I spotted Lazeer on the canal bank and went over to him. A big man in face mask, swim fins and air tank was preparing to go down with the wrecker hook.
Lazeer greeted me and said, “It pulled loose the first time, so he’s going to try to get it around the rear axle this time. It’s in twenty feet of water, right side up, in the black mud.”
“Did he lose control?”
“Hard to say. What happened, early this morning a fellow was goofing around in a little airplane, flying low, parallel to the canal, the water like a mirror, and he seen something down in there so he came around and looked again, then he found a way to mark the spot, opposite those three trees away over there, so he came into his home field and phoned it in, and we had that diver down by nine this morning. I got here about ten.”
“I guess this isn’t the way you wanted it to end, Sergeant.”
“It sure God isn’t. It was a contest between him and me, and I wanted to get him my own way. But I guess it’s a good thing he’s off the night roads.”
I looked around. The red and white wrecker was positioned and braced. Ambulance attendants were leaning against their vehicle, smoking and chatting. Sunday traffic slowed and was waved on by.
“I guess you could say his team showed up,” Lazeer said.
Only then did I realize the strangeness of most of the waiting vehicles. The cars were from a half-dozen counties, according to the tag numbers. There were many big, gaudy, curious monsters not unlike the C.M. Special in basic layout, but quite different in design. They seemed like a visitation of Martian beasts. There were dirty fenderless sedans from the thirties with modem power plants under the hoods, and big rude racing numbers painted on the side doors. There were other cars which looked normal at first glance, but then seemed to squat oddly low, lines clean and sleek where the Detroit chrome had been taken off, the holes leaded up.
The cars and the kids were of another race. Groups of them formed, broke up and re-formed. Radios brought in a dozen stations. They drank Cokes and perched in dense flocks on open convertibles. They wandered from car to car. It had a strange carnival flavor, yet more ceremonial. From time to time somebody would start one of the car engines, rev it up to a bursting road, and let it die away.
All the girls had long burnished hair and tidy blouses or sun tops and a stillness in their faces, a curious confidence of total acceptance which seemed at odds with the frivolous and provocative tightness of their short shorts, stretch pants, jeans. All the boys were lean, their hairdos carefully ornate, their shoulders high and square, and they moved with the lazy grace of young jungle cats. Some of the couples danced indolently, staring into each other’s eyes with a frozen and formal intensity, never touching, bright hair swinging, girls’ hips pumping in the stylized ceremonial twist.
Along the line I found a larger group. A boy was strumming slow chords on a guitar, a girl making sharp and erratic fill-in rhythm on a set of bongos. Another boy, in nasal and whining voice, seemed to improvise lyrics as he sang them. “C.M. Special, let it get out and go./C.M. Special, let it way out and go./Iron runs fast and the moon runs slow.”
The circle watched and listened with a contained intensity.
Then I heard the winch whining. It seemed to grow louder as, one by one, the other sounds stopped. The kids began moving toward the wrecker. They formed a big, silent semicircle. The taut, woven cable, coming in very slowly, stretched down at an angle through the sun glitter on the black-brown water.
The snore of a passing truck covered the winch noise for a moment.
“Coming good now,” a man said.
First you could see an underwater band of silver, close to the drop-off near the bank. Then the first edges of the big sweeping fins broke the surface, then the broad rear bumper, then the rich curves of the strawberry paint. Where it wasn’t clotted with wet weed or stained with mud, the paint glowed rich and new and brilliant. There was a slow sound from the kids, a sigh, a murmur, a shifting.
As it came up farther, the dark water began to spurt from it, and as the water level inside dropped, I saw, through a smeared window, the two huddled masses, the slumped boy and girl, side by side, still belted in.
I wanted to see no more. Lazeer was busy, and I got into my car and backed out and went home and mixed a drink.
I started work on it at about three-thirty that afternoon. It would be a feature for the following Sunday. I worked right on through until two in the morning. It was only two thousand words, but it was very tricky and I wanted to get it just right. I had to serve two masters. I had to give lip service to the editorial bias that this sort of thing was wrong, yet at the same time I wanted to capture, for my own sake, the favor of legend. These kids were making a special world we could not share. They were putting all their skills and dreams and energies to work composing the artifacts of a subculture, power, beauty, speed, skill, and rebellion. Our culture was giving them damned little, so they were fighting for a world of their own, with its own customs, legends and feats of valor, its own music, its own ethics and morality.
I took it in Monday morning and left it on Si Walther’s desk, with the hope that if it were published intact, it might become a classic. I called it “The Little War of Joe Lee Cuddard.”
I didn’t hear from Si until just before noon. He came out and dropped it on my desk. “Sorry,” he said.
“What’s the matter with it?”
“Hell, it’s a very nice bit. But we don’t publish fiction. You should have checked it out better, Marty, like you usually do. The examiner says those kids have been in the bottom of that canal for maybe eight months. I had Sam check her out through the clinic. She was damn near terminal eight months ago. What probably happened, the boy went to see her and found her so bad off he got scared and decided to rush her to Miami. She was still in her pajamas, with a sweater over them. That way it’s a human-interest bit. I had Helen do it. It’s page one this afternoon, boxed.”
I took my worthless story, tore it in half, and dropped it into the wastebasket. Sergeant Lazeer’s bad guess about the identity of his moonlight road runner had made me look like an incompetent jackass. I vowed to check all facts, get all names right, and never again indulge in glowing, strawberry-flake prose.
Three weeks later I got a phone call from Sergeant Lazeer.
He said, “I guess you figured out we got some boy coming in from out of county to fun us these moonlight nights.”
“Yes, I did.”
“I’m right sorry about you wasting that time and effort when we were thinking we were after Joe Lee Cuddard. We’re having some bright moonlight about now, and it’ll run full tomorrow night. You want to come over, we can show you some fun, because I got a plan that’s dead sure. We tried it last night, but there was just one flaw, and he got away through a road we didn’t know about. Tomorrow he won’t get that chance to melt away.”
I remembered the snarl of that engine, the glimpse of a dark shape, the great wind of passage. Suddenly the backs of my hands prickled. I remembered the emptiness of that stretch of road when we searched it. Could there have been that much pride and passion, labor and love and hope, that Clarissa May and Joe Lee could forever ride the night roads of their home county, balling through the silver moonlight? And what curious message had assembled all those kids from six counties so quickly?
“You there? You still there?”
“Sorry, I was trying to remember my schedule. I don’t think I can make it.”
“Well, we’ll get him for sure this time.”
“Best of luck, Sergeant.”