2
Norris Ridgewick burst into the Sheriff’s office moments before the bridge went, yelling at the top of his lungs. “Where’s Sheriff Pangborn? I’ve got to find Sheriff P-” He stopped. Except for Seaton Thomas and a State cop who didn’t look old enough to drink beer yet, the office was deserted.
Where the hell was everybody? There were, it seemed, about six thousand State Police units and other assorted vehicles parked helter-skelter outside. One of them was his own VW, which would easily have won the blue ribbon for helter-skelter, had ribbons been awarded.
It was still lying on its side where Buster had tipped it.
“Jesus!” No@-ris cried. “Where is everybody?”
The State cop who didn’t look old enough to drink beer yet took in Norris’s uniform and then said, “There’s a brawl going on upstreet somewhere-the Christians against the cannibals, or some damn thing.
I’m supposed to be monitoring in dispatch, but with this storm I can’t transmit or receive doodlysquat.” He added morosely: “Who are you?”
“Deputy Sheriff Ridgewick.”
“Well, I’m Joe Price. What kind of town have you got here anyhow, Deputy? Everyone in it has gone stone crazy.”
Norris ignored him and went to Seaton Thomas. Seat’s complexion was dirty gray, and he was breathing with great difficulty.
One of his wrinkled hands was pressed squarely in the middle of his chest.
“Seat, where’s Alan?”
“Dunno,” Seat said, and looked at Norris with dull, frightened eyes. “Something bad’s happening, Norris. Really bad. All over town.
The phones are out, and that shouldn’t be, because most of the lines are underground now. But do you know something? I’m glad they’re out.
I’m glad because I don’t want to know.”
“You should be in the hospital,” Norris said, looking at the old man with concern.
“I should be in Kansas,” Seat said drearily. “Meantime, I’m just gonna sit here and wait for it to be over. I ain’t-” The bridge blew up then, cutting him off-that great rifleshot noise ripped the night like a claw.
’Jesus!” Norris and Joe Price cried in unison.
“Yep,” Seat Thomas said in his weary, frightened, nagging, unsurprised voice, “they’re going to blow up the town, I guess. I guess that comes next.”
Suddenly, shockingly, the old man began to weep.
“Where’s Henry Payton?” Norris shouted at Trooper Price.
Price ignored him. He was running for the door to see what had blown up.
Norris spared a glance at Seaton Thomas, but Seat was staring gloomily out into space, tears rolling down his face and his hand still planted squarely in the center of his chest. Norris followed Trooperjoe Price and found him in the Municipal Building parking lot, where Norris had ticketed Buster Keeton’s red Cadillac about a thousand years ago. A pillar of dying fire stood out clearly in the rainy night, and in its glow both of them could see that Castle Stream Bridge was gone. The traffic light at the far end of town had been knocked into the street.
“Mother of God,” Trooper Price said in a reverent voice. “I’m sure glad this isn’t my town.” The firelight had put roses on his cheeks and embers in his eyes.
Norris’s urge to locate Alan had deepened. He decided he had better get back in his cruiser and try to find Henry Payton firstif there was some sort of big brawl going on, that shouldn’t be too difficult. Alan might be there, too.
He was almost across the sidewalk when a stroke of lightning showed him two figures trotting around the corner of the courthouse next to the Municipal Building. They appeared to be heading for the bright yellow newsvan. One of them he was not sure of, but the other figure-portly and a little bow-legged-was impossible to mistake. It was Danforth Keeton.
Norris Ridgewick took two steps to the right and planted his back against the brick wall at the mouth of the alley. He drew his service revolver. He raised it to shoulder level, its muzzle pointing up into the rainy sky, and screamed “HALT!” at the top of his lungs.
3
Polly backed her car down the driveway, switched on the windshield wipers, and made a left turn. The pain in her hands had been joined by a deep, heavy burning in her arms, where the spider’s muck had fallen on her skin. It had poisoned her somehow, and the poison seemed to be working its way steadily into her. But there was no time to worry about it now.
She was approaching the stop-sign at Laurel and Main when the bridge went up. She winced away from that massive rifleshot and stared for a moment, amazed, at the bright gout of flame which rose up from Castle Stream. For a moment she saw the gantry-like silhouette of the bridge itself, all black angles against the strenuous light, and then it was swallowed in flame.
She turned left again onto Main, in the direction of Needful Things.
4
At one time, Alan Pangborn had been a dedicated maker of home movies-he had no idea how many people he had bored to tears with jumpy films, projected on a sheet tacked to the living-room wall, of his diapered children toddling their uncertain way around the living room, of Annie giving them baths, of birthday parties, of family outings. In all these films, people waved and mugged at the camera. It was as though there were some sort of unspoken law: When someone points a movie camera at you, you must wave, or mug, or both. If you do not, you may be arrested on a charge of Second-Degree Indifference, which carries a penalty of up to ten years, said time to be spent watching endless reels of JUMPY home movies.
Five years ago he had switched to a video camera, which was both cheaper and easier… and instead of boring people to tears for ten or fifteen minutes, which was the length of time three or four rolls of eight-millimeter film ran when spliced together, you could bore them for hours, all without even plugging in a fresh cassette.
He took this cassette out of its box and looked at it. There was no label. Okay, he thought. That’s perfectly okay. I’ll just have to find out what’s on it for myself, won’t I? His hand moved to the VCR’s ON button… and there it hesitated.
The composite formed by Todd’s and Sean’s and his wife’s faces retreated suddenly; it was replaced by the pallid, shocked face of Brian Rusk as Alan had seen him just this afternoon.
You look unhappy, Brian.
Yessir.
Does that mean you ARE unhappy?
Yessir-and if you turn that switch, you’ll be unhappy, too. He wants you to look at it, but not because he wants to do you a favor.
Mr. Gaunt doesn’t do favors. He wants to poison you, that’s all. just like he’s poisoned everyone else.
Yet he had to look.
His fingers touched the button, caressed its smooth, square shape.
He paused and looked around. Yes; Gaunt was still here.
Somewhere. Alan could feel him-a heavy presence, both menacing and cajoling. He thought of the note Mr. Gaunt had left behind. I know you have wondered long and deeply about what happened during the last few moments of your wife and younger son’s lives…
Don’t do it, Sheriff, Brian Rusk whispered. Alan saw that pallid, hurt, pre-suicidal face looking at him from above the cooler in his bike basket, the cooler filled with the baseball cards. Let the past sleep. It’s better that way. And he lies; you KNOw he lies.
Yes. He did. He did know that.
Yet he had to look.
Alan’s finger pushed the button.
The small green POWER light went on at once. The VCR worked just fine, power outage or no power outage, just as Alan had known it would.
He turned on the sexy red Sony and in a moment the bright white glow of Channel 3 snow lit his face with pallid light. Alan pushed the EJECT button and the VCR’s cassettecarrier popped up.
Don’t do it, Brian Rusk’s voice whispered again, but Alan didn’t listen. He carted the cassette, pushed the carrier down, and listened to the little mechanical clicks as the heads engaged the tape. Then he took a deep breath and pushed the PLAY button. The bright NEEDFUL white snow on the screen was replaced by smooth blackness. A moment later the screen went slate-gray, and a series of numbers flashed up: 8… 7… 6… 5… 4… 3… 2… X.