Rudolph had told the police what he knew and they had talked to Jean, who had broken down hysterically after a half hour’s questioning. She had told them about La Porte Rose and they had picked up Danovic, but there had been no witnesses to the beating and Danovic had an alibi for the entire night that couldn’t be shaken.
VII
The morning after the cremation Rudolph and Gretchen went by taxi to the place and got the metal box with their brother’s ashes. Then they drove toward Antibes harbor, where Kate and Wesley and Dwyer were expecting them. Jean was at the hotel with Enid. It would have been too much for Kate to bear, Rudolph thought, to have to stand by Jean’s side today. And if Jean got drunk, Rudolph thought, she would finally have good reason to do so.
Gretchen now knew the true story of the wedding night, as did the others.
“Tom,” Gretchen said in the taxi, as they drove through the bustle of holiday traffic, “the one of us who finally made a life.”
“Dead for one of us who didn’t,” Rudolph said.
“The only thing you did wrong,” Gretchen said, “was not waking up one night.”
“The only thing,” Rudolph said.
After that they didn’t speak until they reached the Clothilde. Kate and Wesley and Dwyer, dressed in their working clothes, were waiting for them on the deck. Dwyer and Wesley were red eyed from crying, but Kate, although grave faced, showed no signs of tears. Rudolph came on board carrying the box and Gretchen followed him. Rudolph put the box in the pilot house and Dwyer took the wheel and started the one engine. Wesley pulled up the gangplank and then jumped ashore to throw off the two stern lines, which Kate reeled in. Wesley leaped across open water, landed catlike on the stern, and swung himself aboard, then ran forward to help Kate with the anchor.
It was all so routine, so much like every other time they had set out from a port, that Rudolph, on the after deck, had the feeling that at any moment Tom would come rolling out of the shadow of the pilot house, smoking his pipe.
The immaculate white-and-blue little ship chugged past the harbor mouth in the morning sunlight, only the two figures standing in incongruous black on the open deck making it seem any different from any other pleasure craft sailing out for a day’s sport.
Nobody spoke. They had decided what they were to do the day before. They sailed for an hour, due south, away from the mainland. Because they were only on one engine they did not go far and the coast line was clear behind them.
After exactly one hour, Dwyer turned the boat around and cut the engine. There were no other craft within sight and the sea was calm, so there wasn’t even the small sound of waves. Rudolph went into the pilot house, took out the box and opened it. Kate came up from below with a large bunch of white and red gladioli. They all stood in a line on the stern, facing the open, empty sea. Wesley took the box from Rudolph’s hands and, after a moment’s hesitation, his eyes dry now, started to strew his father’s ashes into the sea. It only took a minute. The ashes floated away, a faint sprinkling of dust on the blue glint of the Mediterranean.
The body of their father, Rudolph thought, also rolled in deep waters.
Kate threw the flowers in with a slow, housewifely gesture of her round, tanned arms.
Wesley tossed the metal box and its cover over the side, both face down. They sank immediately. Then Wesley went to the pilot house and started the engine. They were pointed toward the coast now and he held a straight course for the mouth of the harbor.
Kate went below and Dwyer went forward to stand in the prow, leaving Gretchen and Rudolph, death colored, together on the after deck.
Up in the bow, Dwyer stood in the little breeze of their passage, watching the coast line, white mansions, old walls, green pines, grow nearer in the brilliant light of the morning sun.
Rich man’s weather, Dwyer remembered.
A Biography of Irwin Shaw
Irwin Shaw (1913–1984) was an award-winning American novelist, playwright, screenwriter, and short story writer. His novel The Young Lions (1948) is considered a classic of World War II fiction. From the early pages of the New Yorker to the bestseller lists, Shaw earned a reputation as a leading literary voice of his generation.
Shaw was born Irwin Shamforoff in the Bronx, New York, on February 27, 1913. His parents, Will and Rose, were Russian Jewish immigrants and his father struggled as a haberdasher. The family moved to Brooklyn and barely survived the Depression. After graduating from high school at the age of sixteen, Shaw worked his way through Brooklyn College, where he started as quarterback on the school’s scrappy football team.
“Discovered” by a college teacher (who later got him his first assignment, writing for the Dick Tracy radio serials), Shaw became a household name at the age of twenty-two thanks to his first produced play, Bury the Dead. This 1935 Broadway hit—still regularly produced around the world—is a bugle call against profit-driven barbarity. Offered a job as a Hollywood staff scriptwriter, Shaw then contributed to numerous Golden Era films such as The Big Game (1936) and The Talk of the Town (1942). While continuing to write memorable stories for the New Yorker, he also penned The Gentle People (1939), a play that was adapted for film four different times.
World War II altered the course of Shaw’s career. Refusing a commission, he enlisted in the army, and was shipped off to North Africa as a private in a photography unit in 1943. After the North African campaign, he served in London during the preparations for the invasion of Normandy. After D-Day, Shaw and his unit followed the front lines and documented many of the most important moments of the war, including the liberations of Paris and the Dachau concentration camp.
The Young Lions (1948), his epic novel, follows three soldiers—two Americans and one German—across North Africa, Europe, and into Germany. Along with James Jones’s From Here to Eternity, Joseph Heller’s Catch-22, Norman Mailer’s The Naked and the Dead, and The Caine Mutiny by Herman Wouk, The Young Lions stands as one of the great American novels of World War II. In 1958, it was made into a film starring Marlon Brando and Montgomery Clift.
In 1951, wrongly suspected of Communist sympathies, Shaw moved to Europe with his wife and six-month-old son. In Paris, he was neighbors with journalist Art Buchwald and friends with the great French writers, photographers, actors, and moviemakers of his generation, including Joseph Kessel, Robert Capa, Simone Signoret, and Louis Malle. In Rome, Shaw gave author William Styron his wedding lunch, doctored screenplays, walked with director Federico Fellini on the Via Veneto, and got the idea for his novel Two Weeks in Another Town (1960).
Finally, he settled in the small Swiss village of Klosters and continued writing screenplays, stage plays, and novels. Rich Man, Poor Man (1970) and Beggerman, Thief (1977) were made into the first famous television miniseries. Nightwork (1975) will soon be a major motion picture. Shaw died in the shadow of the Swiss peaks that had inspired Thomas Mann’s great novel The Magic Mountain.
Shaw as a young soldier crossing North Africa from Algiers to Cairo in 1943.