‘Doesn’t matter now, Scott. You got the last laugh.’
‘Yeah,’ he agreed. ‘I did.’
We completed the remainder of the journey in companionable silence. The mushroom-shaped mountain that had set the stage for many of the frantic events in the desert loomed out of the dust clouds. It was a landmark I’d never forget, and, once I left this place, one I wished never to see again. We passed along the trail on the far side, unfamiliar ground for me, then entered the basin-shaped valley beyond which waited the scene of so much depravity. As we approached I first saw the sparkle of sunlight reflected from water, then the decrepit house and sheds grew out of the haze. Much of the activity here over the last few days had been in the shape of police officers, but now most of them had left. There was still one police cruiser on the scene as well as an unmarked sedan. Other vehicles belonged to the county coroner’s office, and to National Guard troopers who were still helping with the massive search area. White tents had been set up alongside the ranch, and I’d no wish to go inside any of them. I knew that each one marked a separate grave and that forensic technicians laboured at bringing the victims home in their entirety. Some of the graves were years old, one of them more recent, and the corpse within it had been preliminarily identified as Carla Logan. Her skull had been fractured. Blunt-force trauma, the coroner had said. It didn’t take too much deducing who had been responsible for murdering his sister. I put the poor woman’s death out of my head.
We hadn’t come here out of ghoulish fascination.
As Scott drew up alongside the police cars he let slip a ragged breath.
I reached across and patted him on the shoulder.
‘You want me to take the wheel from here?’ I asked.
‘Please.’ He could barely see for the tears welling in his eyes.
As he slid over into the passenger seat, I got out and walked around to the driver’s side. Chambers and Witherspoon were standing by their car; both men nodded silently and got in. They drove past the watering hole and I followed. We went at a respectful speed across the desert towards the ridgeline where I’d so recently hidden Nicole and Ellie Mansfield.
I pulled up alongside the Lincoln, looking up towards the caves as I’d done when bringing Jay to her reunion with her friends. One of the small hollows bore a ribbon marker at its entrance. Two National Guardsmen stood sentry at the foot of the cliff. Jesus, I thought, the cave was barely fifty feet from where I’d been. The body of a naked woman had been discovered inside it. Either before she’d crawled here across the desert, or as a result of a fall while trying to reach her hiding hole, the poor thing had broken a leg. She had escaped the monsters torturing her, fled to safety, but then fate had dealt her a sorry hand. The coroner approximated her date of death, and I could only hope she hadn’t suffered in torment as long as he thought she had. He couldn’t be sure, but from his estimate it looked like she’d succumbed the same night that Nicole and Ellie had hidden in the neighbouring cave. If only I’d known it then…
I couldn’t think like that.
‘Are you ready, Scott?’
He sniffed, rubbed his sleeves over his face. When he sat up there was a hint of steel in his jaw.
‘I’m ready,’ he said.
‘Then let’s go and bring Helena home.’
Afterword
I have taken certain liberties in the writing of this book — known to us writer types as ‘artistic licence’ — where a modicum of suspension of disbelief is expected of the reader.
For the purposes of the story I’ve grown Holbrook, Arizona, into a much larger city than it actually is, introducing motels, hotels and truck stops that do not genuinely exist there, although entities like the Wigwam Village do. I set much of the latter third of the book in and around Holbrook as it is the nearest major conurbation to the desert lands featured in the earlier segments, and it would be logical for the city to be the base for any police investigation into the fictional crimes conducted by the equally fictional Logan clan. I hope that the residents of Holbrook and their law enforcement community take the story in the spirit of thrilling adventure that I set out to write, and allow me this latitude with their fine home town.
Congenital Insensitivity to Pain (CIP) is real but very rare, with approximately thirty individuals in the USA diagnosed with the condition. Persons with CIP cannot feel, and have never felt, physical pain, although cognition and sensation — though not always temperature — are otherwise normal. Usually there are no physical abnormalities associated with CIP, though some people with the condition suffer fractures to their bones, wounds and infections due to their lack of recognition of the severity of their injuries. CIP does not make anyone super-human; they can be injured as easily as anyone else, and in many cases are more prone to injury. Again I have allowed myself a certain latitude with the condition when assigning it to the chief villain, Samuel Logan. There is no suggestion that persons with CIP have sadistic tendencies: Samuel Logan’s need to hurt others is purely a fictional adaptation and a product of the family environment in which he was raised, and I hope that this is evident from the story.
Matt Hilton
Thanks and Acknowledgements
When I sit down to list the recipients of my grateful thanks, certain individuals immediately spring to mind: my agent, Luigi Bonomi, Alison Bonomi, my editor at Hodder, Sue Fletcher, Swati Gamble, Eleni Fostiropoulos, and Alice Wood. It is these individuals who work tirelessly and passionately to ensure my excitable ramblings come up to a publishable standard. Without their input I feel that Joe Hunter’s adventures just would not be the same. I thank you all.
I would also like to thank the following authors for their friendship and support: Adrian Magson, Sheila Quigley, Col Bury, Lee Hughes, and Jim Hilton. Then there is the wider pool of authors, friends and supporters who have helped with my writing in ways they might not realise: Richard Gnosill, Stuart Hall, Ann Magson, Pete Nicholson, Val Steventon, George Steventon, Sean Black, and Chris Ryan. And of course my family: thanks to every last one of you.
May I also extend my thanks to you, the reader, for taking the time to read this book? I hope it was time spent in enjoyment.
Last but not least: my undying gratitude and love go to my wife, Denise, whose efforts equal mine in bringing the latest Joe Hunter thriller to the page. Someone has to crack the whip, I suppose.