As he reached the floor of the lounge, the lights swept back to Miranda. She was climbing into the box herself. The two assistants turned the box around a few times, tapped it with Miranda’s discarded wand, and a big flame shot upward. All the while, the silhouette of the good sport she had drafted from the audience could be seen making his way in the darkened room to Jane’s booth.
He sat down and said in Miranda’s voice, “He’s on his way, Jane.”
“Thanks, Miranda,” said Jane. “It’s a great show.”
On stage, the two befuddled assistants opened the box. Out stepped a man who looked very much like Pete Hatcher. The spotlights quickly searched the room. When they found Pete Hatcher’s booth, the figure of Pete Hatcher leapt to its feet, threw off the coat and wig, stepped out of the pants, and became Miranda. She milked the applause, curtsying and throwing kisses, then ran back to the stage. She tore a curtain from the back of the stage to reveal what looked like Pete Hatcher lying stiff and seemingly asleep, floating three feet off the ground. She covered him with the curtain, levitated him a few feet higher, where he would be out of her way, and went on with her act. Jane looked at her watch.
Miranda proceeded to keep the audience confused and agitated with her smoke and mirrors and costume changes. From time to time she would bring up other members of the audience to shill for her, and when they had done their parts, she would cover them with cloths and levitate them too, until after two hours there were six men and women floating above the stage. As Miranda was taking her final bow, she suddenly seemed to remember something. She turned, looked up at the six bodies floating in the air, and hurried toward them. She stepped to the first, snatched the cloth away, and revealed that there was nothing at all under it. She pointed to a table at her feet, and the woman who was supposed to be floating smiled at the audience and waved happily. One by one, Miranda snatched the cloths out of the air and revealed each of her volunteers, sitting in their seats watching the show. When she pointed at Jane’s booth, the man sitting beside Jane gave a graceful little bow that ended in an outstretched arm lifted toward Miranda in a gesture that began in appreciation and ended in surprise.
The audience’s eyes shot to the stage in time to see another flash and puff of smoke, and Miranda was gone. Only the pile of cloths lay where she had stood a moment before. The smoke grew in volume and thickness, and slowly, the pile of rags stirred and began to rise. The hydraulic platform under the stage pushed Miranda upward, and as she rose through the cloths, they hung from her like thick draped clothing. She was, once again, the old, bent crone who had begun the show. She limped to the edge of the stage where she had left her wand, tapped it once on her palm, and it grew into the walking stick. She winked slyly at the audience and slowly walked through the smoke and disappeared.
The doors opened at the rear of the lounge and the audience filed out with the lights still low, Miranda’s eerie music still in their ears and wisps of theatrical smoke still in the air. Jane and her companion made their way toward the door with the others, deep in the gratified, chattering crowd. Before they stepped into the light of the casino, Jane said, “Thanks,” and the man, one of Miranda’s assistants, stepped to the side and was gone.
Jane walked purposefully across the casino alone, under the enormous crystal chandeliers, where she could be certain the two shadows would see her. She went into the lobby and stopped at the front desk to pick up her room key.
She made her way back across the casino and up into the bar that overlooked the long rows of green felt tables. She sat down at a table for two and waited. In the mirror above the bar she could see Pete’s two shadows. The tall one was wandering around looking over the heads of the gamblers to see where Pete Hatcher could have gone. The second man was behind Jane and to her left, just at the perimeter of the bar, where he could slip away if he needed to.
She waited a few minutes for the barmaid to show up, then ordered a martini and a scotch and water, and watched the barmaid throw down two napkins, one in front of the empty chair, then head for the bar to get the drinks. The sight of two drinks on the tray coming back to the table seemed to make all the difference to Pete Hatcher’s shadows. They were reassured, almost as though they were watching Pete. They might not know where Hatcher was right at this moment—the men’s room, somewhere in the labyrinth of slot machines, where they had not looked for him—but they knew where he was going to be in a few minutes. The few minutes accumulated into a half hour, then forty-five minutes. The small shadow left to see if Pete Hatcher’s car was still in the lot and came back to report to his friend that it was, but they weren’t feeling confident anymore. Something was wrong, and they weren’t yet sure what it was.
She glanced at her watch. Katie … she corrected herself: Miranda … had promised to transport Pete Hatcher out the stage door near the start of her act, so the show had given him a full two hours to make the Utah border. Jane’s little pantomime of being stood up had bought him the third hour to get to Cedar City. His plane would be loading passengers just about now. It was time for Jane to start making herself disappear.
She left a twenty-dollar chip on the table and stepped out of the bar. The two men hesitated for a second, then followed. They had to give her plenty of room and try not to look interested. Jane walked toward the elevators, and she knew they had no choice but to follow. If they lost her, they had nothing. She took the elevator to the fifteenth floor, went into her room, kicked off her shoes, and called the garage. “This is Miss Seymour in Room 1592. I’d like my car right away, please.” As she listened to the parking attendant’s answer she was already stepping out of her gown.
She heard the doorknob rattle a little. She looked at the door, but it didn’t budge. She could see the shadows of feet under the door. Jane kicked the dress under the bed, slipped on her slacks, pulled the sweater over her head, then heard a sudden thud. She looked at the door. The double-edged blade of a knife had pierced through the thin oak veneer of the hollow door beside the lock. She froze. An unseen hand worked the blade around a little and withdrew it. There was another dull thud, and the blade punched through again.
She snatched her purse, quickly slipped out through the curtains to the balcony, and quietly slid the door shut. She had misjudged them. They should not have been willing to take a chance like this yet. Maybe she had been too eager to get Pete out of sight and she had missed some sign, forgotten to ask some question. There was no way to fix it now, no time to think. She had to get out.
She had nothing with her. This was not the hotel where she had been sleeping. It was just the room she had rented to disappear from. In a few seconds those two would have the door open. She looked around her at the balconies of the other rooms. They were narrow and far apart, and even if she somehow managed to reach one of them without falling, she would only be in the next room. She leaned out as far as she could and looked down. On the floor below her there was a balcony just like hers, but it had to be twelve feet down.
Jane saw a thin wedge of light fan into her room as they opened the door as far as the chain would allow. She unclasped the leather strap of her purse, clasped it around the bottom of the vertical railing support closest to the wall of the building, tossed her purse to the balcony below, stepped over the railing, and lowered herself into the empty air. She was trembling with fear and awe at what she had done as she dangled there, six feet above the railing of the fourteenth-floor balcony. She wanted to drop but found her hands would not obey the command to open. It looked as though she would fall, scrape the outside of the balcony, and plummet two hundred feet to the pavement.