In the end, music did explain everything.
The front doors of the houses on Calle Burleigh hung open, and the residents watched from their front stoops or their cement walkways or stood on the crowded sidewalk talking to each other. A big woman in a blue housedress caught his eye by jabbing her finger toward her side lawn as she said, Cornerboy, always trouble, I sent him back scared, made him run, those boys over there, who knows about them?
She pointed between the buildings toward 44th Street and carried Tom’s eye with her. On 44th Street no front doors stood open, and the only visible human being was a drunken fat man who sat smoking on the stoop of a brown and yellow duplex, wondering what he was going to do next.
Esmond Walker’s ambulance had turned off Calle Bavaria at the north end of Goethe Park and was beginning to move slowly through the stalled carts and leaning bicycles at the perimeter of the circle of disorder caused by Tom’s accident. Mr. Walker edged past a wagon piled with tanned hides, gave a nudge to a delivery van from Ostend’s Market that pulled up far enough to let him in, and changed the frequency of his siren from an ongoing whooping wail to a steady, more peremptory bip-bip-bip. He moved around two bicyclists who stared into the cab as if blaming him for the delay, tossed away his cigarette, and kept moving steadily through the crowd of vehicles slowly parting to let him through.
From his perch above the dissolving chaos, Tom heard the change in the siren’s signal, and the change of tone seemed to nudge him as certainly as the Ostend’s van, for the music began spreading out through the air around him, trumpets called, and the complicated scene beneath Tom darkened and fell away.
So that’s how it happens, he thought, and then he was moving fast down a dark tunnel toward a warm bright light. He was not moving his arms and legs, but neither was he being carried in any way. He seemed almost to be flying, but upright, as though supported by an invisible walkway. The music he had heard surrounded him like the sound of humming, or bird song almost too soft to be audible, and the air carried him and the music toward the distant light.
The tunnel had imperceptibly widened, and he was moving through a gathering of shadowy figures who radiated welcome and protection—Tom knew that he had seen these people before, that every one of them had been known to him in his earthly life, and that even though he could not identify them right now, he was deeply relieved to see them again.
Tom’s entire body felt full of light and the same feelings that had swept over him when he had jumped down from the milk cart. A delicious feeling of absolute rightness, of all worry having been thrown off, never again to be met, spread through him as he traveled through the protective crowd toward the light. Had he not always known these feelings? In some form? He thought they had been the deepest portion of his life, the most powerful but the least visible, the least known or understood, at once the most trusted and least dependable. They were the feelings caused by the sense of a real radiance existing at the center of life—now he knew that the radiance was real, for he was traveling toward it amidst people who loved him and wished him comfort and peace in his new condition, a condition he hungered for and needed more intensely with every inch of ground he flew over on his way to the light. For every inch meant an increase in clarity and certainty of understanding, and he felt like a starving man rushing toward a banquet.
Then a long filament attaching him to his old life caught him like a thrown hook, and he abruptly ceased to move forward. Another filament caught him. The people attending and welcoming him began to recede. Tom felt himself slipping away from the banquet of sense and understanding that had awaited him. He was being pulled back down the tunnel like a resistant dog, and the light shrank as it sailed away from him.
Then, for one shocking moment as he fell past his former perch in the air, Tom saw a black man in a white uniform sliding a stretcher into the back of an ambulance. Most of the chaos on the road had cleared, and horses and bicycles swerved around the awkward length of the ambulance to continue west toward Elm Cove. A dense knot of people remained on the sidewalk.
The hooks and eyes and filaments wrenched Tom back into his body so forcefully he could not breathe. He felt as if he had been slammed down hard on a concrete surface. Everything that had happened to him since he jumped off a milk cart erased itself from his mind. For a moment he thought he heard humming music; a light in the roof of the ambulance shone cruelly into his eyes.
Tom lost consciousness against a wave of pain.
He woke up in a white room and looked through a confusion of wires and tubes at drawn faces. His parents gazed down at him as if they did not know him. A strange acrid smell hung over him; every bit of him seemed to hurt. He fled again into unconsciousness.
The next time he woke up, the pain in the middle of his body took a moment to arrive, then hit him like a blow. Everything at the joining of his upper and lower body felt destroyed. His right leg screamed, and his right arm and shoulder uttered a shrill but softer complaint. He was looking up at an unfamiliar ceiling through a confusion of tubes and cables, thinking vaguely that he had been going somewhere—hadn’t he?—when another, deeper wave of pain struck the center of his body. He heard someone groan. He had nearly found the place, and all this pain could not be his. With a kind of passionate horror Tom realized how injured you would have to be to feel so much pain, and then with a sickening lurch of recognition knew that some horrible unknown thing had happened to him. He saw his body dismembered on the street, and blackness came rushing out at him from a deep inner cave. He tried to raise his head. Blackness surged over him for a moment; but his eyes opened to the same white ceiling and loops of plastic tubing. This time Tom lowered his eyes and looked down his body.
A long white object extended down the bed. Horror seized him again. His body had been cut away from him and replaced by this foreign object. At last he saw his own real left leg protruding from the object. Beside it lay a smooth white mound, a cast, that flowed up to the middle of his chest. He was in a hospital. A terrible premonition came to him, and he tried to touch his genitals with his right hand.
The motion caused by his panicky grab for his crotch scorched his shoulder and set the middle of his body aflame. His right hand, encased in another cast, was suspended above his chest. He began to cry. As if by itself, his left hand, which was miraculously not encased in plaster, slid up onto the cool white crust over his body and felt between his legs. He touched only a smooth hairless surface like a doll’s groin. A tube ran from a hole in the plaster, which was otherwise featureless. He had been castrated. The comfort he had felt a moment before at being in a hospital disappeared into irony—he was in a hospital because that was the only place someone like him was acceptable; he would be in the hospital forever.
Beneath the flaring pain in his hips, groin, and right leg there moved another level of pain like a shark waiting to strike. This pain would obliterate the world. When he had experienced it he would never again be the person he had been. He would be set apart from himself and everything he had known. Tom expected this deep lurking pain to move upward and seize him, but it continued to circle inside his body, as lazily powerful as a threat.