9: The Castle Called Mist
“What happened next was so strange that I felt sure I had plunged from feverish consciousness into the cool retreat of a fanciful dream,” Ahura continued as, having tethered their horses, they mounted a wide stairway toward that open door which mocked alike sudden rush and cautious reconnoitering. Her story went on with as calm and drugged a fatalism as their step-by-step advance. “I was lying on my back beside the three stones and watching my body move around the little basement. I was terribly weak, I could not stir a muscle, and yet I felt delightfully refreshed — all the dry burning and aching in my throat was gone. Idly, as one will in a dream, I studied my face. It seemed to be smiling in triumph, very foolishly I thought. But as I continued to study it, fear began to intrude into my pleasant dream. The face was mine, but there were unfamiliar quirks of expression. Then, becoming aware of my gaze, it grimaced contemptuously and turned and said something to the Old Man, who nodded matter-of-factly. The intruding fear engulfed me. With a tremendous effort I managed to roll my eyes downward and look at my real body, the one lying on the floor.
“It was Anra's."
They entered the doorway and found themselves in a huge, many-nooked and niched stone room — though seemingly no nearer the ultimate source of the green glow, except that here the misty air was bright with it. There were stone tables and benches and chairs scattered about, but the chief feature of the place was the mighty archway ahead, from which stone groinings curved upward in baffling profusion. Fafhrd's and the Mouser's eyes momentarily sought the keystone of the arch, both because of its great size and because there was an odd dark recess toward its top.
The silence was portentous, making them feel uneasily for their swords. It was not merely that the luring music had ceased — here in the Castle Called Mist there was literally no sound, save what rippled out futilely from their own beating hearts. There was instead a fog-bound concentration that froze into the senses, as though they were inside the mind of a titanic thinker, or as if the stones themselves were entranced.
Then, since it seemed as unthinkable to wait in that silence as for lost hunters to stand motionless in deep winter cold, they passed under the archway and took at random an upward-leading ramp.
Ahura continued, “Helplessly I watched them make certain preparations. While Anra gathered some small bundles of manuscripts and clothing, the Old Man lashed together the three mortar-crusted stones.
“It may have been that in the moment of victory he relaxed habitual precautions. At all events, while he was still bending over the stones, my mother entered the room. Crying out, ‘What have you done to him?’ she threw herself down beside me and felt at me anxiously. But that was not to the Old Man's liking. He grabbed her shoulders and roughly jerked her back. She lay huddled against the wall, her eyes wide, her teeth chattering — especially when she saw Anra, in my body, grotesquely lift the lashed stones. Meanwhile the Old Man hoisted me, in my new, wasted form, to his shoulder, picked up the bundles, and ascended the short stair.
“We walked through the inner court, rose-strewn and filled with Mother's perfumed, wine-splashed friends, who stared at us in befuddled astonishment, and so out of the house. It was night. Five slaves waited with a curtained litter in which the Old Man placed me. My last glimpse was of Mother's face, its paint tracked by tears, peering horrifiedly through the half open door."
The ramp issued onto an upper level, and they found themselves wandering aimlessly through a mazy series of rooms. Of little use to record here the things they thought they saw through shadowy doorways, or thought they heard through metal doors with massy complex bolts whose drawing they dared not fathom. There was a disordered, high-shelved library, certain of the rolls seeming to smoke and fume as though they held in their papyrus and ink the seeds of a holocaust; the corners were piled with sealed canisters of greenish stone and age-verdigrised brass tablets. There were instruments that Fafhrd did not even bother to warn the Mouser against touching. Another room exuded a fearful animal stench; upon its slippery floor they noted a sprinkling of short, incredibly thick black bristles. But the only living creature they saw at any time was a little hairless thing that looked as if it had once sought to become a bear cub; when Fafhrd stooped to pet it, it flopped away whimpering. There was a door that was thrice as broad as it was high, and its height hardly that of a man's knee. There was a window that let upon a blackness that was neither of mist nor of night, and yet seemed infinite; peering in, Fafhrd could faintly see rusted iron handholds leading upward. The Mouser uncoiled his climbing rope to its full length and swung it around inside the window, without the hook striking anything.
Yet the strangest impression this ominously empty stronghold begot in them was also the subtlest, and one which each new room or twisting corridor heightened — a feeling of architectural inadequacy. It seemed impossible that the supports were equal to the vast weights of the great stone floors and ceilings, so impossible that they almost became convinced that there were buttresses and retaining walls they could not see, either invisible or existing in some other world altogether, as if the Castle Called Mist had only partially emerged from some unthinkable outside. That certain bolted doors seemed to lead where no space could be, added to this hinting.
They wandered through passages so distorted that, though they retained a precise memory of landmarks, they lost all sense of direction.
Finally Fafhrd said, “This gets us nowhere. Whatever we seek, whomever we wait for — Old Man or demon — it might as well be in that first room of the great archway."
The Mouser nodded as they turned back, and Ahura said, “At least we'll be at no greater disadvantage there. Ishtar, but the Old Man's rhyme is true! ‘Each chamber is a slavering maw, each arch a toothy jaw.’ I always greatly feared this place, but never thought to find a mazy den that sure as death has stony mind and stony claws.
“They never chose to bring me here, you see, and from the night I left our home in Anra's body, I was a living corpse, to be left or taken where they wished. They would have killed me, I think, at least there came a time when Anra would, except it was necessary that Anra's body have an occupant — or my rightful body when he was out of it, for Anra was able to reenter his own body and walk about in it in this region of Ahriman. At such times I was kept drugged and helpless at the Lost City. I believe that something was done to his body at that time — the Old Man talked of making it invulnerable — for after I returned to it, I found it seeming both emptier and stonier than before."
Starting back down the ramp, the Mouser thought he heard from somewhere ahead, against the terrible silence, the faintest of windy groans.
“I grew to know my twin's body very well, for I was in it most of seven years in the tomb. Somewhere during that black period all fear and horror vanished — I had become habituated to death. For the first time in my life my will, my cold intelligence, had time to grow. Physically fettered, existing almost without sensation, I gained inward power. I began to see what I could never see before — Anra's weaknesses.
“For he could never cut me wholly off from him. The chain he had forged between our minds was too strong for that. No matter how far away he went, no matter what screens he raised up, I could always see into some sector of his mind, dimly, like a scene at the end of a long, narrow, shadowy corridor.