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As the crowd filed out, I stopped Mary and told her I thought she’d handled an impossible task pretty well.

“Thanks, Mal. I still feel numb from last night.”

She referred not only to that ill-fated encounter group I’d led in the little lounge, but to the questioning by Chief Colby, which lasted till dawn. Colby, a heavyset, no-nonsense man, had taken dispassionate charge of the murder scene and sorted out the wild tales and various speculations of myself and others with enviable calm. It was six-thirty A.M. before Jill and I had crawled into the sack; she had dropped right off, but even extreme exhaustion wasn’t enough to erase the unpleasant images from my mind. I’d stayed up, tagging along with Colby, till breakfast, where a glass of orange juice had been all I could stomach. Jill was still back in the room asleep right now, most likely.

“I feel pretty washed out myself,” I told Mary. “When does the bus leave?”

“Three o’clock this afternoon,” she said. “There should be no holdup — the snowplows have been out in force; everything’s clear.”

“I may skip lunch and catch some sleep. I think I’m finally tired enough to put all this out of my mind for a while.”

She sighed. “I envy you. I still have to stage-manage what’s left of my weekend. Is it crass of me to wonder what will become of our famous Mystery Weekends in the light of this tragedy?”

“Yes,” I said.

She let out a rueful little laugh. “You never cut me any slack, do you, Mallory?”

“I try not to,” I said, finding a smile for her. “Besides, this isn’t a setback.”

“No?”

“Of course not. Two murders at the Mohonk Mystery Weekend... that’ll be big news. Major publicity.”

Curt himself had pointed that out.

“You don’t think it’ll scare people away...?”

“Yours is the only mystery weekend ever to deliver the real thing. Don’t underestimate the morbidity of the public.”

“That sounds like something Kirk Rath might have said.”

“It does, doesn’t it? I do need some sleep.”

“You really admired Curt, didn’t you?”

“Yes. I admired his writing, certainly, and always will. And I admired him as a person, until events conspired to unbalance him.”

“You feel he was... insane?” Her delivery was an unintentional reminder of that TV pitchman, Crazy Eddie.

“All murderers are insane,” I shrugged. “Whether Curt would have been deemed legally insane is a question I’m not qualified to answer. And a moot one, at that, thanks to Rick Fahy. Who may be deemed legally insane himself, when the time comes.”

Fahy, of course, was in custody; he’d been taken to the holding tank in the New Paltz police station almost immediately after Colby’s arrival last night. He hadn’t said a word since he’d swung into action; he was silent, seemed as dead, in his way, as Curt. As Rath.

A female staffer in a crisp blue Mohonk blazer approached Mary with a worried look and a question, and I left the social director to her job, and headed for the room, where Jill was indeed still sleeping. I crawled under the covers with her, our twin beds still mating, and sank into sleep.

So deep did I fall that my dreams left me alone, and when I woke, around two, I felt groggy but rested. And, for a moment, I wondered if any of it had really happened. But it only took a moment for reality to assert itself: my shirt from last night, spattered with some of Curt’s blood, hung over a nearby chair.

I nudged Jill awake and she took one final shower and so did I, and we packed hurriedly, and soon we were heading down the long hall with our bags in our hands, not fooling around waiting for bellboys.

Before long we had moved out through the cold, clear afternoon, breath smoking, and piled onto the bus. Tom Sardini and Pete Christian were the only fellow suspects of ours aboard, as the Flints were taking the second, later bus. (We hadn’t been able to say any good-byes to Tim Culver and Cynthia Crystal; they were staying by Kim’s bedside — she was sedated in her room.) Tom and Pete were in the two seats just across the aisle from us, and as the Arnolds climbed on — the last passengers to do so — they paused in the aisle and pointed at Pete.

“You did it,” Millie said.

Pete said, “If you’re referring to The Case of the Curious Critic, I must take the fifth.”

“Give us a break,” Millie said, pleading, emphatic, red hair tumbling. “You know whether you’re the murderer or not.”

“Curt’s final mystery died with him,” was all Pete would say.

Millie turned and looked at me and smiled, embarrassedly. “Do you think I’m terrible to be concerned about how the mystery came out?”

The bus was starting to move; the Victorian man-made cliffs of Mohonk were receding into the background.

“No,” I said. “You and all the other teams worked all weekend coming up with your solutions. You put a lot of creative energy into it. I don’t blame you for being disappointed.”

Curt, it seemed, had not written his solution down; he had planned to deliver it extemporaneously, in his usual freewheeling manner.

“I was afraid you’d think we were terrible,” Millie said, like a child pretending she was sorry.

“Not at all,” I said cheerfully. “I think you’re lunatics, and that’s quite another matter.”

She took that well, and said, “Most of the teams are in agreement that Pete’s character did it. Through process of elimination, he was the only one whose alibi wasn’t confirmed, and we caught him in an apparent lie — and only the murderer is allowed to lie, you know. He claimed he hadn’t seen the tapes, when we knew that two other witnesses had seen him burning them in an outdoor trash barrel. Besides, his character’s last name is ‘Butler’ — you know, Butler did it? That seems like the sort of cutesy clue Curt Clark might slip in.”

“It sure does,” I said. “Maybe next year.”

“Next year,” she said, and moved along. Deadpan Carl brought up the rear, and he shrugged, and smiled a little, Buster Keaton with a Chaplin mustache.

“How can they think about their stupid mystery?” Jill asked, a bitter edge in her voice.

“Honey, they spent all weekend working on it. I don’t blame them. Of course it’s eating at them, not knowing for sure who did it. It’s like waiting for the other shoe to drop.”

Then I leaned across the aisle and said to Pete, “By the way, I know you did it, too.”

“Is that right?”

“Yeah. Rick Butler killed Roark Sloth.”

“Suppose we did,” Pete said, smiling coyly. “Can you prove it?”

“Sure,” I said, and leaned across and whispered the solution to him.

“No kidding!” he said. “I should’ve figured that out myself.”

Jill said, “You know how to prove that Pete was the killer in Curt’s mystery?”

“Sure.”

“How?”

So I whispered it to her: the answer was the cryptic typed message found in the critic’s typewriter, TOVL FOF OY. The dying man had placed his hands one key to the right on his typewriter, turning his message into gibberish; by moving the letters on the keyboard back one space to the left, the dying message would read: RICK DID IT.

“Oh my,” Jill said. She was making an ironic connection — after all, a man named Rick had killed Curt Clark.

“Yup,” I said. “Just as cute and pat as one of Curt’s mystery stories.”