He soon found this disciplined process hopeless. However hard he tried to go over the details in their actual chronology, weigh them, match them like puzzle pieces with similar pieces, one huge fact kept elbowing its way in front of all the others: Jillian Perry had sexually abused other children. It was not uncommon for a victim of that offense, or a member of a victim’s family, to seek revenge. It was not unheard-of for that revenge to take the form of murder.
The impact of this possibility filled his mind. It fit the contours of his thinking in a way no other aspect of the case had so far. Finally there was a motive that made sense, that didn’t bring with it an immediate surge of doubt, that didn’t create more problems than it solved. And along with it came certain implications. For example: The key questions about Hector Flores might not be where did he disappear to and how, but where did he come from and why? The focus needed to shift from what might have happened in Tambury that drove Flores to commit murder to what might have happened in the past that drove him to Tambury.
Gurney was now too restless to sit still. He got back out of his car, looked around at the house, the slate-roofed garage, the arched trellis entrance to the rear lawn. Was this the first view Hector Flores had had of Ashton’s manorial property three and a half years earlier? Or had he been looking it over for some time, watching Ashton come and go? When he knocked on the door for the first time, how far along were his plans? Was Jillian his target from the beginning? Was Ashton, director of the school she’d attended, a route to her? Or were his plans more general-perhaps a violent assault on one or more of the offenders that Mapleshade harbored? Or for that matter, might the original target have been Ashton himself-the harborer, the doctor who helped abusers? Might Jillian’s murder have offered a double benefit: her death and Ashton’s pain?
Whatever the specifics, the questions were the same: Who was Hector Flores, really? What awful transgression had brought so determined a killer to Ashton’s doorstep? A killer of such deception and foresight that he’d inveigled an invitation to live in a cottage in his eventual victim’s backyard. A web in which he’d waited. Waited for the ideal moment.
Hector Flores. A patient spider.
Gurney went to the cottage, unlocked the door.
Inside, the place had the bare look of an apartment for rent. No furniture, no possessions, nothing but a faint odor of detergent or disinfectant. The simplest of floor plans: a wide all-purpose room in front and two smaller rooms behind it-a bedroom and a kitchen, with a tiny bathroom and closet sandwiched between them. He stood in the middle of the front room and let his gaze travel slowly over the floor, walls, ceiling. His brain was not wired to accommodate the notion of a place having an aura, but every homicide scene he’d visited over the years affected him in a way that was both strange and familiar.
Responding to a call from the uniformed 911 responders, stepping into a violent crime scene with its blood and gristle, splintered bones and splattered brains, never failed to ignite in him a certain set of feelings: revulsion, pity, anger. But visiting the site at a later date-after the inevitable scouring, all tangible evidence of butchery removed-was just as deeply affecting, but in a different way. A blood-soaked room would slam him in the face. Later, stripped and sanitized, the same room would lay a cold hand on his heart, reminding him that at the center of the universe there was a boundless emptiness. A vacuum with a temperature of absolute zero.
He cleared his throat loudly, as if relying on the noise to transport him from these morbid musings to a more practical frame of mind. He went into the little kitchen, examined the empty drawers and cabinets. Then he went into the bedroom, straight to the window through which the killer had exited. He opened it, looked out, then climbed out through it.
The ground outside was only about a foot lower than the floor inside. He stood with his back to the cottage, peering out into the dreary copse. The atmosphere was humid, silent, the herbal redolence of the gardens yielding here to a woodsier scent. He made his way forward with long, deliberate steps, counting his paces. At 140 he caught sight of a yellow ribbon atop a plastic stake driven like a thin broomstick into the ground.
He went to the spot, looking around in all directions. His route was circumscribed on his right by a steep-sided ravine. The cottage behind him was hidden by the intervening foliage, as was the road that he knew from the Google satellite photos to lie fifty yards ahead. He examined the ground, the area of leafy soil where the machete had been partly concealed, wondering what might explain the inability of the K-9 team to follow the trail any farther. The idea that Flores had changed his shoes at this point, or covered them with plastic, and proceeded on through the woods to the road, or through the woods to another house on the lane (Kiki Muller’s?) seemed unlikely. The question that had bothered Gurney before still had no answer: What would the point be of leaving half a trail, a trail to the weapon? And if the goal was for the weapon to be found, why half bury it? And then there was the little mystery of the boots-the one personal item Flores had left behind, the boots that the scent-tracking dog had keyed on. How did they fit into Flores’s escape scenario?
Since the boots were found in the house, did that suggest that the trail to the machete could have been one leg of a round trip? Might Flores have come out here from the cottage, disposed of the machete, and returned the way he came-back through the window? That solved part of the scent-trail conundrum. But it created a new and greater difficulty: It put Flores back in the cottage at the point when the body was discovered, with no way of leaving it again unobserved prior to the arrival of the police. On top of that, the out-and-back hypothesis didn’t answer the other question: Why would Flores leave a trail out to the machete to begin with? Unless the whole idea was to create the impression that he’d left the area, when really he hadn’t… to create the impression that he’d run off through the woods, hurriedly hiding the machete on his way, when he was actually back in the cottage. But back in the cottage where? Where could a man hide in such a tiny building-a building fine-combed for six hours by a team of evidence techs whose whole expertise lay in missing nothing?
Gurney made his way back through the woods, climbed through the cottage window, and reexplored the three rooms, looking for access points to spaces above the ceiling or below the floor. The roof pitch was low, likely a truss structure that would have a limited area toward the middle where a man could sit or crouch. However, as with most such useless spaces, there was no entry point. The floor also appeared seamless, with no way down into whatever space might exist beneath it. He went from room to room, checking the position of each wall from each side of it to make sure there were no unaccounted-for interior spaces.
The notion that Flores had returned from the woods in those boots and secreted himself and remained undetected in this little twenty-four-by-twenty-four building was unraveling as rapidly as it had been conceived. Gurney locked the door, put the key back under the black rock, and returned to his car. He rummaged through his case folder and located Scott Ashton’s cell number.
The soft baritone recording, the essence of tranquillity, invited him to leave a message that would be returned as soon as possible, conveying through its chocolate tone the feeling that all the troubles in a person’s life were ultimately manageable. Gurney identified himself and said he had a few more questions about Flores.
He checked the dashboard clock. It was 10:31. Might be a good time to check in with Val Perry, share his initial thoughts on the case, see if she was still eager for him to pursue it. As he was about to place the call, the phone rang in his hand.