A few times I managed to convince myself to go further, buy whole magazines in small commitments, pacing near the register for up to an hour before approaching and involving myself in a transaction with whatever middle-aged attendant was on the job. During these modes I could hardly speak or blink or move my arms right. The unblank of such an ultimately benign — but so taboo to me, for its softly bruised air, the only — a draft unfolding in my barely teenaged flesh. Sometimes the shakes would get into me so deeply that even coming up to the moment of entering these stores with these intentions would make it hard to breathe. Certainly it was just as much the thrill and vice-light of the moments all preceding the moment of acquisition that got me going, the amalgam of furtive gestures and weird sweat. In any way, via obsession, these public fields could become warm, could close in and crush around me with their hum so loud it became more and more difficult to shut off.
As I gathered more fake flesh enmassed around me, my mind began to hollow to it, sink it. From tiny scraps no one would notice in the corner I moved to whole pages high or low centered on the wall, still the sprawl but much more out there. The room’s air shuffled, balled. At the mall I would go to Spencer’s and buy full-sized posters of Pamela Anderson (yes, again) in her panties, Playboy models cupping their chests. I would hang these behind the door at first, then in more places. The replications overtook the room. One Thanksgiving my aunt and uncle slept in my two bunk beds underneath my full-bloomed canopy of tits. All along there was no mention. My expulsed inner-light grew stronger. I turned the energy of the indirect exposure inside myself inversed, doubled it with further-packed air, remained silent through the day. The blue space above my pillow pockmarked with countless images, each with its own eyes, watching me through sleep, images that could be induced by focusing my mind and body into brainworlds where they were there upon me and I was given room into them to there release — inside a constantly ecstatic coma, at all hours alive, blurring beyond light the taste of night and day.
I began to find, too, in my attentions, that I could control the fabric of my sleep. By tuning my attentions in on the context of how and when I went to bed, the differences between the sleeping and waking states, as well as thinking hard about what I wanted to find when I’d be there, and holding it distinctly in my brain before and after, I could not only manipulate when and where and who and what I would see inside my sleeping, but also my own careering there among it. I knew nothing at all about the concept of lucid dreaming at the time, the various methods for turning these things on, but in the devices of my own controlling, my obsession, the dream realm allowed me an increasing reign over its glut, strung along as if within Borges’s hidden city Tlön, where one of many schools of thought “believes that while we are asleep here, we are awake somewhere else, so that everyone is two.” My body’s private body, rendered from its other light.
By manipulating sleep while waking, I could find myself involved in certain sleep-unique locales I found it difficult to extricate myself from as more time passed, as if by further practice I could fully eliminate the need for return to my body. I mean I did not often want to wake up: the rooms inside my sleep connected of a logic that when waking disappeared among the light. There were people and areas within the dreams that could be glimpsed at times outside the fold of sleeping, but not in such a way as what was in there, rammed with network. This was a world where trees did not age so much as glisten harder, and each room connected to all rooms, and the dead spoke with the living and the uncreated, though in communicating with one another we did not mention those old yards or our other bodies outside the fold. Mostly language was shared by eyes, not winking or complex gestures but a kind of texture in the light the way they worked here, of no ground, and the way the brain behind the lenses could speak without speaking. In this space there was a quite a bit of water — an ocean that from certain angles seemed to stretch on and on forever and had a depth into which a ball of light could descend until it was no longer clear or even there. Mostly we did not interact with these wet bodies as they seemed to suggest a whole other subregion to this region, and one that did not seem inviting. There was not time — as though time did not seem to count here in the normative way; the way it accrued was even faster than in the flesh. Weeks might go by in the duration required to lift an arm. I cannot account for the periods elapsed in this manner, as they did not appear in wrinkles on my body, at least on its outside.
When there were rooms in this room, they were often small ones, with other rooms inside them — here open to me, among day — unique spaces awakened in my assimilated nod-off. Some of the rooms might have small sleds of food inside them — fist-sized cream puffs, bags of fluid, apples made of obtuse color, sandwiches with meat for bread and bread for meat. I would not eat here, as to eat could nail you to the location eternally and without exit — had I the choice now again to choose to eat I might. Other doors would open into locations in my fleshlife, such as doors into apartments where I had not yet but would soon live. In one building I found a sofa and a turned-off TV and lay down beside it. This would be the house in which I later lived during the years I began repeating a certain recurring gibberish word, a practice I still haven’t forced out of my body. In the room that day I could hear music that filled the house completely, like a water. It was the most perfect music I’d ever heard, or would hear — it was like eight records I had loved or would love one day played at the same time in perfect cohesion, as if they’d meant to be this. I went to the door and knocked with both my hands. A person answered the door there, someone I did not know at the time but would in later years. He was sweating and his whole of skin was flushed a bright red. He’d shaved his head — shaved it of hair I did not know then he had. “What is this music you are listening to?” I asked him. My voice was my voice. He looked me in the head with gleaming eyes. “Goulange & Godfather,” he said, and closed the door between us for those years.
In another room inside this region I followed a door that opened into the living room of an old friend. In the floor in this room I heard another music, a record I loved at the time. I could hear the music the same way it sounded in my body, though as I listened somewhere in the middle of the record the album hit a frame of air it had never hit, and entered a composition that had always been hidden on the album, always right there, though no one had ever heard it. The sound of the song lifted my body off the floor and hung me floating while its presence filtered through my blood. All these years comprised and compiling in those sleeping hours during which I could eat my way around completely and explore. The fat cells of my body bringing full mass through me to keep me pinned and spinning down. In other rooms there were people I had known forever and yet would leave there when I left the space and began to forget how to find my way back to there again. Rooms containing objects and potential time therein buried. The dream journals I would write then in my memory, later to switch over to the computer, though in placing those words there I could not find the way to speak them — they instead became bruised replicas of nowhere, keys to nothing, phantoms of emotion enclosed behind nets and fences and locked with locks of all the time I have been gone, hereby dragged into the waking days as totems — relics of the other space threading all space.