The stillness of the hour just before dawn hushed the air when Lalo again became conscious of his own identity. The girl Jarveena lay back in her chair, apparently asleep. His back and shoulder ached furiously. He stretched out his arm and flexed his fingers to relieve their cramping, and only then did his eyes focus on the canvas before him. -
Did I do that? His first reaction was one he had known before, when hand and eye had cooperated unusually well and he had emerged from an intensive bout of work amazed at how close he had come to capturing the beauty he saw. But this - the image of a face whose finely arched nose and perfect brows were framed by waves of lustrous hair, of a slenderly curved body whose honey-coloured skin had the sheen of the pearls on the floor and whose delicately up-tilted breasts were tipped with buds of dusky rose - this was that Beauty, fully realized.
Lalo looked from the picture to the girl in the chair and wept, because he could see only blurred hints of that beauty in her now, and he knew that the vision had passed through him like light through a windowpane, leaving him in the darkness once more.
Jarveena stirred and yawned, then opened one eye. 'Is he done? I've got to go the Esmeralda sails on the early tide.'
'Yes,' answered Enas Yorl, his eyes glowing more brightly than ever as he turned the easel for her to see. The painting holds my magic now. Take it with you and look at it as you would look into a mirror, and after a time it will become a mirror, and all will see your beauty as I see it now ...'
Shaking with fatigue and loss, Lalo sat down on the floor. He heard the rustle of the sorcerer's robes as he moved to embrace his lady, and after a little while the sound of the painting being removed and her footsteps going to the door. Then Lalo and Enas Yorl were alone.
'Well ... it is done .. .'The sorcerer's voice was fleshless, like wind whispering through dry leaves. 'Will you take your payment now?'
Lalo nodded without looking at him, afraid to see the body to which that voice belonged.
'What shall it be? Gold? Those baubles on the floor?' The pearls rattled as if they had been nudged by the sorcerer's current equivalent of a toe.
Yes, I will take the gold, and Gilla and I will go and never set eyes on this place again... The words were on his lips, but every dream he had ever known was clamouring in his soul.
'Give me the power you forced on me last night!' Lalo's voice strengthened. 'Give me the power to paint the soul!'
The laughter of Enas Yorl began as the whisper in the sand that precedes the simoom, but it grew until Lalo was physically buffeted by the waves of pressure in the room. And then, after a little, there was silence again, and the sorcerer asked, 'Are you quite sure?'
Lalo nodded once more.
'Well, that is a little thing, particularly when you are already... when there is such a strong desire. I will throw in a few extras -' he said kindly, 'some souls for you to paint, perhaps a commission or two ...'
Lalo jerked as the sorcerer's hands closed on his head, and for a moment all the colours in the rainbow exploded in his brain. Then he found himself on his feet by the door with a leather satchel in his hand.
'And the painter's gear ...' continued Enas Yorl. 'I have to thank you not only for a great service, but for giving me something to look forward to in life. Master Limner, may your gift reward you as you deserve!'
And then the great brazen door had shut behind him, and Lalo found himself in the empty street, blinking at the dawn.
The desert shimmered glassily with heat, appearing as insubstantial as the mists in the house of Enas Yorl, but the moist breath of a fountain cooled Lalo's cheeks. Dazed by the contrasts, the limner found himself wondering whether this moment, or indeed any of the past three days, were real or only the continuation of some sorcerous dream. But if that were so, he thought as he turned back to the echoing expanse ofMolin Torchholder's veranda, he did not want to wake.
Before the first day after his adventure had passed, Lalo had received requests for portraits from the Portmaster's wife and from Jordis the stonemason, newly enriched by his work on the temple for the Rankan gods. In fact the first sitting was to have been this morning. But yesterday's summons had taken precedence; and so it was that Lalo, uncomfortable in worn velveteen breeches that were loose in the shanks and pinched his waist, his embroidered wedding vest, and a shirt which Gilla had starched so that it scraped his neck every time he turned his head, waited to be interviewed for the honour of decorating Molin Torch-holder's feasting hall.
A door opened. Lalo heard light footsteps above the plash and gurgle of the fountain, and a young woman with precisely coiled fair hair beckoned to him.
'My Lady?' he hesitated.
'I am the Lady Danlis, ancilla to the mistress of this house,' she answered briskly. 'Come with me ...'
I should have known, thought Lalo, after hearing Cappen Varra sing her praises/or so long. But that had been some time ago. As he followed her straight-backed progress along the corridor Lalo wondered what vision had made Cappen fall in love with her, and why it had failed.
A startled slave looked up and hastily began gathering together his rags and jars of wax paste as Danlis ushered Lalo through a door of gilded cedarwood into the Hall. Lalo stopped short, taken aback by the abundance of colour and texture in the room. Figured silken rugs littered the parquet floor; gilded grape vines laden with amethyst fruit twisted about the marble columns that strained against the beamed ceiling; and the walls were draped with patterned damask from the looms of Ranke. Lalo stared around him, wondering what could possibly be left to decorate.
'Danlis, darling, is this the new painter?'
Lalo turned at a rustle of silks and saw hastening across the carpets a woman who was to Danlis as an overblown rose is to the bud of the flower. She was followed by a maid, and a fluffy dog spurted ahead of her, yapping fiercely and knocking over the pots of wax which the slave had set aside.
'I'm so glad that my lord has given me permission to get rid of these dreary hangings - so bourgeois, and as you see, they are quite faded now!' The lady went on breathlessly, her trailing skirts upsetting the pots which the slave had just finished righting again. The maid paused behind her and began to berate the cowering servant in low fierce tones.
'My Lady, may I present Lalo the Limner-' Danlis turned to the artist, 'Lalo, this is the Lady Rosanda. You may make your bow.'
'Will you take long to finish the work?' asked the Lady. 'I will be happy to advise you - everyone has always complimented me on my excellent taste - I often think that I might have made an excellent artist - if I had been bora into another walk of life, that is ...'
'
'Lord Molin's position requires a worthy setting -' stated Danlis as her mistress paused for breath. 'After the initial ... difficulties ... construction of the new temple has proceeded smoothly. Naturally there will be celebrations in honour of its completion. Since it would be impious to hold them in the temple, they must take place in surroundings which will demonstrate whose genius is responsible for the achievement which will establish Sanctuary's position in the Empire.'
Lady Rosanda stared at her companion, impressed, but Lalo scarcely heard her, already abstracted by consideration of the possibilities of the place. 'Has Lord Molin decided on the subjects that I am to depict?'
'If you are chosen -' answered Danlis. 'The murals will portray the goddess Sabellia as Queen of the Harvest, surrounded by her nymphs. First, of course, he will want to see your sketches and designs.'