So the privileged lucky ones disappeared from the city for the summer while the rest of us remained behind to do exactly what we shouldn't, given that "overexertion" was suspected of being yet another possible cause of polio: we played inning after inning and game after game of softball on the baking asphalt of the school playground, running around all day in the extreme heat, drinking thirstily from the forbidden water fountain, between innings seated on a bench crushed up against one another, clutching in our laps the well-worn, grimy mitts we used out in the field to mop the sweat off our foreheads and to keep it from running into our eyes — clowning and carrying on in our soaking polo shirts and our smelly sneakers, unmindful of how our imprudence might be dooming any one of us to lifelong incarceration in an iron lung and the realization of the body's most dreadful fears.
Only a dozen or so girls ever appeared at the playground, mainly kids of eight or nine who could usually be seen jumping rope where far center field dropped off into a narrow school street closed to traffic. When the girls weren't jumping rope they used the street for hopscotch and running-bases and playing jacks or for happily bouncing a pink rubber ball at their feet all day long. Sometimes when the girls jumping rope played double dutch, twirling two ropes in opposite directions, one of the boys would rush up unbidden and, elbowing aside the girl who was about to jump, leap in and mockingly start bellowing the girls' favorite jumping song while deliberately entangling himself in their flying ropes. "H, my name is Hippopotamus — !" The girls would holler at him "Stop it! Stop it!" and call out for help from the playground director, who had only to shout from wherever he was on the playground to the troublemaker (most days it was the same boy), "Cut it out, Myron! Leave the girls alone or you're going home!" With that, the uproar subsided. Soon the jump ropes were once again snappily turning in the air and the chanting taken up anew by one jumper after another:
A, my name is Agnes
And my husband's name is Alphonse,
We come from Alabama
And we bring back apples!
B, my name is Bev
And my husband's name is Bill,
We come from Bermuda And we bring back beets!
C, my name is…
With their childish voices, the girls encamped at the far edge of the playground improvised their way from A to Z and back again, alliterating the nouns at the end of the line, sometimes preposterously, each time around. Leaping and darting about with excitement — except when Myron Kopferman and his like would apishly interfere — they exhibited astounding energy; unless they were summoned by the playground director to retreat to the shade of the school because of the heat, they didn't vacate that street from the Friday in June when the spring term ended to the Tuesday after Labor Day when the fall term began and they could jump rope only after school and at recess.
The playground director that year was Bucky Cantor, who, because of poor vision that necessitated his wearing thick eyeglasses, was one of the few young men around who wasn't off fighting in the war. During the previous school year, Mr. Cantor had become the new phys ed teacher at Chancellor Avenue School and so already knew many of us who habituated the playground from the gym classes he taught. He was twenty-three that summer, a graduate of South Side, Newark's mixed-race, mixed-religion high school, and Panzer College of Physical Education and Hygiene in East Orange. He stood slightly under five feet five inches tall, and though he was a superior athlete and strong competitor, his height, combined with his poor vision, had prevented him from playing college-level football, baseball, or basketball and restricted his intercollegiate sports activity to throwing the javelin and lifting weights. Atop his compact body was a good-sized head formed of emphatically slanting and sloping components: wide pronounced cheekbones, a steep forehead, an angular jaw, and a long straight nose with a prominent bridge that lent his profile the sharpness of a silhouette engraved on a coin. His full lips were as well defined as his muscles, and his complexion was tawny year-round. Since adolescence he had worn his hair in a military-style crewcut. You particularly noticed his ears with that haircut, not because they were unduly large, which they were not, not necessarily because they were joined so closely to his head, but because, seen from the side, they were shaped much like the ace of spades in a pack of cards, or the wings on the winged feet of mythology, with topmost tips that weren't rounded off, as most ears are, but came nearly to a point. Before his grandfather dubbed him Bucky, he was known briefly as Ace to his childhood street pals, a nickname inspired not merely by his precocious excellence at sports but by the uncommon configuration of those ears.
Altogether the oblique planes of his face gave the smoky gray eyes back of his glasses — eyes long and narrow like an Asian's — a deeply pocketed look, as though they were not so much set as cratered in the skull. The voice emerging from this precisely delineated face was, unexpectedly, rather high-pitched, but that did not diminish the force of his appearance. His was the cast-iron, wear-resistant, strikingly bold face of a sturdy young man you could rely on.
ONE AFTERNOON early in July, two cars full of Italians from East Side High, boys anywhere from fifteen to eighteen, drove in and parked at the top of the residential street back of the school, where the playground was situated. East Side was in the Ironbound section, the industrial slum that had reported the most cases of polio in the city so far. As soon as Mr. Cantor saw them pull up, he dropped his mitt on the field — he was playing third base in one of our pickup games — and trotted over to where the ten strangers had emptied out of the two cars. His athletic, pigeon-toed trot was already being imitated by the playground kids, as was his purposeful way of lightly lifting himself as he moved on the balls of his feet, and the slight sway, when he walked, of his substantial shoulders. For some of the boys his entire bearing had become theirs both on and off the playing field.
"What do you fellows want here?" Mr. Cantor said.
"We're spreadin' polio," one of the Italians replied. He was the one who'd come swaggering out of the cars first. "Ain't that right?" he said, turning to preen for the cohorts backing him up, who appeared right off to Mr. Cantor to be only too eager to begin a brawl.
"You look more like you're spreadin' trouble," Mr. Cantor told him. "Why don't you head out of here?"
"No, no," the Italian guy insisted, "not till we spread some polio. We got it and you don't, so we thought we'd drive up and spread a little around." All the while he talked, he rocked back and forth on his heels to indicate how tough he was. The brazen ease of his thumbs tucked into the front two loops of his trousers served no less than his gaze to register his contempt.
"I'm playground director here," Mr. Cantor said, pointing back over his shoulder toward us kids. "I'm asking you to leave the vicinity of the playground. You've got no business here and I'm asking you politely to go. What do you say?"
"Since when is there a law against spreadin' polio, Mr. Playground Director?"
"Look, polio is not a joke. And there's a law against being a public nuisance. I don't want to have to call the police. How about leaving on your own, before I get the cops to escort you out of here?"
With this, the leader of the pack, who was easily half a foot taller than Mr. Cantor, took a step forward and spat on the pavement. He left a gob of viscous sputum splattered there, only inches from the tip of Mr. Cantor's sneakers.
"What's that mean?" Mr. Cantor asked him. His voice was still calm and, with his arms crossed tightly over his chest, he was the embodiment of immovability. No Ironbound roughnecks were going to get the better of him or come anywhere near his kids.