“Give me one minute to put someone else on the door.” Mirium hurried over to one of the waitresses. The girl glanced at Eve and Peabody, nodded.
Mirium signaled Eve forward, then led them through the dining room, past the bar, and through one of a pair of swinging doors into the chaos of the kitchen.
“Dinner rush. I'll set you up over here — our chef's table. Jan invites customers back sometimes — gives them a treat. I told Vee to send Detective Lloyd back when he gets here. He's been in several times about Beata, so everyone knows him. Can you tell me anything about her? Do you have more information?”
“I'll know more when I speak with the detective. She worked for you.”
“Yes. A beautiful girl and a good worker. She was a pleasure.” Mirium reached back to a shelf, picked up three setups, and arranged them on the table. “I know they think she just took off — Gypsy feet — but it doesn't make sense. She made amazing tips — the looks, the voice, the personality. And . . . well, she just wouldn't be that rude and careless, wouldn't have left without telling us. Or her family.”
“Boyfriend?”
“No. Nothing serious and no one specific. She dated — she's young and gorgeous. But she was serious about her dancing. Went to auditions, took classes every day. She had an understudy spot in a small musical review. And she'd just landed a part in the chorus on a new musical spot off-Broadway. There wasn't enough time for a serious boyfriend. I'm sorry, please sit. How about some food?”
“We're good, thanks. You have flyers at the reservation station, I noticed.”
“Yes. Her grandmother — well, great-grandmother — is here from Hungary. She had them made up and takes them around the city. She comes by here every day. Detective — ”
“Lieutenant,” Eve said automatically.
“Lieutenant, Beata worked here nearly a year. You get to know people who work for you, and I promise you, she wouldn't worry her family this way. I'm so afraid something's happened to her. I know Madam Szabo's determined to find her, but with every day that passes . . . ”
“I'm sorry to tell you Gizi Szabo was killed this afternoon.”
“No.” Instantly Mirium's eyes filled. “Oh, no. What happened?”
“We're going to find out.”
“She told my fortune,” Mirium murmured. “Said I would have a child, a son. Jan and I haven't . . . That was two months ago. I found out yesterday I'm pregnant. I told her just today.”
“She was in today.”
“Yes, about eleven, I guess.” Shaking her head, Mirium swiped at a tear while the kitchen bustle raged on around them. “She was so happy for me. She said she'd felt his search, my son's. An old soul, she said, who'd turned the wheel again. She talked like that,” Mirium murmured. “I don't really believe that sort of thing, but when she looks at you . . . She's — she was — Romany, and a speaker for the dead.”
So am I, Eve thought with a quick chill. I speak for the dead. “What time did she leave?”
“She was only here a few minutes. She said she was going home. She said she felt closer to Beata, felt something coming. Or someone. I don't know, she was — I want to say optimistic. She was going to rest and then do a new spell because she was breaking through, well, the veil. She said Beata was toward the setting sun, below the rays, um, locked beyond the red door. I have no idea what that meant,” Mirium added. “Or if it meant anything, but she was fierce about it. She swore Beata was alive, but trapped. By a devil.
“I know how that sounds,” she continued. “But — ” She glanced over. “Here's Detective Lloyd. Sorry I went on like that.”
“Don't be,” Eve told her. “Every detail, every impression, is helpful.”
“I just can't believe Madam's gone. She was such a presence, even for the short time I knew her. Excuse me. I need to tell Jan. Hello, Detective Lloyd, have a seat.”
Lloyd was a square-faced, square-bodied man who transmitted I'm a cop from thirty paces. He gave Eve and Peabody a brisk nod, then sat at the little square table. Shook hands.
“It's too bad about the old lady. She had some juice, had some spine. She should've stayed back home.”
She made home where she landed, Eve thought, remembering Peabody's take. “Tell me about Beata Varga.”
He hitched up a hip, took a disc out of his pocket. “I went ahead and made a copy of the file for you.”
“Appreciate it.”
“She's a looker. Smart, from what I get, savvy, but still green when it comes to city. Used to wandering with her family — tribe, you'd say. Came here wanting to be a Broadway star, and the family wasn't happy about it.”
“Is that so?”
“Wanted her home. Wanted her to stay pure, you could say. Get hitched, have babies, keep the line going, that sort of thing. But, the old woman — Szabo — overruled them. She wanted the girl to take her shot, find her destiny, like that. The girl got a job here and a place a couple blocks away. Started taking classes — dance classes, acting classes, stuff like that, at West Side School for the Arts. Went to the cattle calls regular. No boyfriend — or not one in particular. Dated a few guys. I got the names and statements, the data in the file there.” He nodded toward the disc. “Nobody rang the bell.”
He paused when Mirium came over with a tray holding three tall glasses. “I don't mean to interrupt. Just something cold to drink while you talk. If you need me for anything, I'll be out front.”
“They're good people,” Lloyd commented when she left them. “Her, her husband. They come up clean. Ran the whole staff when I caught the case. Got some bumps here and there, but nobody popped.”
“What's the time line?”
When he didn't refer to his notes, Eve knew the case had him, and his teeth were still in it.
“Beata Varga went to her regular dance class, eight a.m. to ten. Hit a rehearsal for the show she just landed at Carmine Theater on Tenth at eleven. Reported here for work at one, all excited about the show. Worked a split shift, so she was off at three, hit her acting class from three thirty to five, back to work at five thirty, off at eleven. Walked down the block with a couple friends from work — names in the file — then split off to go home. That's the last anyone can verify seeing her. Eleven ten, then poof.
“Apartment's not big on security. No cams,” he added. “No log-in. The neighbors can't say whether she came in that night, but nobody saw her. A bag and some of her clothes and personal items are gone, and there was no money in the place. According to statements, she pulled in hefty tips and was saving. It looks like she got itchy feet, tossed what she wanted in a bag, and took off.”
“That's not what you think,” Eve said, watching his eyes.
“Nope. I think between here and home she ran into trouble. Somebody snatched her. I think she's been dead since that night. You know as well as I do, Lieutenant, we don't always find the bodies.”
No, Eve thought. “If she's dead, then someone she knew killed her. Why else try to make it seem like she took off? Why pack clothes?”
“I lean that way, but I can't find anything.” Frustration rippled around him. “It could be whoever did her used her ID for her address, had her key — she carried all that in her purse. Tried to cover it up. I'm still working it, when I can, as an MP, but my sense is it's more in your line.”
He glanced around as he sipped his drink. “The old woman didn't buy it for cheap,” he said. “Claimed she talked to the dead, and if the girl was dead, she'd know. I don't buy that for free, but . . . Now the old woman gets murdered? People get dead in the city,” he added as he set his glass down. “But it's got a smell to it. I'd appreciate you giving me what you've got on it. Something or somebody might cross somewhere.”
“You'll get it,” Eve promised. Because something or somebody would cross.
Five
The ballet studio ranged over the fourth floor of an old building on the West Side. Under the glare of streetlights the pocked bricks were dull and grayed with time and pollution, but the glass in every window sparkled.