of men, and all the types of freak brought about by glandular maladjustment, and none of them had a face like that. It was deeply lined. The forehead between the short scalp hair and the brows on the huge supraorbital ridges receded sharply. The nose, although wide, was not apelike; it was a shortened version of the thick, hooked Armenoid nose, so often miscalled Jewish. The face ended in a long upper lip and a retreating chin. And the yellowish skin apparently belonged to Ungo-Bungo.
The curtain was whisked up again.
Dr. Saddler went out with the others, but paid another dime, and soon was back inside. She paid no attention to the spieler, but got a good position in front of Ungo-Bungo's cage before the rest of the crowd arrived.
Ungo-Bungo repeated his performance with mechanical precision. Dr. Saddler noticed that he limped a little as he came forward to rattle the bars, and that the skin under his mat of hair bore several big whitish scars. The last joint of his left ring finger was missing. She noted certain things about the proportions of his shin and thigh, of his forearm and upper arm, and his big splay feet.
Dr. Saddler paid a third dime. An idea was knocking at her mind somewhere. If she let it in, either she was crazy or physical anthropology was haywire or something. But she knew that if she did the sensible thing, which was to go home, the idea would plague her from now on.
After the third performance she spoke to the spieler. "I think your Mr. Ungo-Bungo used to be a friend of mine. Could you arrange for me to see him after he finishes?"
The spieler checked his sarcasm. His questioner was so obviously not a not the sort of dame who asks to see guys after they finish.
"Oh, him," he said. "Calls himself Gaffney Clarence Aloysius Gaffney. That the guy you want?"
"Why, yes."
"I guess you can." He looked at his watch. "He's got four more turns to do before we close. I'll have to ask the boss." He popped through a curtain and called, "Hey, Morrie!" Then he was back. "It's okay. Morrie says you can wait in his office. Foist door to the right."
Morrie was stout, bald, and hospitable. "Sure, sure," he said, waving his cigar. "Glad to be of soivace, Miss Saddler. Chust a min while I talk to Gaffney's manager." He stuck his head out. "Hey, Pappas! Lady wants to talk to your ape-man later. I meant lady, O.K." He returned to orate on the difficulties besetting the freak business. "You take this Gaffney, now. He's the best damn ape-man in the business; all that hair rilly grows outa him. And the poor guy rilly has a face like that. But do people believe it? No! I hear 'em going out, saying about how the hair is pasted on, and the whole thing is a fake. It's mawtifying." He cocked his head, listening. "That rumble wasn't no rolly-coaster; it's gonna rain. Hope it's over by tomorrow. You wouldn't believe the way a rain can knock ya receipts off. If you drew a coive, it would be like this." He drew his finger horizontally through space, jerking it down sharply to indicate the effect of rain. "But as I said, people don't appreciate what you try to do for 'em. It's not just the money; I think of myself as an ottist. A creative ottist. A show like this got to have balance and propawtion, like any other ott"
It must have been an hour later when a slow, deep voice at the door said: "Did somebody want to see me?"
The gnarly man was in the doorway. In street clothes, with the collar of his raincoat turned up and his hat brim pulled down, he looked more or less human, though the coat fitted his great, sloping shoulders badly. He had a thick, knobby walking stick with a leather loop near the top end. A small, dark man fidgeted behind him.
"Yeah," said Morrie, interrupting his lecture. "Clarence, this is Miss Saddler. Miss Saddler, this is Mr. Gaffney, one of our outstanding creative ottists."
"Pleased to meetcha," said the gnarly man. "This is my manager, Mr. Pappas."
Dr. Saddler explained, and said she'd like to talk to Mr. Gaffney if she might. She was tactful; you had to be to pry into the private affairs of Naga headhunters, for instance. The gnarly man said he'd be glad to have a cup of coffee with Miss Saddler; there was a place around the corner that they could reach without getting wet.
As they started out, Pappas followed, fidgeting more and more. The gnarly man said: "Oh, go home to bed, John. Don't worry about me." He grinned at Dr. Saddler. The effect would have been unnerving to anyone but an anthropologist. "Every time he sees me talking to anybody, he thinks it's some other manager trying to steal me." He spoke general American, with a suggestion of Irish brogue in the lowering of the vowels in words like "man" and "talk." "I made the lawyer who drew up our contract fix it so it can be ended on short notice."
Pappas departed, still looking suspicious. The rain had practically ceased. The gnarly man stepped along smartly despite his limp.
A woman passed with a fox terrier on a leash. The dog sniffed in the direction of the gnarly man, and then to all appearances went crazy, yelping and slavering. The gnarly man shifted his grip on the massive stick and said quietly, "Better hang onto him, ma'am." The woman departed hastily. "They just don't like me," commented Gaffney. "Dogs, that is."
They found a table and ordered their coffee. When the gnarly man took off his raincoat, Dr. Saddler became aware of a strong smell of cheap perfume. He got out a pipe with a big knobby bowl. It suited him, just as the walking stick did. Dr. Saddler noticed that the deep-sunk eyes under the beetling arches were light hazel.
"Well?" he said in his rumbling drawl.
She began her questions.
"My parents were Irish," he answered. "But I was born in South Boston let's see forty-six years ago. I can get you a copy of my birth certificate. Clarence Aloysius Gaffney, May 2, 1900." He seemed to get some secret amusement out of that statement.
"Were either of your parents of your somewhat unusual physical type?"
He paused before answering. He always did, it seemed. "Uh-huh. Both of 'em. Glands, I suppose."
"Were they both born in Ireland?"
"Yep. County Sligo." Again that mysterious twinkle.
She thought. "Mr. Gaffney, you wouldn't mind having some photographs and measurements made, would you? You could use the photographs in your business."
"Maybe." He took a sip. "Ouch! Gazooks, that's hot!"
"What?"
"I said the coffee's hot."
"I mean, before that."
The gnarly man looked a little embarrassed. "Oh, you mean the 'gazooks'? Well, I uh once knew a man who used to say that."
"Mr. Gaffney, I'm a scientist, and I'm not trying to get anything out of you for my own sake. You can be frank with me."