Jeremy and Mirabelle are separated by a hundred million miles of vacuum space. He falls asleep at night in blissful ignorance. She, subtly doped on her prescription, time-travels through the terrain of her unconscious until she is overcome by sleep. He knows only what is right in front of him; she is aware of every incoming sensation that glances obliquely against her soft, fragile core. At this stage of their lives, in true and total fact, the only thing they have in common is a Laundromat.
mirabelle’s friday
SHE STANDS OVER THE GLOVE counter, and from her secluded outpost looks far across the hall toward the couture department. When the view is reversed, and a couture girl bothers to glance toward her, Mirabelle looks like a puppy standing on its hind legs, and the two brown dots of her eyes, set in the china plate of her face, make her seem very cute and noticeable. But pointlessly so, at least today. For this Friday is what she has termed the day of the dead, when for some reason – usually an upcoming Beverly Hills dressup event – the couture department fills with women who are unlikely to notice the slender girl standing at one end of their hallowed hall. They are the Wives of Important Men.
The metamorphosis most wanted by the wives of important men is that they become important in their own right. This distinction is achieved by wielding power over any and all and is characterized by an intense obsession with spending. Without spending, there would be thirty to sixty empty hours per week, to be filled with what? And not only is there the spending itself, there is the organization and management of spending. There is hiring and firing, there is the discernment of what the spending needs to be on, and there is the psychological requirement that the husband be proud of the wife’s spending. The range of the spending can go from clothes and jewelry to furniture and lighting, dishes and flatware, and catalogue seeds and firewood. Sometimes it is fun to spend economically. Of course, economic spending is not intended to save money, but is a practice of ethics.
Along with the desire to spend comes a desire to control what is coming back at them from the mirror. Noses are bobbed into a shape that nature never knew, hair is whipped up with air and colored into a metallic tinted meringue, and faces are pulled into death masks. The variety of alteration is vast, except when it comes to breasts. Breasts are made large only – and in the process misshapen – and the incongruity of two bowling balls on an ironing board never seems to bother anyone. In Beverly Hills, young men, searching for young women who remind them of their face-lifted mothers, are stranded and forlorn in a sea of natural-looking twenty-five- year-olds.
Today, as she stares hypnotically at these tribal women, one clear thought emerges to Mirabelle: how different this place is from Vermont. Then, out of the idleness that permeates every day at work, she shifts her weight from one foot to the other. She scratches her elbow. She curls her toes, then angles her leg to give her calf a stretch. She flicks a paper clip several inches across the glass of the counter-top. She runs her tongue along the back of her teeth. Footsteps approach her. Her automatic response is to straighten up and look like she is an ever ready force in the Neiman’s sales team, for the sound of footsteps could mean supervisor as likely as customer. What she sees, though, is a rare sight in the fourth-floor glove department. It is a gentleman, looking for a pair of ladies’ dress gloves. He wants them gift wrapped and could they do that? Mirabelle nods in her professional way, and then the man, sharply dressed in a dark blue suit, asks her opinion on which is the finest pair. Being a sharp dresser herself, she actually does have an opinion on the merchandise she offers, and she gives him the lowdown on smart glove purchasing. There is some conversation about what and who they are for. The man gives her some embarrassed, vague answers, often the case when men shop for women, and in response she suggests that the silver satin Diors are the best. He purchases the gloves with a credit card, smiles at her, and leaves. Mirabelle watches him walk away. Her eyes go to his shoes, which she understands and knows something about, and her inner checklist gives him full marks in all categories. Mirabelle catches herself in the countertop mirror, and realizes she has blushed.
There are a few late browsers that day, and they punctuate the tedium like drops from a Chinese water torture. Six o’clock, and she is down the stairs rather than the elevator, which can become clogged at closing time, and out onto the main floor. Several customers linger at the fragrance counter, a few in cosmetics, surprisingly light for a Friday. Mirabelle thinks the salesgirls in these departments overuse their own products, especially the lipstick. With their inclination toward the heavy application of a greasy burgundy, they look like Man Ray’s disembodied lips floating over a landscape of boxed perfumes.
It is six-fifteen and pitch dark on the drive home down Beverly Boulevard. It is drizzling rain, which causes the traffic to move like sludge in a trough. Mirabelle wears her driving glasses as she grips the wheel with both hands. She drives in the same posture as she walks, overly erect. The glasses give her a librarian quality – before libraries were on CD-ROM – and the ’89 Toyota truck she drives indicates a librarian’s salary, too. The rain splashes on the roof and Garrison Keillor intones on the radio, creating a warm, fireside feeling in this unlikeliest of circumstances. All this coziness sends her into a little ache and she swears that she will find someone tonight to hold her. This is an extremely rare decision for Mirabelle. The last time she was even mildly promiscuous was in college, when it was the thing to do and she was feeling her bohemian oats. She decides that when she gets home, she will pick up the phone and call Jeremy.
sleeping with jeremy
IN CALLING JEREMY, MIRABELLE KNOWS that she is making a devil’s bargain. She is offering herself to him on the outside chance that he will hold her afterward. She feels very practical about this and vows not to feel bad if things don’t work out. After all, she tells herself, she isn’t really involved with him emotionally or otherwise.
For Mirabelle, there are four levels of being held. The first, and highest, is the complete surround: he will wrap his arms around her and they will spoon as he whispers how beautiful she is and how he had been transported to another plane. The odds of this particular scenario unfolding from the youthful Jeremy are slim, in fact, so slim that they could slip out the door without opening it. There are, however, other levels of holding that for tonight would suit Mirabelle just fine. He could lie on his back and she would rest her head on his chest, while one of his arms holds her tight. Third best would involve Mirabelle lying on her back with Jeremy alongside her, resting one hand on her stomach while the other plays with her hair. This position requires the utterances of sweet nothings for her to be fully satisfied. She is aware he has barely spoken a sentence that didn’t end in “you know” and then trail off into a mumble since they have been together, which makes the appearance of these sweet nothings unlikely. But this could be a plus, as she can interpret his mumbles any way she wants – they could be impeccably metered love sonnets for all she knows. In fourth position, they are lying on their backs, with one of Jeremy’s legs resting languidly over one of hers. This is the minimally acceptable outcome, and involves a commitment of extra time on his part to compensate for his lack of effort.