— Yes. Next week.—
It is the first Ben has heard of a decision to accept. He studies her in his silence, he is alone in the room among the others. She doesn’t look at him and he sees that her profile— thumb momentarily tested between her teeth — asserts that her life has no reality for her in the context of the situation of Sally and Didy, this stage-set on which, in a dread adaptation of Chekhov’s maxim for the theatre, a gun whose presence is unseen but everyone is aware of may go off before the end of the act, before the Technical Committee makes its measured deliberation and a new constitution is created under which — it is the only hope — assassins come to realize that the gods to which they sacrifice have abandoned them.
Ben half-believes, has to believe, Vera has spoken only to ward off further questioning about the Committee, she doesn’t want to discuss her indecision. For these old friends, Sally and Didy, he is coaxed out of his preoccupation by a sense of Didy’s need for distraction, for a show of normal interests, and he offers that his business is in trouble. Faith in the promotional value of Zairean crocodile, South American lizard and Cape ostrich skin luggage with gold-leaf initials and logo was low in these times of recession and political uncertainty. The sanctions-busters who liked to travel equipped this way had had their day, and the succeeding affluent class who would come when sanctions were lifted and unemployment dropped, were not yet in place. He joked dryly against himself, for diversion; the irony of his attempt to secure the old age of his Vera, a woman like Mrs Stark, by profiting from the vanity of the Government’s officials, expressed in contrast with the distinction of his face, his black eyes deep as the eyes of antique statues suggested by dark hollows. — The regime’s ambassadors know they’ll soon be recalled for ever, no more boarding for London and Washington with a dozen matched pieces.—
— Well if you’re selling off stock cheap, I wouldn’t mind a smart new briefcase. Doesn’t matter if it has some Pik Botha or Harry Schwarz initials and the old coat-of-arms, I don’t care even if it’s embossed with a vierkleur, 5 I can always stick one of Mpho’s decals over it. — Sally matched the spirit. — And maybe if you’ve got any off-cuts handy we could order a nice holster for Didy. Something cowboy-style, you know. The lining of the pockets in his jackets is getting worn from the weight of the damn gun carted around all the time.—
— Some people wear buttons on their lapels, I wear the gun, that’s all.—
— At least you’re not the only one. Everyone carries guns about these days … without your reason. — Vera turned to Sally. — Ben even wants me to keep a gun in my car …—
But Vera is small fry. A terrible privilege to which Sibongile and Didymus belong changes and charges everything about them, to the outsider; the sound of their voices in the most trivial remark, the very look of their clothes, the touch of their hands, still warm. When every old distinction of privilege is defeated and abolished, there comes an aristocracy of those in danger. All feel diminished, outclassed, in their company.
The Island is ours.
Chapter 26
Vera’s house is empty.
Promotional Luggage closed down, bankrupt but honestly so; Ben paid out creditors, owed nobody anything. He did not know what to do next and to disguise this went to fill the interim with a visit to Ivan in London. Ivan had parted from the Hungarian; a treat offered, Vera anticipated for Ben an interlude of male companionship between the generations without the intrusion of women. What would Ben do, around the house, while Vera was occupied and preoccupied, every day, every hour, between the Technical Committee and her attempts to keep in touch with work at the Foundation? Shop in the supermarket? Bennet? Regard himself as retired? Take up as a hobby, like joining a bowling club, the sculpture whose vocation he had given up in passion for Vera? Vera was his vocation; Promotional Luggage had been intended to provide for Vera.
Adam stayed on for a while in Ivan’s room. He and Vera had the curious loose accommodation of individuals who, though vastly divided by age, by the commitment to ideals in one and the lack of ideals in the other, are at some base alike in following their instincts and will. His grandmother did not give him advice (the one occasion on which she had done so was to protect her friends rather than himself), make his bed, sew on his buttons or supervise his activities, so she was no grandmother. They took telephone messages for one another, ate independently at no fixed meal times whatever was in the refrigerator or each left for the other in the oven, sometimes met up late at night and chatted like contemporaries simply sharing a convenient roof. At one of these incidental meetings he remarked that a friend had found a cottage in Bezuidenhout Valley and wanted someone to share it. A week later he moved out in a party atmosphere, borrowing Vera’s car to make several trips with the possessions he had acquired, helped and hindered by the to-and-fro of volunteers among his friends. There was fondness between Vera and him but both knew they would see one another rarely once they did not sleep under the same roof. The family roof: it was that, the house built in the Forties in the style of whites of the period, half colonial bungalow and half modernist with a split-level living-room and coloured slate stoep they called a patio, the house provided for the young bride and their soldier son by people who did not know what they themselves were, part of Europe or part of Africa; the house that was Vera’s loot by divorce, the roof under which she took her lover home, where her children were born, where the ‘patio’ meant for white teaparties had been converted to a study where strategies for restoring blacks to their land were worked out. In every room the house retained the life lived there. Scratches and stains, makeshift (bookshelves built of planks mounted on bricks) the newly married lovers, caring only for love-making, nothing for material things, had made do with. A sculptor’s chisel among counters from a children’s game and someone’s collection of labelled stones, rose quartz, crystal, geode. Clothes hanging limp, lost the shape of the body that wore them, never given away because someone (Annie?) once had had the intention to pick them up some time. Boxes that hid the remains of Promotional Luggage, ‘vanity’ cases and elephant-hide wallets nobody wanted to buy. The scent — her own particular body-smell of the house, independent of the perfume she used — of the documents and newspaper cuttings she hoarded, a calendar of her days and years, live as paper in its organic origins is, secretly wadding together in damp and buckling apart thinly in heat. Broken pottery, a Mickey Mouse watch stopped at some hour in childhood, postcards and photographs. It is impossible for anyone, tidying after the departure of a sojourner, not to stop as Vera does and look through photographs come upon. It is then that she turns up, once again, the postcard photograph sent to Egypt during a war. She had not thrown it away, torn it up; only slid it back under all this other stuff.