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Several months passed and then I received a letter from Tussmann, asking me to come and spend a few days with him at his estate in Sussex; he also requested me to bring the Black Book with me.

I arrived at Tussmann's rather isolated estate just after nightfall. He lived in almost feudal state, his great ivy-grown house and broad lawns surrounded by high stone walls. As I went up the hedge-bordered way from the gate to the house, I noted that the place had not been well kept in its master's absence.

Weeds grew rank among the trees, almost choking out the grass. Among some unkempt bushes over against the outer wall, I heard what appeared to be a horse or an ox blundering and lumbering about. I distinctly heard the clink of its hoof on a stone.

A servant who eyed me suspiciously admitted me and I found Tussmann pacing to and fro in his study like a caged lion. His giant frame was leaner, harder than when I had last seen him; his face was bronzed by a tropic sun. There were more and harsher lines in his strong face and his eyes burned more intensely than ever. A smoldering, baffled anger seemed to underlie his manner.

"Well, Tussmann," I greeted him, "what success? Did you find the gold?"

"I found not an ounce of gold," he growled. "The whole thing was a hoax-well, not all of it. I broke into the sealed chamber and found the mummy-"

"And the jewel?" I exclaimed.

He drew something from his pocket and handed it to me.

I gazed curiously at the thing I held. It was a great jewel, clear and transparent as crystal, but of a sinister crimson, carved, as Von Junzt had declared, in the shape of a toad. I shuddered involuntarily; the image was peculiarly repulsive. I turned my attention to the heavy and curiously wrought copper chain which supported it.

"What are these characters carved on the chain?" I asked curiously.

"I can not say," Tussmann replied. "I had thought perhaps you might know. I find a faint resemblance between them and certain partly defaced hieroglyphics on a monolith known as the Black Stone in the mountains of Hungary. I have been unable to decipher them."

"Tell me of your trip," I urged, and over our whiskey-and-sodas he began, as if with a strange reluctance.

"I found the temple again with no great difficulty, though it lies in a lonely and little-frequented region. The temple is built against a sheer stone cliff in a deserted valley unknown to maps and explorers. I would not endeavor to make an estimate of its antiquity, but it is built of a sort of unusually hard basalt, such as I have never seen anywhere else, and its extreme weathering suggests incredible age.

"Most of the columns which form its facade are in ruins, thrusting up shattered stumps from worn bases, like the scattered and broken teeth of some grinning hag. The outer walls are crumbling, but the inner walls and the columns which support such of the roof as remains intact, seem good for another thousand years, as well as the walls of the inner chamber.

"The main chamber is a large circular affair with a floor composed of great squares of stone. In the center stands the altar, merely a huge, round, curiously carved block of the same material. Directly behind the altar, in the solid stone cliff which forms the rear wall of the chamber, is the sealed and hewn-out chamber wherein lay the mummy of the temple's last priest.

"I broke into the crypt with not too much difficulty and found the mummy exactly as is stated in the Black Book. Though it was in a remarkable state of preservation, I was unable to classify it. The withered features and general contour of the skull suggested certain degraded and mongrel peoples of lower Egypt, and I feel certain that the priest was a member of a race more akin to the Caucasian than the Indian. Beyond this, I can not make any positive statement.

"But the jewel was there, the chain looped about the dried-up neck."

From this point Tussmann's narrative became so vague that I had some difficulty in following him and wondered if the tropic sun had affected his mind. He had opened a hidden door in the altar somehow with the jewel-just how, he did not plainly say, and it struck me that he did not clearly understand himself the action of the jewel-key. But the opening of the secret door had had a bad effect on the hardy rogues in his employ. They had refused point-blank to follow him through that gaping black opening which had appeared so mysteriously when the gem was touched to the altar.

Tussmann entered alone with his pistol and electric torch, finding a narrow stone stair that wound down into the bowels of the earth, apparently. He followed this and presently came into a broad corridor, in the blackness of which his tiny beam of light was almost engulfed. As he told this he spoke with strange annoyance of a toad which hopped ahead of him, just beyond the circle of light, all the time he was below ground.

Making his way along dank tunnels and stairways that were wells of solid blackness, he at last came to a heavy door fantastically carved, which he felt must be the crypt wherein was secreted the gold of the ancient worshippers. He pressed the toad-jewel against it at several places and finally the door gaped wide.

"And the treasure?" I broke in eagerly.

He laughed in savage self-mockery.

"There was no gold there, no precious gems-nothing"-he hesitated-"nothing that I could bring away."

Again his tale lapsed into vagueness. I gathered that he had left the temple rather hurriedly without searching any further for the supposed treasure. He had intended bringing the mummy away with him, he said, to present to some museum, but when he came up out of the pits, it could not be found and he believed that his men, in superstitious aversion to having such a companion on their road to the coast, had thrown it into some well or cavern.

"And so," he concluded, "I am in England again no richer than when I left."

"You have the jewel," I reminded him. "Surely it is valuable."

He eyed it without favor, but with a sort of fierce avidness almost obsessional.

"Would you say that it is a ruby?" he asked.

I shook my head. "I am unable to classify it."

"And I. But let me see the book."

He slowly turned the heavy pages, his lips moving as he read. Sometimes he shook his head as if puzzled, and I noticed him dwell long over a certain line.

"This man dipped so deeply into forbidden things," said he, "I can not wonder that his fate was so strange and mysterious. He must have had some foreboding of his end-here he warns men not to disturb sleeping things."

Tussmann seemed lost in thought for some moments.

"Aye, sleeping things," he muttered, "that seem dead, but only lie waiting for some blind fool to awake them-I should have read further in the Black Book-and I should have shut the door when I left the crypt-but I have the key and I'll keep it in spite of hell."

He roused himself from his reveries and was about to speak when he stopped short. From somewhere upstairs had come a peculiar sound.

"What was that?" He glared at me. I shook my head and he ran to the door and shouted for a servant.

The man entered a few moments later and he was rather pale.

"You were upstairs?" growled Tussmann.

"Yes, sir."

"Did you hear anything?" asked Tussmann harshly and in a manner almost threatening and accusing.

"I did, sir," the man answered with a puzzled look on his face.

"What did you hear?" The question was fairly snarled.

"Well, sir," the man laughed apologetically, "you'll say I'm a bit off, I fear, but to tell you the truth, sir, it sounded like a horse stamping around on the roof!"

A blaze of absolute madness leaped into Tussmann's eyes.

"You fool!" he screamed. "Get out of here!" The man shrank back in amazement and Tussmann snatched up the gleaming toad-carved jewel.

"I've been a fool!" he raved. "I didn't read far enough-and I should have shut the door-but by heaven, the key is mine and I'll keep it in spite of man or devil."