“That’s great about the portrait,” said Carmela, her mouth stuffed with cheese. “Terrific.” This last word came out terrifuff.
“ Monroe was also trained as a painter,” added Glory. “In Italy.” She was trying her darnedest to keep the conversation ball rolling.
Monroe laughed. “Studied painting. Years ago. And I was terrible. It’s no wonder my professors urged me to switch to museology instead.”
At that moment Glory’s housekeeper, Gabriella, came and whispered something in Glory’s ear.
“If you’ll excuse me,” said Glory, still being maddeningly polite as she scurried away.
Monroe gazed after Glory with watery eyes. “She’s a wonderful woman,” he told Carmela. “Generous to a fault.”
“Mmn,” murmured Carmela. Is he talking about the same Glory Meechum who kicked me out of Shamus’s house right after he rather unceremoniously took off? The same Glory Meechum who canceled all our joint credit cards? Who tried to get my name stricken from the rolls of the Garden Club?
Monroe continued to mumble platitudes about Glory, but Carmela suddenly wasn’t listening. Instead, she was intently watching Shamus as he talked and joked with a pretty young blond woman who was wearing a short black cocktail dress that had a keyhole cutout in back. Shamus’s left hand kept wandering up to that keyhole cutout. Flagrantly flirting right in front of the not-yet ex-wife, she thought. Where’s my digital camera when I need it? Judge, take a gander at this photo of the unfaithful husband flirting outrageously with another woman. Mental cruelty of the worst kind, wouldn’t you say?
“Mrs. Meechum?” said Monroe, his voice firm, as though he were repeating himself. “Carmela?”
Carmela blinked, turned her head, stared into Monroe Payne’s dark brown eyes. “I’m sorry,” she said. “You were saying…?”
“That was some nasty business last weekend. With the fellow who owned the shop next to yours?”
“Bartholomew Hayward,” said Carmela. “Yes, it was quite a shocker.”
“Do you know… are the police close to catching someone?” Monroe asked. “Or has that already been in the papers? I’ve been so frantic at the Institute finalizing plans for Monsters & Old Masters, I’m afraid I haven’t stayed all that well informed.”
Carmela shook her head. “You haven’t missed anything so far. But the police do seem to be focused on Billy Cobb, Barty Hayward’s young assistant.”
“From the hesitancy in your voice, I’m guessing you have other ideas,” said Monroe. “Glory told me how you so cleverly helped Shamus out of a spot of bad luck this past year.”
“Well, I wish I could shine that lucky star on Billy,” said Carmela. “He’s the nephew of one of my best friends and she’s very upset that he’s come under suspicion. Maybe you know my friend… Tandy Bliss?”
“Tandy and Darwin Bliss. Of course I know them,” said Monroe. “It’s good of you to be so involved. The world would be a far better place if more people were independent thinkers like you.” He glanced around quickly, as if making sure no one would overhear. “You have a suspect in mind?” he asked.
Carmela pursed her lips and a tiny frown creased her forehead. “Not exactly. Let’s just say I’m trying to follow up on a couple clues.”
“Clues that the police uncovered?” said Monroe with an encouraging look.
Carmela hesitated, not wanting to say too much. “Actually, I think the police would pretty much discount what I believe might be important.”
“Then be careful,” warned Monroe. “After having spent more years than I care to admit embroiled in the world of art and antiquities, I know that nefarious people abound. Which means that Bartholomew Hayward probably had any number of enemies.”
Carmela considered Monroe Payne’s words. They pretty much followed her line of thinking, too.
Monroe leaned toward her conspiratorially. “Lots of backbiting and strange goings-on in the art world,” he murmured in a low voice. “Would you believe that a person who resides right here in our very own Garden District once tried to palm off a sixteenth-century painting that disappeared from the collection of a prominent Dutch family during World War II?” He reared back and shook his head. “Shameful.”
“I hear a lot of stolen World War II artwork has resurfaced,” said Carmela.
Monroe grimaced. “Has for some time now. It just isn’t discussed in polite society.”
“I’m getting that same feeling about Barty Hayward’s murder,” said Carmela. “Which is why all of us at the shop have been struggling to get a handle on it.”
“Again,” said Monroe, flashing her a concerned look, “please exercise caution.”
“Don’t worry,” said Carmela. “I’m not about to stumble headlong into trouble. By the way, will you be attending Bartholomew Hayward’s funeral tomorrow?”
One of Monroe ’s hands fluttered to his chest. “Unfortunately, I barely knew the man. How about you?”
“Yes, I believe I will be attending,” said Carmela, making up her mind on the spur of the moment. She didn’t really have a decent reason for going, only a huge dollop of curiosity.
Then, because Monroe Payne was still peering at her with a slightly inquisitive smile, Carmela decided she’d better come up with a good reason to explain her attendance. “Since Barty Hayward was my neighbor,” she said piously, “it seems only proper.”
“I agree,” said Monroe, bobbing his head. “It’s only proper.”
Chapter 10
A subtropical wave that had originated off the coast of Africa in mid-October had leisurely swooshed its way across the Atlantic and bumped into the broad area of low pressure that now hovered in the western Caribbean. Meteorologists, stunned to see signs of a hurricane percolating so late in the season, nevertheless recognized the telltale banding-type eye in their satellite imagery. Hoping the unseasonable storm would decelerate and peter out on its own, they were dismayed when a large mid- to upper-level trough moved into the central United States and slowly began edging the storm northward toward the Gulf coast.
Rain sputtered down on mourners that had gathered in Lafayette Cemetery No. 1 around the grave that would soon serve as Bartholomew Hayward’s final resting place. Shivering against the raw wind, huddled under a cluster of black umbrellas, the morning’s funeral contingent resembled a patch of slick, oversized toadstools.
Carmela had arrived a little late. Hurrying through the ornate black wrought-iron gate on Washington Avenue, she’d crunched her way down the white gravel lanes that wound past ancient above-ground tombs, then slipped into place next to Baby.
Someone, Carmela didn’t know who, was right in the middle of a heartfelt eulogy to Bartholomew Hayward. The man, slightly built with an Ichabod Crane face and a terrible comb-over, was praising Barty’s sense of humor and mourning the fact he’d no longer be part of the French Quarter.
Carmela gazed around curiously at the rest of the mourners. Most were sedate-looking males, probably antique shop owners. Bartholomew Hayward had been a member of a loosely organized group known as the Vieux Carré Antique Shop Owners. They sometimes organized antique shop “crawls” and advertised their various shops together.
True to her promise, Jade Ella was also present, wearing a flouncy, low-cut red dress and gobs of shining jewelry, clutching a Judith Leiber handbag that turned out to be a jeweled pig. Perched pertly on a black folding chair, Jade Ella did indeed look like Mrs. Bling Bling. Lots of rocks, lots of glam.
Could Jade Ella have knocked off her husband? wondered Carmela. If she had, would she have shown up at his funeral flaunting a red dress and all that glitz? Only if she was certifiably crazy. Or maybe smart like a fox.