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This is a difficult concept for many to grasp and has been the downfall of many wizards and priests who have errantly summoned demons and allowed the creatures to move beyond their initial purpose-the answering of a question, perhaps-because they were tempted by the power offered by the creature. Many of these doomed spellcasters thought they would be doing good by forcing the demons to their side, by bolstering their cause, their army, with demonic soldiers. What ill, they supposed, if the end result proved to the greater good? Would not a goodly king be well advised to add «controlled» demons to his cause if goblins threatened his lands?

I think not, because if the preservation of goodness relies upon the use of such obvious and irredeemable evil to defeat evil, then there is nothing, truly, worth saving.

The sole use of demons, then, is to bring them forth only in times when they must betray the cause of evil, and only in a setting so controlled that there is no hope of their escape. Cadderly has done this within the secure summoning chamber of the Spirit Soaring, as have, I am sure, countless priests and wizards. Such a summoning is not without peril, though, even if the circle of protection is perfectly formed, for there is always a temptation that goes with the manipulation of powers such as a balor or a nalfeshnie.

Within that temptation must always lie the realization of irredeemable evil. Irredeemable. Without hope. That concept, redemption, must be the crucial determinant in any such dealings. Temper your blade when redemption is possible, hold it when redemption is at hand, and strike hard and without remorse when your opponent is beyond any hope of redemption.

Where on that scale does Artemis Entreri lie, I wonder? Is the man truly beyond help and hope?

Yes, to the former, I believe, and no to the latter. There is no help for Artemis Entreri because the man would never accept any. His greatest flaw is his pride- not the boasting pride of so many lesser warriors, but the pride of absolute independence and unbending self-reliance. I could tell him his errors, as could anyone who has come to know him in any way, but he would not hear my words.

Yet perhaps there may be hope of some redemption for the man. I know not the source of his anger, though it must have been great. And yet I will not allow that the source, however difficult and terrible it might have been, in any way excuses the man from his actions. The blood on Entreri's sword and trademark dagger is his own to wear.

He does not wear it well, I believe. It burns at his skin as might the breath of a black dragon and gnaws at all that is within him. I saw that during our last encounter, a quiet and dull ache at the side of his dark eyes. I had him beaten, could have killed him, and I believe that in many ways he hoped I would finish the task and be done with it, and end his mostly self-imposed suffering.

That ache is what held my blade, that hope within me that somewhere deep inside Artemis Entreri there is the understanding that his path needs to change, that the road he currently walks is one of emptiness and ultimate despair. Many thoughts coursed my mind as I stood there, weapons in hand, with him defenseless before me. How could I strike when I saw that pain in his eyes and knew that such pain might well be the precursor to redemption? And yet how could I not, when I was well

aware that letting Artemis Entreri walk out of that crystalline tower might spell the doom of others?

Truly it was a dilemma, a crisis of conscience and of balance. I found my answer in that critical moment in the memory of my father, Zaknafein. To Entreri's thinking, I know, he and Zaknafein are not so different, and there are indeed similarities. Both existed in an environment hostile and to their respective perceptions evil. Neither, to their perceptions, did either go out of his way to kill anyone who did not deserve it. Are the warriors and assassins who fight for the wretched pashas of Calimport any better than the soldiers of the drow houses? Thus, in many ways, the actions of Zaknafein and those of Artemis Entreri are quite similar. Both existed in a world of intrigue, danger, and evil. Both survived their imprisonment through ruthless means. If Entreri views his world, his prison, as full of wretchedness as Zaknafein viewed Menzoberranzan, then is not Entreri as entitled to his manner as was Zaknafein, the weapons master who killed many, many dark elves in his tenure as patron of House Do'Urden?

It is a comparison I realized when first I went to Calimport, in pursuit of Entreri, who had taken Regis as prisoner (and even that act had justification, I must admit), and a comparison that truly troubled me. How close are they, given their abilities with the blade and their apparent willingness to kill? Was it, then, some inner feelings for Zaknafein that stayed my blade when I could have cut Entreri down?

No, I say, and I must believe, for Zaknafein was far more discerning in whom he would kill or would not kill. I know the truth of Zaknafein's heart. I know that Zaknafein was possessed of the ability to love, and the reality of Artemis Entreri simply cannot hold up against that.

Not in his present incarnation, at least, but is there hope that the man will find a light beneath the murderous form of the assassin?

Perhaps, and I would be glad indeed to hear that the man so embraced that light. In truth, though, I doubt that anyone or anything will ever be able to pull that lost

flame of compassion through the thick and seemingly impenetrable armor of dispassion that Artemis Entreri now wears.

— Drizzt Do'Urden

Chapter 16

A DARK NOTE ON A SUNNY DAY

Danica sat on a ledge of an imposing mountain beside the field that housed the magnificent Spirit Soaring, a cathedral of towering spires and flying buttresses, of great and ornate windows of multicolored glass. Acres of grounds were striped by well-maintained hedgerows, many of them shaped into the likeness of animals, and one wrapping around and around itself in a huge maze.

The cathedral was the work of Danica's husband, Cadderly, a mighty priest of Deneir, the god of knowledge. This structure had been Cadderly's most obvious legacy, but his greatest one, to Danica's reasoning, were the twin children romping around the entrance to the maze and their younger sibling, sleeping within the cathedral. The twins had gone running into the hedgerow maze, much to the dismay of the dwarf Pikel Bouldershoulder. Pikel, a practitioner of the druidic ways-magic that his surly brother Ivan still denied-had created the maze and the other amazing gardens.

Pikel had gone running into the maze behind the children screaming, "Eeek!" and other such Pikelisms, and pulling at his green-dyed hair and beard. His maze wasn't quite ready for visitors yet, and the roots hadn't properly set.

Of course, as soon as Pikel had gone running in, the twins had sneaked right back out and were now playing quietly in front of the maze entrance. Danica didn't know how far along the confusing corridors the green-bearded dwarf had gone, but she had heard his voice fast receding and figured that he'd be lost in the maze, for the third time that day, soon enough.

A wind gust came whipping across the mountain wall, blowing Danica's thick mop of strawberry blond hair into her face. She blew some strands out of her mouth and tossed her head to the side, just in time to see Cadderly walking toward her.

What a fine figure he cut in his tan-white tunic and trousers, his light blue silken cape and his trademark blue, wide-brimmed, and plumed hat. Cadderly had aged greatly while constructing the Spirit Soaring, to the point where he and Danica honestly believed he would expire. Much to Danica's dismay Cadderly had expected to die and had accepted that as the sacrifice necessary for the construction of the monumental library. Soon after he had completed the construction of the main building-the details, like the ornate designs of the many doors and the golden leaf work around the beautiful archways, might never be completed-the aging process had reversed, and the man had grown younger almost as fast as he'd aged. Now he seemed a man in his late twenties with a spring in his step, and a twinkle in his eye every time he glanced Danica's way. Danica had even worried that this process would continue, and that soon she'd find herself raising four children instead of three.