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He crossed his arms over a chest that could have doubled as a paddleball court. “Did I ask you for a list of your friends?” he said with a gigantic sigh. “Or did I ask who you are?”

Oh boy. “My name is Mickey Bolitar.”

That got the brow up in the air. “Hold up a second. You’re Myron’s kid?”

He said Myron’s name like he was spitting something really foul out of his mouth. “No. His nephew. If you could just tell me—”

“Do I look like a librarian?” he snapped.

“Excuse me?”

“You know. A librarian. I mean, do you think I’m here to answer your questions? Like a librarian.”

I glanced at Spoon. He shrugged. I said, “No. No, I don’t think you’re a librarian.”

“You being a wise guy?”

“Me? No.”

He shook his head. “Smart mouth. Just like your uncle.”

I was tempted to tell him that I didn’t like my uncle either. I figured that it would bond us, like pulling a thorn from his paw, but no matter what I felt about my uncle, I wasn’t about to sell my family down the river to appease Mr. Cro-Magnon.

Spoon said, “Officer?”

He turned hard at him. “What?”

“You’re being rude,” Spoon said.

Oh boy.

“What did you say to me?”

“You’re a civil servant. You’re being rude.”

Cro-Magnon pushed his chest so it was right up against Spoon’s face. Spoon did not step back. Cro-Magnon stared down at him and then narrowed his eyes. “Wait a second. I know you. You were picked up last year, weren’t you? Twice.”

“And released,” Spoon said. “Twice.”

“Yeah, I remember. Your father wanted to sue us for false arrest or some crap like that. You’re that old janitor’s kid, right?”

“I am.”

“So,” Cro-Magnon said with a sneer, “does your dad still clean toilets for a living?”

“Sure, that’s his job,” Spoon said, pushing up his glasses. “Toilets, sinks, floors—whatever needs cleaning.”

The guilelessness threw him. I quickly stepped in. “Look, we aren’t looking to cause any trouble. I just want to make sure my friend is okay.”

“Big hero,” he said, turning back to me. I saw now that he wore a name tag—TAYLOR. “Like your uncle.” Taylor made a big production of putting his hands on his hips. “Strange you two being out so late on a school night.”

I tried not to make a face. “It’s eight o’clock.”

“You being a wise guy again?”

I needed to get past this guy.

“Maybe you two should come with me.”

“Where?” I asked.

Taylor put his face so close to mine I could bite his nose. “How about a holding cell, smart guy? You like that idea?”

Spoon said, “No.”

“Well, that’s where you’re heading if you don’t start answering my questions. There’s this one we got down in Newark I think will be perfect for you two. I can put you in separate cells. Adult population. One guy we have in holding right now, he’s seven feet tall and got these really long fingernails because, well, he likes to scratch things.”

He grinned at us.

Spoon swallowed hard. “You can’t do that,” he said.

“Aw, you gonna cry?”

“We’re minors,” Spoon said. “If you arrest us, you need to contact our parents or guardian.”

“Can’t,” Taylor said with a smirk. “Your daddy is too busy scrubbing toilets with his brush.”

“He doesn’t use a brush,” Spoon said. “He uses your mama’s face.”

Oh boy.

Something behind Taylor’s eyes exploded. His face went scarlet red. I thought that maybe he was having a stroke. His hands formed fists. Spoon stood right there. He pushed his glasses back up his nose. I thought that Taylor was going to punch him. Maybe he would have, but a voice yelled, “Out of the way, coming through.”

A stretcher was heading toward us. We stepped to either side of the door. A man was on it. There were contusions on his face, but he was conscious. A few spots of blood clung to the collar of his white dress shirt. I would guess his age as early forties. Ashley’s father? A woman about the same age trailed him. Her face was ghost pale. She clutched her purse as though it could offer comfort.

She stopped, dazed. “Who are these two?” she asked Taylor.

“We, uh, found them loitering around,” Taylor said. “We thought maybe they were the perpetrators.”

For a second, Mrs. Kent stared at us as though we were pieces in a puzzle she couldn’t put together.

“These are boys,” she said.

“Yes, I know, but—”

“I told you it was a man. I told you he had a tattoo on his face. Do you see a tattoo on either of their faces?”

Taylor said, “I was just eliminating . . .” But she was already gone, catching up to the stretcher. Taylor shot another glare toward us. Spoon actually gave him a thumbs-up, as though he’d done a good job. Again, with that facial expression, you couldn’t tell if Spoon was goofing on him or sincere. Based on the mama line, I assumed the former.

“Get out of here,” Taylor said.

We headed back down the brick walk. The man I assumed was Ashley’s father was loaded into the back of the ambulance. A police officer was talking to Mrs. Kent. Two other cops were talking near us. I heard the words home invasion and felt my chest tighten.

Now or never.

I ran over before anyone could stop me. “Mrs. Kent?”

She stopped and frowned at me. “Who are you?”

“My name is Mickey Bolitar. I’m a friend of Ashley’s.”

She said nothing for a second. Her eyes shifted to the right, then back toward me. “What do you want?”

“I just want to make sure Ashley is okay.”

When she shook her head, I felt my knees buckle. But then she said something I never expected: “Who?”

“Ashley,” I said. “Your daughter.”

“I don’t have a daughter. And I don’t know anyone named Ashley.”

chapter 5

HER WORDS PARALYZED ME.

Mrs. Kent stepped into the back of the ambulance. The cops chased us away. When we reached the bottom of Prema Estates, Spoon and I split up and headed to our respective homes. I called the Coddington Rehab Center on my way, but they told me that my mother was in session and it was too late to talk or visit tonight. That was fine. She was coming home tomorrow morning anyway.

Uncle Myron’s car, a Ford Taurus, was in the driveway. When I opened the front door, Myron called out, “Mickey?”

“Homework,” I said, hurrying into my bedroom in the basement to avoid him. For many years, including his stint in high school, the basement had been Myron’s bedroom. Nothing in it had changed since. The wood paneling was flimsy and stuck on with two-sided tape. There was a beanbag chair that leaked small pellets. Faded posters of basketball greats from the 1970s, guys like John “Hondo” Havlicek and Walt “Clyde” Frazier, adorned the walls. I confess that I loved the posters. Most of the room was like lame retro. But nobody was cooler than Hondo and Clyde.

I did my math homework. I don’t dislike math, but is there anything more boring than math homework? I read a little Oscar Wilde for English and practiced vocabulary for French. When I was done, I grilled myself a cheeseburger on the barbecue.

Had Mrs. Kent lied to me? And why?

I couldn’t fathom a reason, which led immediately to the next question.

Had Ashley lied to me? And why?

I tried to run through the possibilities in my brain, but nothing came to me. With dinner over, I grabbed the basketball, flipped on the outdoor lights, and started to shoot. I play every day. I do my best thinking when I shoot hoops.

The court is my escape and my paradise.

I love basketball. I love the way you can be exhausted and sweaty and running with nine other guys, and yet, at the risk of sounding overly Zen, you are still so wonderfully alone. On the court, nothing bothers me. I see things a few seconds before they actually happen. I love anticipating a teammate’s cut and then throwing a bounce pass between two defenders. I love the rebound, boxing out, figuring angles and positioning myself, willing the ball into my hands. I love dribbling without looking down, the feel, the sense of trust, of control, almost as though the ball were on a leash. I love catching the pass, locking my eyes on the front rim, sliding my fingers into the grooves, raising the ball above my head, cocking my wrist as I begin to leap. I love the feel as I release the shot at the apex of the jump, the way my fingertips stay on the leather until the last possible moment, the way I slowly come back to the ground, the way the ball moves in an arc toward the rim, the way the bottom of the net dances when the ball goes swish.