XIII. These buildings were of immense size, and unequalled in beauty and grace, as the workmen endeavoured to make the execution surpass the design in beauty; but what was most remarkable was the speed with which they were built. All these edifices, each of which one would have thought, it would have taken many generations to complete, were all finished during the most brilliant period of one man's administration. We are told that Zeuxis, hearing Agatharchus, the painter, boasting how easily and rapidly he could produce a picture, said, "I paint very slowly." Ease, and speed of execution, seldom produces work of any permanent value or delicacy. It is the time which is spent in laborious production for which we are repaid by the durable character of the result. And this makes Perikles's work all the more wonderful, because it was built in a short time, and yet has lasted for ages. In beauty each of them at once appeared venerable as soon as it was built; but even at the present day the work looks as fresh as ever, for they bloom with an eternal freshness which defies time, and seems to make the work instinct with an unfading spirit of youth.
The overseer and manager of the whole was Pheidias, although there were other excellent architects and workmen, such as Kallikrates and Iktinus, who built the Parthenon on the site of the old Hekatompedon, which had been destroyed by the Persians, and Koroebus, who began to build the Temple of Initiation at Eleusis, but who only lived to see the columns erected and the architraves placed upon them. On his death, Metagenes, of Xypete, added the frieze and the upper row of columns, and Xenokles, of Cholargos, crowned it with the domed roof over the shrine. As to the long wall, about which Sokrates says that he heard Perikles bring forward a motion, Kallikrates undertook to build it. Kratinus satirises the work for being slowly accomplished, saying
"He builds in speeches, but he does no work."
The Odeum, which internally consisted of many rows of seats and many columns, and externally of a roof sloping on all sides from a central point, was said to have been built in imitation of the king of Persia's tent, and was built under Perikles's direction. For this reason Kratinus alludes to him in his play of the 'Thracian Woman'—
Perikles at that period used his influence to pass a decree for establishing a musical competition at the Panathenaic festival; and, being himself chosen judge, he laid down rules as to how the candidates were to sing, and play the flute or the harp. At that period, and ever afterwards, all musical contests took place in the Odeum.
The Propylaea, before the Acropolis, were finished in five years, by Mnesikles the architect; and a miraculous incident during the work seemed to show that the goddess did not disapprove, but rather encouraged and assisted the building. The most energetic and active of the workmen fell from a great height, and lay in a dangerous condition, given over by his doctors. Perikles grieved much for him; but the goddess appeared to him in a dream, and suggested a course of treatment by which Perikles quickly healed the workman. In consequence of this, he set up the brazen statue of Athene the Healer, near the old altar in the Acropolis. The golden statue of the goddess was made by Pheidias, and his name appears upon the basement in the inscription. Almost everything was in his hands, and he gave his orders to all the workmen—as we have said before—because of his friendship with Perikles. This led to their both being envied and belied; for it was said that Perikles, with the connivance of Pheidias, carried on intrigues with Athenian ladies, who came ostensibly to see the works. This accusation was taken up by the comic poets, who charged him with great profligacy, hinting that he had an improper passion for the wife of Menippus, his friend, and a lieutenant–general in the army. Even the bird–fancying of Pyrilampes, because he was a friend of Perikles, was misrepresented, and he was said to give peacocks to the ladies who granted their favours to Perikles. But, indeed, how can we wonder at satirists bringing foul accusations against their betters, and offering them up as victims to the spite of the populace, when we find Stesimbrotus, of Thasos, actually inventing that unnatural and abominable falsehood of Perikles's intrigue with his own daughter–in–law. So hard is it to discover the truth, because the history of past ages is rendered difficult by the lapse of time; while in contemporary history the truth is always obscured, either by private spite and hatred, or by a desire to curry favour with the chief men of the time.
XIV. When the speakers of Thucydides's party complained that Perikles had wasted the public money, and destroyed the revenue, he asked the people in the assembly whether they thought he had spent much. When they answered "Very much indeed," he said in reply, "Do not, then, put it down to the public account, but to mine; and I will inscribe my name upon all the public buildings." When Perikles said this, the people, either in admiration of his magnificence of manner, or being eager to bear their share in the glory of the new buildings, shouted to him with one accord to take what money he pleased from the treasury, and spend it as he pleased, without stint. And finally, he underwent the trial of ostracism with Thucydides, and not only succeeded in driving him into exile, but broke up his party.
XV. As now there was no opposition to encounter in the city, and all parties had been blended into one, Perikles undertook the sole administration of the home and foreign affairs of Athens, dealing with the public revenue, the army, the navy, the islands and maritime affairs, and the great sources of strength which Athens derived from her alliances, as well with Greek as with foreign princes and states. Henceforth he became quite a different man: he no longer gave way to the people, and ceased to watch the breath of popular favour; but he changed the loose and licentious democracy, which had hitherto existed, into a stricter aristocratic, or rather monarchical, form of government. This he used honourably and unswervingly for the public benefit, finding the people, as a rule, willing to second the measures which he explained to them to be necessary, and to which he asked their consent, but occasionally having to use violence, and to force them, much against their will, to do what was expedient; like a physician dealing with some complicated disorder, who at one time allows his patient innocent recreation, and at another inflicts upon him sharp pains and bitter, though salutary, draughts. Every possible kind of disorder was to be found among a people possessing so great an empire as the Athenians; and he alone was able to bring them into harmony, by playing alternately upon their hopes and fears, checking them when over–confident, and raising their spirits when they were cast down and disheartened. Thus, as Plato says, he was able to prove that oratory is the art of influencing men's minds, and to use it in its highest application, when it deals with men's passions and characters, which, like certain strings of a musical instrument, require a skilful and delicate touch. The secret of his power is to be found, however, as Thucydides says, not so much in his mere oratory, as in his pure and blameless life, because he was so well known to be incorruptible, and indifferent to money; for though he made the city, which was a great one, into the greatest and richest city of Greece, and though he himself became more powerful than many independent sovereigns, who were able to leave their kingdoms to their sons, yet Perikles did not increase by one single drachma the estate which he received from his father.
XVI. This is the clear account of his power which is given by Thucydides the historian; though the comic poets misrepresent him atrociously, calling his immediate followers the New Peisistratidae, and calling upon him to swear that he never would make himself despot, as though his pre–eminence was not to be borne in a free state. And Telekleides says, that the Athenians delivered up into his hands