Mzilikazi had been this man's grandfather, Mzilikazi who had defied the tyrant Chaka and led his people away towards the north.
Mzilikazi, the little chief who had slaughtered a million souls on that terrible northward march, and in the process had become a mighty emperor, as powerful and cruel as Chaka had ever been. Mzilikazi, his grandfather, who had finally brought his nation- to this rich and beautiful land, who had been the first to enter these magical hills and to listen to the myriad weird voices of the Umlimo, the Chosen One, the witch and oracle of the Matopos.
Lobengula, son of Mzilikazi, who ruled the Matabele after the old king's death, had been the young man's blood uncle. It was Lobengula who had granted him the honours of the and una head ring and appointed him commander of one of the elite fighting imp is But now Lobengula was dead, and the young and una impi had been blown to nothing by the Maxim guns on the bank of the Shangani river, and the same Maxim guns had branded him with those deeply dimpled cicatrices upon his trunk.
His name was Bazo, which means "the axe," but more often now men spoke of him as "the Wanderer." He had sat beneath the cripple-wood tree all that day, watching the iron smiths perform their rites, for the birth of iron was a mystery to all but these adepts. The smiths were not Matabele, but were members of an older tribe, an ancient people whose origins were somehow interwoven with those haunted and ruined stone walls of Great Zimbabwe.
Although the new white masters and their queen beyond the seas had decreed that the Matabele no longer own aniahoh, slaves, yet these Rozwi iron smiths were still the dogs of the Matabele, still performed their art at the behest of their warlike masters.
The ten oldest and wisest of the Rozwi smiths, had selected the ore from the quarry, deliberating over each fragment like vain women choosing ceramic beads from the trader's stock. They had judged the iron ore for colour and weight, for the perfection of the metal it contained and for its purity from foreign matter, and then they had broken up the ore upon the rock anvils until each lump was the perfect size. While they worked with care and total preoccupation, some of their apprentices were cutting and burning the tree trunks in the charcoal pits, controlling the combustion with layers of earth and finally quenching it with clay pots of water. Meanwhile, yet another party of apprentices made the long journey to the limestone quarries and returned with the crushed catalyst in leather bags slung upon the backs of the baggage bullocks. When the master smiths had grudgingly approved the quality of charcoal and limestone, then the building of the rows of clay kilns could begin.
Each kiln was shaped like the torso of a heavily pregnant woman, like a fat, domed belly, in which the layers of iron ore and charcoal and limestone would be packed. At the lower end of the kiln was the crotch guarded by symbolically truncated clay thighs between which was the narrow opening into which would be introduced the buck horn nozzle of the leather bellows.
When all was ready, the head smith chopped the head off the sacrificed rooster, and passed down the line of kilns, sprinkling them with hot blood while he chanted the first of the ancient incantations to the spirit of iron.
Bazo watched with fascination, and a prickle of superstitious awe on his skin, as fire was introduced through the vaginal openings of the kilns, the magical moment of impregnation which was greeted with a joyous cry by the assembled smiths. Then the young apprentices pumped the leather bellows in a kind of religious ecstasy, singing the hymns which ensured the success of the smelting and set the rhythm for the work on the bellows. When each fell back exhausted, there was another to take his place and keep the steady blast of air driving deeply into the kiln.
A faint haze of smoke hung over the workings, like sea fret on a still summer's day, it rose to eddy slowly around the tall bald peaks of the hills. Now at last it was time to draw the smelting, and as the head smith freed the clay plug from the first kiln, a joyous shout of thanksgiving went up from the assembly at the bright glowing rush of the molten metal from the womb of the furnace.
Bazo found himself trembling with excitement and wonder, as he had when his first son had been born in one of the caves in these self-same hills.
"The birth of the blades," he whispered aloud, and in his imagination he could already hear the dinning "of the hammers as they beat out the metal, and the sizzling hiss of the quenching that would set the temper of the edge and point of the broad stabbing spears.
A touch on his shoulder startled him from his reverie, and he glanced up at the woman who stood over him, and then he smiled. She wore the leather skirt, decorated with beads, of the married woman, but there were no bangles nor bracelets on her smooth young limbs.
Her body was straight and hard, her naked breasts symmetrical and perfectly proportioned. Although she had already suckled a fine son, they were not marred by stretch marks. Her belly was concave as a greyhound's, while the skin was smooth and drum-tight. Her neck was long and graceful, her nose straight and narrow, her eyes slanted above the Egyptian arches of her cheekbones. Her features were those of a statuette from the tomb of some long-dead pharaoh.
"Tanase," said Bazo, "another thousand blades." Then he saw her expression and broke off. "What is it?"he asked with quick concern.
"Riders," she said. "Two of them. White men coming from the southern forests, and coming swiftly.". Bazo rose in a single movement, quick as a leopard alarmed by the approach of the hunters.
Only now his full height and the breadth of his shoulders were evident, for he towered a full head over the iron smiths about him. He lifted the buckhom whistle that hung on a thong about his neck and blew a single sharp blast. Immediately all the scurry and bustle amongst the kilns ceased and the master smith hurried to him.
"How long to draw the rest of the smelting and break down the kilns?" Bazo demanded. "TWO days, oh Lord," answered the iron-worker, bobbing respectfully. His eyes were bloodshot from the smoke of the furnace, and the smoke seemed to have stained his cap of white woolly hair to dingy yellow.
"You have until dawn.-" "Lord!" "Work all night, but screen the fires from the plain." Bazo turned from him and strode up the steep incline to where twenty other men waited below the granite cap of the hill.
Like Bazo, they wore only simple leather kilts, and were unarmed, but their bodies were tempered and fined down by war and the training for war, and there was the warrior's arrogance in their stance as they rose to acknowledge their and una and their eyes were bright and fierce.
There was no doubt that these were Matabele, not aniahoh dogs.
"Follow!" ordered Bazo, and led them at a trot along the lower contour of the hill. There was a narrow cave in the base of the cliff, and Bazo drew aside the hanging creepers that screened the mouth and stopped into the gloomy interior. The cave was only ten paces deep, and it ended abruptly in a scree of loose boulders.
Bazo gestured and two of his men went up to the end wall of the cave and rolled aside the boulders. In the recess beyond there was the glint of polished metal like the scales of a slumbering reptile. As Bazo moved out of the entrance, the slanting rays of the setting sun struck deeply into the cave, lighting the secret arsenal. The assegais were stacked in bundles of ten and bound together with rawhide thongs.