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‘Odo, come at once. Something rather worrying has happened.’

Stevens went off with her. Rosie’s anxiety might have any cause, the house on fire, an undesired invitation she wanted help in refusing, one of the children been sick, the degree of seriousness could not be estimated. Stevens’s comments had interest. What dreams of power, practical or phantasmic had long tantalized Widmerpool’s heart, what plans meditated to put them into effect? Stevens had spoken ironically of betrayals in the interest of ‘international goodwill’; Bagshaw, speculating on less highflown motives, satisfaction of a taste for wholesale destruction, vicarious individual revenge against society. Neither Bagshaw nor Stevens spoke without experience. Perhaps, in Widmerpool’s case, he managed to coalesce in himself both aspects. Chandler and Gossage passed. They said goodnight.

‘A nice turn of power in the middle notes, didn’t you think?’ said Gossage.’ A fine sensibility of phrase?’

‘Hugh didn’t look too well,’ said Chandler. ‘I hope he’s all right. I hadn’t seen him for an age.’

They passed on. It was time to leave. I began to look about for Isobel. Before I found her, Stevens returned to the room. I took this opportunity of saying goodbye, as he seemed on his way somewhere. He confirmed, as it were, the words spoken a minute before by Chandler.

‘Hugh Moreland’s not very well. He’s gone to lie down in the study. I’m on my way to get the car. I can run them home.’

Stevens, many of his characteristics uncommendable, was good at taking charge when certain kinds of awkward situation arose.

‘Is Hugh bad?’

‘Doesn’t look too good. He had a blackout, and fell. He’s all right now, all right in the sense that he doesn’t want to leave, because he says there are a lot of things about the Seraglio he still wants to discuss. We’ve persuaded him to take it easy for the moment. He’ll be better when he gets to bed.’

‘Can one see him?’

‘Yes, do go up. Might keep him quiet. Don’t bring a crowd with you. The room’s the little study on the second floor, to the left.’

I found Isobel, and we both went upstairs. Moreland was lying on a small sofa, Rosie and Audrey Maclintick standing over him. The sofa was not big enough to contain his body comfortably at full length. He was drinking a glass of water, something I had never before seen him do, except after a heavy evening the night before. As Chandler had said, he did not look at all well. He was refusing to compromise with his own situation further than agreement to be driven home, when Stevens returned. Audrey Maclintick was trying to persuade him to rest quietly, until the car was announced as at the front door. When he saw us, he began to laugh in his old way.

‘I told you nostalgia would get me. It did. Absolutely spun me over like a ninepin. It was Carolo put the finishing touch. I can’t take it as I used. They say you lose your head for nostalgia, as you get older. That’s also the time when waves of it come sweeping down without warning. You have to ration yourself, or a sudden dose knocks you out, as it did me.’

‘You stop talking so much, and take it easy,’ said Audrey Maclintick. ‘I’m going to get that precious doctor of yours round as soon as you’re in bed, no matter what the time is, and how much he’s had to drink, if he hasn’t passed out cold. Even he told you to be careful, the last time he looked you over. You’re going to stay in bed for a week or two now, if I have anything to do with it.’

Moreland did not listen. In spite of Rosie’s added protest that he would be wiser to remain quiet, he continued to insist he would be perfectly recovered the following day. He also kept on returning to what had been happening that evening.

‘There were a lot of people near me talking about vintage cars. There’s nostalgia, if you like.

For some we loved, the loveliest and the best,

That from his vintage rolling Time hath pressed.

That’s a striking image. I remember, years ago, a man who kept on quoting Omar at that party of Mrs Foxe’s, after my Symphony. I’ve only just grasped that the verse refers to a car. Life’s vintage car, in which we’re all travelling. Better than Trapnel’s Camel, more Hegelian too. Then you’re suddenly told to get out and walk — pressed to, as the poet truly says.’

There was nothing to be done until Stevens returned.

Staying with Moreland was only to encourage running on like this, tiring himself, so Isobel and I spoke a word or two, then said goodnight. It was not quite clear what sort of a fall he had suffered. He seemed to have lost his senses for a minute or so, afterwards felt no worse than a little dazed.

‘I was pretty normal when I got up from the floor. If one could ever truthfully say that about oneself.’

A large proportion of the guests had already left when we arrived downstairs again.

‘Poor Hugh,’ said Isobel. ‘He didn’t look at all well to me.’

‘Nor me.’

Outside, the night was dark. There was no moon. A breeze, fresh, almost country-scented, blew in from the Park’s tall clusters of trees. We were aiming to cut through from the terrace, where the Stevens house stood, making for a street beyond, which ran parallel, where a taxi could be picked up. A few doors away from the Stevens entrance, two or three persons, standing against the railings, were having some sort of argument. Having attended the party, they seemed now to be squabbling. Numbers and sex were not at first distinguishable in the gloom, but turned out as a woman, two men, in fact the Widmerpools and Short. Widmerpool was giving Short a dressing-down. He was very angry. Short was defending himself mildly, but with bureaucratic obstinacy. He could be heard maintaining that administrative breakdowns were from time to time unavoidable.

‘I’ve already told you, Kenneth, that I quite plainly instructed the car to be outside waiting. The driver must have mistaken the address. If so, he will be along in a minute or two.’

As we went by, Widmerpool recognized us.

‘Have you by any chance got a car? Our hired vehicle hasn’t turned up. Leonard has made some sort of muddle. I suppose you couldn’t give us a lift?’

‘We’re on our way to pick up a taxi.’

‘Oh.’

‘Why not do the same? They come down fairly frequently in the street behind here.’

‘Pam doesn’t want to walk that far. Oh, hell and blast. Why must this have happened?’

Widmerpool was not merely cross, put out by the car not being on time, but wrought up to an extent almost resembling drunkenness. Drink, which he hardly touched as a rule, was unlikely to have played any part in this highly strung state, unless, quite exceptionally, he had felt the Seraglio an occasion to swallow a few glasses, more to impress others with his own improved situation than because he enjoyed their effect. Apart from threat of prosecution, he could have been suffering more than usual domestic strain, Pamela’s design to leave him — if all alleged about Glober were true — now suddenly put into reverse gear. Even if Widmerpool did not know the reason, her change of plans, involvement with Gwinnett, might well have caused more than usually uncomfortable repercussions at home. The fact that she would not walk the few yards necessary to find a taxi showed her mood. Widmerpool stamped his feet. Short addressed us in a more temperate manner.

‘If you should see anything looking like a hired car waiting round the corner, please ask the chauffeur if he’s booked in the name of Sir Leonard Short, will you? He may have mistaken the address. If so, just send him along here.’