“Major, am I going to be all right?” the passenger asked.
Zen glanced at the parajumper behind him. He was a certified combat medic, the closest thing to a doctor you could find on the front line, and more experienced in dealing with trauma injuries than many emergency room specialists. The 74
DALE BROWN’S DREAMLAND
PJ made a slight movement with his eyes, signaling to Zen that he didn’t know.
“Yeah, kid,” he said. “I think you’re going to be cool. I’m pretty sure you are.”
“Wow, that’s a relief,” said the young man.
Zen recognized him as a maintainer, one of the engine specialists responsible for the EB-52 power plants. A crew dog who’d worked on his aircraft many times, he was sure.
“I wasn’t wearing my seat belt,” he continued. “We went off the road—there was a jackrabbit or something weird. I bounced up and down and the top flew open. The next thing I knew, it felt like the whole world was sitting on top of me and I was being pulled apart. I am gonna make it, right?”
“You’ll make it,” said Zen.
“My legs are kinda numb.”
Zen glanced up at the PJ, who now had a pained expression on his face. He’d been prodding the young man’s foot with a pin, apparently getting no response.
“They gave you painkillers,” Zen said. “I’m surprised your head’s not numb.”
“As long as I can walk.”
“Just close your eyes and relax now,” said the pararescue man, resting his hand gently on the young man’s chest. “We’ll be at the med center in a few minutes.”
Northwestern Moldova,
near the Romanian border
23 January 1998
0134
STONER FOUGHT THE URGE TO RETURN FIRE, KNOWING IT
would just give away their position. He lay still, gun ready, waiting as the bullets continued to fly. The cold seeped up through his jacket into his chest; his pants grew damp with the chill.
REVOLUTION
75
Finally, the rounds slacked off. Stoner waited, expecting more.
The ground smelled vaguely like cow dung. He funneled his breath through his mouth as slowly and silently as he could, worried that his breath might be visible in the moonlight. Finally, when he hadn’t heard any gunfire for a few minutes, he began edging to his right. He raised his head ever so slightly as he moved, trying to see down the hill.
There were two shadows near the road, but by the time he spotted them they were moving toward the cottage and he didn’t have a clear shot. He waited until their shapes had been consumed by the cottage then got up and ran down the hill toward the road.
Meanwhile, two flashlights played across the windows of the cottage. There was more gunfire, this time muted—a nervous gunman firing inside the house, Stoner thought.
The woman he’d come to meet was somewhere near the ridge, but he wasn’t sure where; he’d lost track of her when the shooting began. He felt certain she wasn’t in the building, but if she was, there was nothing he was going to do about it now. Stoner edged further down the hill, aiming to find a place where he could easily ambush the gunmen when they came out of the house. As he did, however, he sighted a shadow moving along the road. He held his breath as it disappeared in a clump of trees.
His night goggles were in his ruck, but he was afraid getting them out would be too noisy: the trees were less than twenty years away.
If there was just one man by the road, he would take him out as quietly as possible, then turn his attention back to the cottage. If there were more …
If there were more he would have to fight his way through them.
No. It would be better to simply leave.
He could do that, but it would mean giving up on his contact.
76
DALE BROWN’S DREAMLAND
Wasn’t she just a lure, though? Wasn’t this an elaborate ambush?
Stoner transferred the AK-47 to his left hand, then reached with his right to his knife scabbard. Killing a man with a knife was not an easy thing, a fact Stoner knew from unfortunate experience: Some years back, he’d failed in his one attempt to do so, sneaking up on a border guard between China and Vietnam. He’d put his knife on the man’s throat, but his pull hadn’t been deep enough; the man had managed to shout an alarm before a second slash of the knife, this one deeper, killed him.
Stoner worked his fingers around the knife’s hilt, trying to get the right grip. Only when he was sure he had it did he start working his way in the man’s direction.
The cigarette tip flared again, then faded. Twenty yards was a long way to cross without being seen or heard. Stealth and speed had to be balanced against each other. Stoner bent his legs slightly as he walked, lowering his center of gravity, hoping that the way the trees threw their shadows would keep him hidden. He got to within ten yards, then five, then three—less than the distance across a kitchen.
He slid the rifle down. All or nothing now.
Two yards. The man lowered his head, cupping his hands, lighting another cigarette.
He was alone.
Stoner sprang forward. He grabbed the man’s mouth with his left hand, while his right rode up and across the man’s neck—too high, but with enough force that the mistake could be overcome. He pushed his knee into the man’s back and rammed the knife hard across flesh that suddenly felt like jelly. Stoner pulled back with his left hand and plunged the knife across his neck a second time, the blade slicing through the windpipe and into the vertebrae. Stoner pushed his knee hard against the man’s back, felt no resistance; he stabbed one more time, then let his victim fall away.
REVOLUTION
77
Even as the man hit the ground, Stoner reset his attention on the cottage, where the flashlights were now joined in an X
near the outside wall. He scooped up his rifle, then grabbed the dead man’s gun and began moving along the road.
If they saw a shadow coming from this direction, they would think it was their companion. The illusion would last only until they shouted to him. He wouldn’t be able to answer, except with his gun.
Stoner stopped and undid the top of his backpack. Taking out the night glasses he put them on. The building, the night, turned silvery green. The men had gone back inside.
Stoner began trotting along the road, trotting then running, adrenaline pumping. He turned up a dirt path that led to the cottage’s side door.
One of the flashlight beams appeared at the edge of the building. Stoner went down to his knee, ready to fire.
The beam grew longer, moving slowly back and forth across the yard.
Where was the other man? Or men?—He’d seen two flashlights, but there could always be another.
Stoner turned his head in the other direction quickly, making sure no one was coming across the front of the barn.
The man with the flashlight rounded the corner. He was dressed in fatigues, but Stoner couldn’t see any insignia or other sign that he was a soldier instead of a guerrilla. He had an AK-47 in his right hand, the flashlight in his left.
As the flashlight swung in his direction, Stoner fired a three-shot burst that took the man square in the chest.
The man’s companion began shouting from behind the cottage as his friend fell. Stoner raced up the hill, then threw himself down as bullets began flying from the corner of the building. Stoner fired back, then got up into a crouch to swing to his right and flank the gunman.
A fresh burst of bullets cut him off. Stoner hunkered against the ground.
78
DALE BROWN’S DREAMLAND
The man took a step out from the corner of the building.
Stoner began to fire as the man reared back and threw something, then disappeared behind the building again.
A grenade.
Stoner saw it arc to his right. He threw himself leftwards, tumbling against the hillside, hoping to get as much distance between himself and the explosion as he could.
Dreamland
1534
WITH THE DOGFIGHT SESSION OVER, DOG AND SLEEK TOP