An assortment of passports and identity cards, each with a photograph of younger versions of his mother, made out to different names and nationalities. A slim tight roll of old high-denomination banknotes, yuan, naira, and U.S. dollars, more or less worthless thanks to inflation and revaluation. Blank credit cards and credit cards in various names, also worthless. Dozens of sleeved data needles. A pair of AR glasses.
Lucas studied one of the ID cards. When he brushed the picture of his mother with his thumb, she turned to present her profile, turned to look at him when he brushed the picture again.
He pocketed the ID card and the data needles and AR glasses, then walked along the ridge to the apple tree at the far end, and stared out across the Flood that spread glistening like shot silk under the sun. Thoughts moved through his mind like a slow and stately parade of pictures that he could examine in every detail, and then there were no thoughts at all and for a little while no part of him was separate from the world all around, sun and water and the hot breeze that moved through the crooked branches of the tree.
Lucas came to himself with a shiver. Windfall apples lay everywhere amongst the weeds and nettles that grew around the trees, and dead wasps and hornets were scattered amongst them like yellow and black bullets. Here was a dead bird too, gone to a tatter of feathers of white bone. And here was another, and another. As if some passing cloud of poison had struck everything down.
He picked an apple from the tree, mashed it against the trunk, and saw pale threads fine as hair running through the mash of pulp. He peeled bark from a branch, saw threads laced in the living wood.
Dragon stuff, growing from the seed he’d planted. Becoming something else.
In the wood of the tree and the apples scattered all around was a treasure men would kill for. Had killed for. He’d have more than enough to set him up for life, if he sold it to the right people. He could build a house right here, buy the shrimp farm or set up one of his own. He could buy a ticket on one of the shuttles that travelled through the wormhole anchored between the Earth and the Moon, travel to infinity and beyond…
Lucas remembered the hopeful shine in Damian’s eyes when he’d talked about those new worlds. He thought of how the dragon-shard had killed or damaged everyone it had touched. He pictured his mother working at her tablet in her sickbed, advising and challenging people who were attempting to build something new right here on Earth. It wasn’t much of a contest. It wasn’t even close.
He walked back to the caravan. Took a breath, unlocked the padlock, stepped inside. Everything had been overturned or smashed. Cupboards gaped open, the mattress of his mother’s bed was slashed and torn, a great ruin littered the floor. He rooted amongst the wreckage, found a box of matches and a plastic jug of lamp oil. He splashed half of the oil on the torn mattress, lit a twist of cardboard and lobbed it onto the bed, beat a retreat as flames sprang up.
It didn’t take ten minutes to gather up dead wood and dry weeds and pile them around the apple tree, splash the rest of the oil over its trunk, and set fire to the tinder. A thin pall of white smoke spread across the island, blowing out across the water as he raised the sail of his boat and turned it into the wind.
Heading south.
PASSAGE OF EARTH
Michael Swanwick
Michael Swanwick is one of the most acclaimed science-fiction and fantasy short-story writers of his generation, having received an unprecedented five Hugo Awards in six years. He is also the winner of the Theodore Sturgeon and World Fantasy awards. Swanwick’s novels include The Iron Drago’s Daughter, a New York Times Notable Book, and the Nebula Award-winning Stations of the Tide. His short fiction has appeared in many venues, including OMNI, Penthouse, Amazing, Asimov’s Science Fiction, Clarkesworld, Fantasy & Science Fiction, New Dimensions, and Full Spectrum, and his work has been translated into more than ten languages.
The ambulance arrived sometime between three and four in the morning. The morgue was quiet then, cool and faintly damp. Hank savored this time of night and the faint shadow of contentment it allowed him, like a cup of bitter coffee, long grown cold, waiting for his occasional sip. He liked being alone and not thinking. His rod and tackle box waited by the door, in case he felt like going fishing after his shift, though he rarely did. There was a copy of Here Be Dragons: Mapping the Human Genome in case he did not.
He had opened up a drowning victim and was reeling out her intestines arm over arm, scanning them quickly and letting them down in loops into a galvanized bucket. It was unlikely he was going to find anything, but all deaths by violence got an autopsy. He whistled tunelessly as he worked.
The bell from the loading dock rang.
“Hell.” Hank put down his work, peeled off the latex gloves, and went to the intercom. “Sam? That you?” Then, on the sheriff’s familiar grunt, he buzzed the door open. “What have you got for me this time?”
“Accident casualty.” Sam Aldridge didn’t meet his eye, and that was unusual. There was a gurney behind him, and on it something too large to be a human body, covered by canvas. The ambulance was already pulling away, which was so contrary to proper protocols as to be alarming.
“That sure doesn’t look like—” Hank began.
A woman stepped out of the darkness.
It was Evelyn.
“Boy, the old dump hasn’t changed one bit, has it? I’ll bet even the calendar on the wall’s the same. Did the county ever spring for a diener for the night shift?”
“I… I’m still working alone.”
“Wheel it in, Sam, and I’ll take over from here. Don’t worry about me, I know where everything goes.” Evelyn took a deep breath and shook her head in disgust. “Christ. It’s just like riding a bicycle. You never forget. Want to or not.”
After the paperwork had been taken care of and Sheriff Sam was gone, Hank said, “Believe it or not, I had regained some semblance of inner peace, Evelyn. Just a little. It took me years. And now this. It’s like a kick in the stomach. I don’t see how you can justify doing this to me.”
“Easiest thing in the world, sweetheart.” Evelyn suppressed a smirk that nobody but Hank could have even noticed, and flipped back the canvas. “Take a look.”
It was a Worm.
Hank found himself leaning low over the heavy, swollen body, breathing deep of its heady alien smell, suggestive of wet earth and truffles with sharp hints of ammonia. He thought of the ships in orbit, blind locomotives ten miles long. The photographs of these creatures didn’t do them justice. His hands itched to open this one up.
“The Agency needs you to perform an autopsy.”
Hank drew back. “Let me get this straight. You’ve got the corpse of an alien creature. A representative of the only other intelligent life form that the human race has ever encountered. Yet with all the forensic scientists you have on salary, you decide to hand it over to a lowly county coroner?”
“We need your imagination, Hank. Anybody can tell how they’re put together. We want to know how they think.”
“You told me I didn’t have an imagination. When you left me.” His words came out angrier than he’d intended, but he couldn’t find it in himself to apologize for their tone. “So, again—why me?”
“What I said was, you couldn’t imagine bettering yourself. For anything impractical, you have imagination in spades. Now I’m asking you to cut open an alien corpse. What could be less practical?”