Выбрать главу

Datlow is the recipient of several awards, including multiple Shirley Jackson awards and Bram Stoker awards, Hugo Awards for Best Professional Editor, Hugo Awards for Best Short Form Editor, and Locus Awards for Best Editor, to name just a few. She also received the Karl Edward Wagner Award for “outstanding contribution to the genre.” In 2011, she was the recipient of a Life Achievement Award by the Horror Writers Association. Datlow also co-hosts a popular reading series, Fantastic Fiction, at the KGB Bar in New York City, where she resides.

Baby Datlow in 1950. The so-called “Gerber baby” portrait was common at the time.
Datlow’s high school graduation photo, taken in 1967.
Datlow at home, wearing a vintage dress for a science fiction function in 1981. She says that she favors 1940s-era clothing.
Datlow sitting at her desk in the OMNI offices in 1981, roughly a year after she began working there. On her desk is a Kaypro computer and the Selectric typewriter she kept for addressing envelopes. On her bulletin board she pinned, among other things, a photo of King Kong climbing the Empire State Building.
Datlow in 1989, on the roof of the building where John Clute, renowned science fiction and fantasy critic, and his artist wife, Judith, live. The Clutes are based in Camden Town, London, and have graciously hosted many writers and editors over the past few decades. (Datlow usually stays with them on her annual visit to London.) Datlow is on the left, John Clute is in the center, and Datlow’s good friend Pat Cadigan, an award-winning science fiction writer, is on the right.
A manipulated photo of Datlow taken in 1990 by art photographer and illustrator J. K. Potter, giving her cat eyes. It first appeared on the original back flap of Alien Sex.
Datlow in front of an advertisement for OMNI magazine in New York City in 1991. That winter day, Datlow wandered Manhattan with her camera and her friends, the married writers Steven Gould and Laura J. Mixon. They happened upon the advertisement just north of Datlow’s West Village home.
Datlow with fellow editor Terri Windling in 1994. Datlow and Windling have collaborated on anthologies for more than twenty years, yet rarely see each other. This photo is from one of those rare yet cherished meetings.
Datlow modeled for J. K. Potter’s cover of the illustrated edition of The Island of Dr. Moreau by H. G. Wells, published in 1990. Potter gave Datlow a print of the image, which hangs on her living room wall.

Copyright

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

Foreword by Robert Silverberg. Copyright © 1996.

Introduction by Ellen Datlow. Copyright © 1996.

“The Reality Trip,” by Robert Silverberg. Copyright © 1970 by Agberg, Ltd. First published in the May-June issue of If.

“The Tattooist,” by Susan Wade. Copyright © 1996.

“Dolly Sodom,” by John Kaiine. Copyright © 1996.

“The Lucifer of Blue,” by Sherry Goldsmith. Copyright © 1996.

“The Queen of the Apocalypse,” by Scott Bradfield. Copyright © 1996.

“Oral,” by Richard Christian Matheson. Copyright © 1996.

“Grand Prix,” by Simon Ings. Copyright © 1993 by Simon Ings. First published in different from in Omni magazine, June 1993 issue. Reprinted by permission of the author.

“The House of Mourning,” by Brian Stableford. Copyright © 1996.

“Fetish,” by Martha Soukup. Copyright © 1996.

“Red Sonja and Lessingham in Dreamland,” by Gwyneth Jones. Copyright © 1996.

“The Future of Birds,” by M. M. O’Driscoll. Copyright © 1996.

“Captain China,” by Bruce McAllister. Copyright © 1996.

“Background: The Dream,” by Lisa Tuttle. Copyright © 1996.

“Aye, and Gommorah…” by Samuel R. Delaney. Copyright © 1971 by Samuel R. Delaney. First published in Dangerous Visions, edited by Harlan Ellison, Doubleday. Appears by permission of the author and his agents, Henry Morrison, Inc.

“Ursus Triad, Later,” by Kathe Koja and Barry N. Malzberg. Copyright © 1996.

“Sextraterrestrials,” by Joe Haldeman and Jane Yolen. Copyright © 1996.

“The Dream-Catcher,” by Joyce Carol Oates. Copyright © 1996.

“His Angel,” by Roberta Lannes. Copyright © 1996.

“Eaten (Scenes from a Moving Picture),” by Neil Gaiman. Copyright © 1996.

“In the Month of Athyr,” by Elizabeth Hand. Copyright © 1993 by Elizabeth Hand. First published in OMNI Best Science Fiction 2, edited by Ellen Datlow; Omni Books. Reprinted by permission of the author.

copyright © 1996 by Ellen Datlow

cover design by Mauricio Diaz

978-1-4532-7403-3

This edition published in 2012 by Open Road Integrated Media

180 Varick Street

New York, NY 10014

www.openroadmedia.com

EBOOKS BY ELLEN DATLOW

FROM OPEN ROAD MEDIA

Available wherever ebooks are sold
FIND OUT MORE AT WWW.OPENROADMEDIA.COM

About the Publisher

Open Road Integrated Media is a digital publisher and multimedia content company. Open Road creates connections between authors and their audiences by marketing its ebooks through a new proprietary online platform, which uses premium video content and social media.

Videos, Archival Documents, and New Releases

Sign up for the Open Road Media newsletter and get news delivered straight to your inbox.

Sign up now at

www.openroadmedia.com/newsletters