He walked along the fence bordering the old Canada Dry bottling plant, turned, stood with his hands buried in his jeans, and watched as a Red Line train approached from the city. His long sight was beginning to go on him, and the lights along Georgia Avenue were blurred, white stars broken by the odd red and green.
He looked across the tracks at the ticket office as the passing train raised wind and dust. He closed his eyes.
He thought of his favorite western movie, Once Upon a Time in the West. Three gunmen are waiting on the platform of an empty train station as the opening credits roll. It's a long sequence, made more excruciating by the real-time approach of a train and a sound design nearly comic in its exaggeration. Eventually the train arrives. A character named Harmonica steps off of it and stands before the men who have come to kill him. Their shadows are elongated by the dropping sun. Harmonica and the men have a brief and pointed conversation. The ensuing violent act is swift and final.
Standing there at night, on the platform of the train station in Silver Spring, he often felt like he was waiting for that train. In many ways, he felt he'd been waiting all his life.
After a while he went back the way he came and headed for Rosita's. He was ready for a beer, and also to talk to Juana. He had been curious about her for some time.
Juana Burkett was standing at the service end of the bar, waiting on a marg-rocks-no-salt from Enrique the tender, when the white man in the black leather jacket came through the door. She watched him walk across the dining room, navigating the tables, a man of medium height with a flat stomach and wavy brown hair nearly touching his shoulders. His face was clean shaven with only a shadow of beard, and there was a natural swagger to his walk.
He seated himself at the short, straight bar and did not look at her at first, though she knew that she was the reason he was here. She had met him briefly at his place of employment, a used book and vinyl store on Bonifant, where she had been looking for a copy of Home Is the Sailor, and Raphael had told her that he had been asking for her since and that he would be stopping by. On the day that she'd met him she felt she'd seen him before, and the feeling passed through her again. Now he looked around the restaurant, trying to appear casually interested in the decor, and finally his eyes lit on her, where they had been headed all the time, and he lifted his chin and gave her an easy and pleasant smile.
Enrique placed the margarita on her drink tray, and she dressed it with a lime wheel and a swizzle stick and walked it to her four-top by the front window. She served the marg and the dark beers on her tray and took the food orders from the two couples seated at the table, glancing over toward the bar one time as she wrote. Raphael was standing beside the man in the black leather jacket and the two of them were shaking hands.
Juana went back to the area of the service bar and placed the ticket faceup on the ledge of a reach-through, where the hand of the kitchen's expeditor took the ticket and impaled it on a wheel. She heard Raphael call her name and she walked around the bar to where he stood and the man sat, his ringless hand touching a cold bottle of Dos Equis beer.
'You remember this guy?' said Raphael.
'Sure,' she said, and then Raphael moved away, just left her there like that, went to a deuce along the wall to greet its two occupants. She'd have to remind Raphael of his manners the next time she got him alone.
'So,' the man said in a slow, gravelly way. 'Did you find your Jorge Amado?'
'I did find it. Thank you, yes.'
'We got Tereza Batista in last week. It's in that paper series Avon put out a few years back-'
'I've read it,' she said, too abruptly. She was nervous, and showing it; it wasn't like her to react this way in front of a man. She looked over her shoulder. She had only the one table left for the evening, and her diners seemed satisfied, nursing their drinks. She cleared her throat and said, 'Listen-'
'It's okay,' he said, swiveling on his stool to face her. He had a wide mouth parenthesized by lines going down to a strong chin. His eyes were green and they were direct and damaged, and somehow needy, and the eyes completed it for her, and scared her a little bit, too.
'What's okay?' she said.
'You don't have to stand here if you don't want to. You can go back to work if you'd like.'
'No, that's all right. I mean, I'm fine. It's just that-'
'Juana, right?' He leaned forward and cocked his head.
He was moving very quickly, and it crossed her mind that what she had taken for confidence in his walk might have been conceit. 'I don't remember telling you my name the day we met.'
'Raphael told me.'
'And now you're going to tell me you like the way it sounds. That my name sings, right?'
'It does sing. But that's not what I was going to say.'
'What, then?'
'I was going to ask if you like oysters.'
'Yes. I like them.'
'Would you like to have some with me down at Crisfield's, after you get off?'
'Just like that? I don't even know-'
'Look here.' He put his right hand up, palm out. 'I've been thinking about you on and off since that day you walked into the bookstore. I've been thinking about you all day today. Now, I believe in being to the point, so let me ask you again: Would… you… like… to step out with me, after your shift, and have a bite to eat?'
'Juana!' said the expeditor, his head in the reach-through. 'Is up!'
'Excuse me,' she said.
She went to the ledge of the reach-through and retrieved a small bowl of chili con queso, filled a red plastic basket with chips, and served the four-top its appetizer. As she was placing the queso and chips on the table, she looked back at the bar, instantly sorry that she had. The man was smiling at her full on. She tossed her long hair off her shoulder self-consciously and was sorry she had done that, too. She walked quickly back to the bar.
'You're sure of yourself, eh?' she said when she reached him, surprised to feel her arms folded across her chest.
'I'm confident, if that's what you mean.'
'Overconfident, maybe.'
He shrugged. 'You like what you see, otherwise you wouldn't have stood here as long as you did. And you sure wouldn't have come back. I like what I see. That's what I'm doing here. And listen, Raphael can vouch for me. It's not like we're going to walk out of here and I'm gonna grow fangs. So why don't we try it out?'
'You must be drunk,' she said, nodding at the beer bottle in his hand.
'On wine and love.' He saw her perplexed face and said, 'It's a line from a western.'
'Okay.'
He shot a look at her crossed arms. 'You're gonna wrinkle your uniform, you keep hugging it like that.'
She unfolded her arms slowly and dropped them to her side. She began to smile, tried to stop it, and felt a twitch at the edge of her lip.
'It's not a uniform,' she said, her voice softening, losing its edge. 'It's just an old cotton shirt.'
They studied each other for a while, not speaking, as the recorded mariachi music danced through the dining room and bar.
'What I was trying to tell you,' she said, 'before you interrupted me… is that I don't even know your name.'
'It's Terry Quinn,' he said.
'Tuh-ree Quinn,' she said, trying it out.
'Irish Catholic,' he said, 'if you're keeping score.'
And Juana said, 'It sings.'
4
'Where's your car?' asked Juana.
'You better drive tonight,' said Quinn.
'I'm in the lot. We should cut through here.'
They went through the break in the buildings between Rosita's and the pawnshop. They neared Fred Folsom's sculpted bronze bust of Norman Lane, 'the Mayor of Silver Spring,' mounted in the center of the breezeway. Quinn patted the top of Lane's capped head without thought as they walked by.