William Prynne, who was a lawyer, had been tried in the hated Star Chamber, which ruled on censorship. He was sentenced to a ferocious fine, the pillory and prison; he was doggedly continuing his activities from jail and would eventually be tried a second time, have his ears lopped and his forehead branded 'SL' for Seditious Libeller. He was already deprived of his Oxford degree, and expelled from Lincoln's Inn, the very Inn whose more grovelling members had contributed to The Triumph of Peace.
Few of the satin-clad lords and ladies probably gave much thought to the imprisoned campaigner as the crowds gasped with delight at 'Jollity in a flame-coloured suit' and 'Laughter in a long coat of several colours, with laughing vizards on his breast and back, a cap with two grinning faces, and feathers between'. But as they stamped their cold feet outside in Whitehall, Lambert Jukes and his uncle were discussing Prynne sardonically. Bevan had an intimate connection with literature nowadays. Those who love books love free ones best of all. Through his new wife, the printer's widow, Bevan obtained reading material which — since the widow was extremely well-off — he had leisure to peruse.
'Have you read this Players' Scourge?' asked Lambert.
'Nobody has read it,' scoffed Bevan Bevan flatly. 'No man has a life long enough. We use this book to prop up a dilapidated court cupboard that has lost a foot. It is more than a thousand pages of bile! This is a mighty cube of invective, expelled like foul air from the posterior of one who professes never to visit the playhouse — '
'Difficult, when the theatres are closed due to plague.' Lambert sounded pleased to find this flaw.
Bevan eased his bulk, trying to get comfortable on his lame leg. He and Lambert were squeezed into a dark corner opposite the Horse Guards Yard, to which Bevan had led them by a back route up from the river, passing through the woodyard, coalyards, and other palace offices. 'They say Prynne's book is a very conduit of foul-mouthed, narrow-minded, fearsome flame-throwing spite which the crazed author has gathered over seven years — '
'And he calls the Queen a whore?' Lambert was always direct. From their position, they could see the tall windows of the Banqueting House; within its warmth, persons who called themselves quality were pressed against the glass panes, craning out at the spectacle. The King and Queen would be among that richly dressed throng. From time to time a jewel flashed on the white neck of one of the ladies, whose high-waisted gowns with puffed sleeves and snowflake collars were like costumes for fairies in just such a masque as they were preparing to watch.
'A notorious whore,' concurred Bevan.
'Not well advised!' Lambert sniggered.
As the torchlit procession continued past them, they watched many strange phenomena. To antique music representing birdsong, came a man-sized owl accompanied by a magpie, a jay, a crow and a kite. Struggling to spot their own bird, Lambert and Bevan made out three satyrs with their own torch-bearers — and finally what they were waiting for: the three dotterels. They expelled a roar of greeting, which they kept up until one of the high-stepping wildfowl turned slowly towards them.
Despite the winter night, inside the dotterel's heavy costume, Gideon had sweat in his eyes. Adolescents like to hide, but this was far too uncomfortable. Striving to keep up with the parade, the young actor momentarily tripped over the long claws of his bird's feet. Bevan's derisive cheer had been unmistakable even through the muffling headpiece. Now he was for it. He knew that his great-uncle and his brother had tracked him down.
Gideon was wary of Bevan. Even the recent offer of a printing apprenticeship seemed a mysterious ploy of some kind. Gideon always felt there was something unsound about his great-uncle. And he was right. When civil war came, Bevan Bevan would be a Royalist. Bevan was stirring trouble now, even though he always insisted he was supportive of Gideon. The lad's rebellion would be exposed, to become family lore, occasioning many more furious arguments at home.
Third Dotterel was forced to acknowledge that he had been recognised; he lowered his delicate beak in a sad salute. Thoroughly despondent, he flapped his arms like wings and stepped on his way.
'So there he flies; we have done our duty' What duty? Gideon would have roared. 'To a tavern, Lambert!'
'Do we not wait, to fetch our fledgling home?'
'It will be morning before he obtains his release. Let him find his own way'
Lambert at least was beginning to regret landing the young scamp in more trouble. 'Oh you mean, let him answer to my mother on his own!' Lambert knew Bevan was frightened of Parthenope. 'We need not speak of it — '
'Too good to keep to ourselves!' replied Bevan cruelly.
Thick crowds prevented them from moving off immediately. They saw out the rest of the parade. Immediately after the dotterels tottered a fine mobile windmill, at which a fantastical knight and his squire tilted raggedly while they tried to avoid its whirling sails. Then the procession became more formal. Fourteen trumpeters cantered by with rich banners; next rode the marshal among forty attendants, all tricked out in coats and hose of scarlet, trimmed with silver lace; then a hundred mounted gentlemen passed, two abreast. Finally in the manner of a Roman Triumph, three decorated chariots bore along Peace, Law and Justice, queenly females all coruscating with stars and silver ornament, thrilling beneath the shadows and light of many torches.
The King and Queen were so impressed, they sent out to request that the entire carnival be led right around the tiltyard at the far end of Whitehall, and brought back again for a second viewing. It was a chilly night and the crowds outside began to lose interest. As soon as they gained space to move, Bevan Bevan and Lambert Jukes took themselves off. They picked their way through the fresh horse-dung along to the Strand, then headed east, back to their own turbulent city parishes where they could enjoy a tankard in a tavern more at ease than here.
The masque participants finally dismounted outside the Banqueting House. Through his costume, Gideon could make out parts of the stark new classical building in three subtle shades of stonework, its harmonious Palladian style a cool contrast to the brightly painted beams and red brick of the rackety old Tudor buildings in Whitehall. Jostled by the other players and afraid his tail would be stepped on, he entered at the level of the Undercroft. The claws of his costume slipped on the stone, as he made his way up the easy flights of a broad stair. A tall doorway brought them into a magnificent two-storeyed hall, purposely designed for state receptions. Heat, braying voices, the stench of sweat and the cloying scent of rosewater assailed them. At the far end stood the King's canopied throne, flanked by the noblest gentlemen and ladies of the court. Lapdogs scampered about at will. Other courtiers, decorated with pockmarks and great pearls, lined the two side aisles, where splendid tapestries covered the tall window niches, pegged back on the street side to allow a view outside. Above, lesser spectators hung over the balcony which ran around the upper storey, including members of the Inns of Court who had fought the Lord Chamberlain for permission to see their own masque. The room, already warm from so many jostling bodies, was ablaze with lights, the glister of silver and gold tissue, and the sparkle of jewels. Only its ceiling was bare. Painted panels had been commissioned from Peter Paul Rubens, but they would not arrive from Holland until the following year.
The King and Queen, diminutive figures enthroned like dolls on their state dais, faced a specially constructed raised stage. During the masque, this would represent variously arbours, streets, a tavern, open countryside and clouds, with all the scene changes and spectacles wrought by cunning machinery.