She seemed to gaze at him for a long moment, but he realised her image had frozen. Obviously she was doing something else behind this. At that moment an icon lit in the top right of this third-eye image: message pending. Then her image abruptly reanimated. "I am presently aboard my ship and will be departing this world in two hours. There is no way you can get to see me, and this is certainly the last time we will talk like this."
Her link cut.
Cormac sat in tired frustration. His one possible contact was gone. In annoyance he opened the other message, but his anger evaporated as he listened to a sonorous voice. It made the skin on his back crawl.
"I have been waiting. Meet me at Vogol's Stone." Appended to this was a time… time to talk to a war drone, he guessed.
14
Located on the roof of Cormac's hotel, the gravcar rental office stood by a small fenced-off area of the roofport containing a row of three cars. All were utile vehicles of similar design, with two front seats, two rear ones that could be folded down to make a luggage space, the whole compartment enclosed in a chainglass bubble, the rest of the upper part of the car being featureless brushed aluminium while the underside looked like a boat hull, with stabilizing fins. Unusually, the rental office actually had a human attendant: a young boy clad in bright yellow overalls. He sat at a work-bench scattered with strange archaic-looking engine components. Cormac gazed at these curiously.
"A marine outboard motor," the boy explained. "One that actually used to run on fossil fuels."
Cormac raised an eyebrow, since he thought that unlikely. Even on Earth such things would not be seen outside a museum.
The boy grinned. "No, not that old—they used them here before the war, and during it. Now that's the alternative." The boy pointed to the row of gravcars.
"I wondered about the hulls."
"Some people like the authentic boating experience out around the peninsular," the boy explained. "They also like to put a car down on the surface of the sea and use it as a diving platform—to go after Prador artefacts. Now, how long for?" He held out a palm-top.
"A day should cover it."
A linkage request arrived in Cormac's aug, identified by the figures on the palm-top screen, and he paid with a thought.
"The one at the end of the row." The boy pointed, then returned to his tinkering. As Cormac walked over to the car he wondered if the boy was really one of those odd adults who liked to retain the appearance of a child. He felt not, for positioned on the wall of the portable office, a sticky screen displayed images from the war, some of them being of Jebel U-cap Krong, but of course that was not conclusive.
The chainglass bubble automatically rose as he approached, so he stepped inside the vehicle, immediately taking hold of the simple joystick to lift the car from the roof even as the bubble closed back down again. A flock of gull-things scattered above him, spattering the vehicle with white excrement, which quickly slid from its frictionless surfaces. City traffic-control immediately took over and the car swept to one side and then up, joining a widely spaced row of similar vehicles punctuating the sky. Tapping the console screen turned it on, and in a moment Cormac called up a map of the area, and a further search scaled the map down to show him "Vogol's Stone" some two hundred miles away at the tip of the Olston Peninsular. The moment he selected it as his destination, traffic-control turned his vehicle out of his present sky lane, then into another, the car accelerating. Within a few minutes the city was receding behind him and the screen alerting him to the fact that he could now take control of the car, if he wished. He so wished.
Below, mountains of grey stone speared above valleys filled with plants like pine trees, though with foliage both dark green and steely blue, and some areas Cormac recognised as being infested with skarch. Gradually, it seemed the grey stone was being sucked down into the trees, which were soon changing to autumn colours of deciduous growth. The mountains became hills, interspersed with the occasional lake along the shores of which the local «gulls» skated their bodies across the mud in search of their favourite delicacy: a thing that looked like a cross between a slug and a cockroach. Next, Cormac began to notice occasional barren areas, some of them fenced off, all of them looking as if they had been ploughed. Spotting a plume of vapour from some machine working one such area he brought his car down low to take a look. It was a huge cylinder running on numerous sets of treads, conveyors of scoops lifting soil up into its mouth, blackened and smoking soil excreting from its anus. The thing was a massive soil sterilizer, there to kill potential Prador bugs or nanomachines. Cormac flew on.
Soon the barren areas melded and were only occasionally scattered with copses of trees. He saw great lines of sterilizing machines stretching to the horizon, other devices like mobile oil rigs trundling across the wasteland at a snail's pace, occasional ruined cities or towns, buildings melted and crumbling. Then, in the distance he saw the sea, and swinging out that way he was soon flying above a long rocky coastline against which waves broke to cast up plumes of water through crevices, and above which spume floated like confetti in the low gravity. His console screen pinged, scaled up the map and he saw Vogol's Stone lay only ten miles away. He was reaching the tip of the peninsular now, with sea both to his right and left. A series of sharp peaks rose ahead, marching down into the sea. His map gave him direction arrows, then pinged at him again once he arrived above his destination.
The stone had to be the single canted monolith jutting from a plateau cut into the side of one of the peaks, for there, right beside it, rested a familiar steely shape: a scorpion memory.
The weapons exhibition occupied the centre of the city where permanent buildings had yet to be raised. A three-dimensional mazelike structure, nearly two miles wide, had been assembled from portable, but massive tubes of plasmel strengthened with girders of light bubble metal. Escheresque stairways interlaced all this, also drop-shafts and enclosed walkways. The entrance Cormac approached was a wide arch without human attendants but, the whole exhibition being computer-monitored, the doors would automatically close once an optimum number of visitors had entered, then reopen when the number dropped again. The long tubular foyer lying beyond was crowded but not unpleasantly so. Here, numerous exhibits stood in chainglass cases, on pedestals or hung from the plain white walls. Entering, he immediately received a query to his aug, allowed it, and studied the provided menu of options. There were numerous historical tours he could take, both general and specific: he could get an overview of weapons history or he could track the specific historical development of particular weapons. He could focus on a chosen era, for example just taking the tour of medieval weaponry, and enjoying ersatz battles between armoured knights. He could select particular battles and inspect every recorded detail, observe how the weapons of the time were deployed, to what effect, hear expert analysis, study tactics and logistics. It seemed there was something here for every variety of war and disaster junky.
Just inside the entrance Cormac cast an eye over a huge pedestal-mounted rail-gun, obviously of Prador manufacture, then turned and halted to gaze for a long while at a large oil painting. It depicted the battle between the Polity dreadnought My Mary Rose and a large Prador dreadnought, with distances shortened to fit both vessels within the frame. This was the first one-on-one encounter between such vessels in which the Polity ship was actually victorious, and as a child Cormac used to run a video recording of this as a screen saver on his p-top. Further along he regarded a display case containing a single Prador claw. Keying to the constant signal from the case, he uploaded information, discovering the claw was recovered in the vicinity of the battle depicted in the painting. Doubtless the rail-gun on the other side of the foyer had been recovered from the same location.