“Somebody see to poor Mr. Bancini,” she said.
Two or three got up. They tried to soothe him, pat him on his shoulder. But Pete wasn’t being hushed. “Tired! Tired!” he kept on.
Finally the nurse sent one of the black boys to take him out of the day room by force. She forgot that the black boys didn’t hold any control over people like Pete.
Pete’s been a Chronic all his life. Even though he didn’t come into the hospital till he was better than fifty, he’d always been a Chronic. His head has two big dents, one on each side, where the doctor who was with his mother at horning time pinched his skull trying to pull him out. Pete had looked out first and seen all the delivery-room machinery waiting for him and somehow realized what he was being born into, and had grabbed on to everything handy in there to try to stave off being born. The doctor reached in and got him by the head with a set of dulled ice tongs and jerked him loose and figured everything was all right. But Pete’s head was still too new, and soft as clay, and when it set, those two dents left by the tongs stayed. And this made him simple to where it took all his straining effort and concentration and will power just to do the tasks that came easy to a kid of six.
But one good thing – being simple like that put him out of the clutch of the Combine. They weren’t able to mold him into a slot. So they let him get a simple job on the railroad, where all he had to do was sit in a little clapboard house way out in the sticks on a lonely switch and wave a red lantern at the trains if the switch was one way, and a green one if it was the other, and a yellow one if there was a train someplace up ahead. And he did it, with main force and a gutpower they couldn’t mash out of his head, out by himself on that switch. And he never had any controls installed.
That’s why the black boy didn’t have any say over him. But the black boy didn’t think of that right off any more than the nurse did when she ordered Pete removed from the day room. The black boy walked right up and gave Pete’s arm a jerk toward the door, just like you’d jerk the reins on a plow horse to turn him.
“Tha’s right, Pete. Less go to the dorm. You disturbin’ ever’body.”
Pete shook his arm loose. “I’m tired,” he warned.
“C’mon, old man, you makin’ a fuss. Less us go to bed and be still like a good boy.”
“Tired…”
“I said you goin’ to the dorm, old man!”
The black boy jerked at his arm again, and Pete stopped wigwagging his head. He stood up straight and steady, and his eyes snapped clear. Usually Pete’s eyes are half shut and all murked up, like there’s milk in them, but this time they came clear as blue neon. And the hand on that arm the black boy was holding commenced to swell up. The staff and most of the rest of the patients were talking among themselves, not paying any attention to this old guy and his old song about being tired, figuring he’d be quieted down as usual and the meeting would go on. They didn’t see the hand on the end of that arm pumping bigger and bigger as he clenched and unclenched it. I was the only one saw it. I saw it swell and clench shut, flow in front of my eyes, become smooth – hard. A big rusty iron ball at the end of a chain. I stared at it and waited, while the black boy gave Pete’s arm another jerk toward the dorm.
“Ol’ man, I say you got – ”
He saw the hand. He tried to edge back away from it, saying, “You a good boy, Peter,” but he was a shade too late. Pete had that big iron ball swinging all the way from his knees. The black boy whammed flat against the wall and stuck, then slid down to the floor like the wall there was greased. I heard tubes pop and short all over inside that wall, and the plaster cracked just the shape of how he hit.
The other two – the least one and the other big one – stood stunned. The nurse snapped her fingers, and they sprang into motion. Instant movement, sliding across the floor. The little one beside the other like an image in a reducing mirror. They were almost to Pete when it suddenly struck them what the other boy should of known, that Pete wasn’t wired under control like the rest of us, that he wasn’t about to mind just because they gave him an order or gave his arm a jerk. If they were to take him they’d have to take him like you take a wild bear or bull, and with one of their number out cold against the baseboards, the other two black boys didn’t care for the odds.
This thought got them both at once and they froze, the big one and his tiny image, in exactly the same position, left foot forward, right hand out, halfway between Pete and the Big Nurse. That iron ball swinging in front of them and that snowwhite anger behind them, they shook and smoked and I could hear gears grinding. I could see them twitch with confusion, like machines throttled full ahead and with the brake on.
Pete stood there in the middle of the floor, swinging that ball back and forth at his side, all leaned over to its weight. Everybody was watching him now. He looked from the big black boy to the little one, and when he saw they weren’t about to come any closer he turned to the patients.
“You see – it’s a lotta baloney,” he told them, “it’s all a lotta baloney.”
The Big Nurse had slid from her chair and was working toward her wicker bag leaning at the door. “Yes, yes, Mr. Bancini,” she crooned, “now if you’ll just be calm – ”
“That’s all it is, nothin’ but a lotta baloney.” His voice lost its copper strength and became strained and urgent like he didn’t have much time to finish what he had to say. “Ya see, I can’t help it, I can’t – don’t ya see. I was born dead. Not you. You wasn’t born dead. Ahhhh, it’s been hard…”
He started to cry. He couldn’t make the words come out right anymore; he opened and closed his mouth to talk but he couldn’t sort the words into sentences any more. He shook his head to clear it and blinked at the Acutes:
“Ahhhh, I… tell… ya… I tell you.”
He began slumping over again, and his iron ball shrank back to a hand. He held it cupped out in front of him like he was offering something to the patients.
“I can’t help it. I was born a miscarriage. I had so many insults I died. I was born dead. I can’t help it. I’m tired. I’m give out trying. You got chances. I had so many insults I was born dead. You got it easy. I was born dead an’ life was hard. I’m tired. I’m tired out talking and standing up. I been dead fifty-five years.”
The Big Nurse got him clear across the room, right through his greens. She jumped back without getting the needle pulled out after the shot and it hung there from his pants like a little tail of glass and steel, old Pete slumping farther and farther forward, not from the shot but from the effort; the last couple of minutes had worn him out finally and completely, once and for all – you could just look at him and tell he was finished.
So there wasn’t really any need for the shot; his head had already commenced to wag back and forth and his eyes were murky. By the time the nurse eased back in to get the needle he was bent so far forward he was crying directly on the floor without wetting his face, tears spotting a wide area as he swung his head back and forth, spatting, spatting, in an even pattern on the day-room floor, like he was sowing them. “Ahhhhh,” he said. He didn’t flinch when she jerked the needle out.
He had come to life for maybe a minute to try to tell us something, something none of us cared to listen to or tried to understand, and the effort had drained him dry. That shot in his hip was as wasted as if she’d squirted it in a dead man – no heart to pump it, no vein to carry it up to his head, no brain up there for it to mortify with its poison. She’d just as well shot it in a dried-out old cadaver.
“I’m… tired…”
“Now. I think if you two boys are brave enough, Mr. Bancini will go to bed like a good fellow.”