I said all of that to Layla and she answered sharply, ‘A few months ago you could not think about a new place to live, and here you are now living in it and according to the ridiculous Japanese style of your dreams. Before that, there were loads of things you could not do, but sometimes they happened without a huge effort on your part.’
‘Like what?’ I asked.
‘Our relationship, for example. Many lives had to intersect before you could find the way that led you to me.’
I asked her angrily, ‘And you?’
‘I always knew what I wanted.’ This seemed to me the ideal expression of human happiness: to wake up or not wake up and be able to define exactly what you wanted without random additions and gaps, to say ‘I want to get up now and go to a park’ and to walk with a strong feeling that serenity would certainly be found where the row of eucalyptus trees ended.
For many years I had carried Yacine on my shoulders, and every time I laid my head on the pillow I would decide to bury him. In the dark I would rehearse the rituals of the delayed funeraclass="underline" I would carry the bier by myself and proceed towards the hole, but when I looked at it, it appeared bottomless. As soon as I lowered the bier into it, I would see Yacine come out and run through a vast cemetery with headstones made of flesh and blood.
Ahmad Majd called me one day. He was in a pitiable condition, searching for words to resume our friendship as if nothing had happened. He said Bahia was very ill and he was taking her to Paris for treatment. His words did not sink in and I did not ask him for explanations. I was not worried about her. I felt as if something were happening to a distant person, and no matter what occurred I would be unable to help. I felt better about that and I realised that powerlessness was, after all, comforting, because it freed you of guilt and always made you the victim.
I called Fatima many times to tell her about Bahia’s illness, but she did not answer and did not contact me. I thought that she too might have disappeared, like Al-Firsiwi and Ibrahim al-Khayati and Essam. I was overcome with a deep fear and called Layla. I told her I wanted to see her immediately because I was afraid she would disappear. She was busy, so we agreed to meet in the evening, though this did not spare me from being troubled the whole day by black thoughts about her disappearance. When we met and I told her that, she caressed my face with her hand and said that I was merely upset because of what was happening around us. She also said that the quarrel with Ahmad Majd had opened a door to fear that we had to shut quickly. I was very happy that she said this, and said it for my sake, knowing full well that Ahmad Majd did not deserve this effort. I wanted to comment on the matter but she begged me not to. We ate quickly and went to a modern dance performance at the French Cultural Centre.
The show was fast and frenetic, the tempo high and athletic. It shifted all the burden on to us, as we shrank back into our seats under the pressure of that devotion of the body that toyed with violence and seduction. I told Layla when we left the show that words were the best means of expression for human beings. There was something too intimate about the body and movement, or a limitation, that prevented the act of expression from making unexpected stupid mistakes.
She said, ‘We are able to do that with violence or love.’
I agreed with little enthusiasm and continued walking, feeling something hot rise from my guts that absorbed me in a kind of material absence. I thought it was the sign of a new fit, but soon realised that part of the show’s choreography had seized my body, which felt possessed by a violent inner storm. We got into the car and Layla ignored me as she drove, and I heard Yacine confiding to me in a clearly stern tone, ‘Now. Now!’
‘Now what?’ I asked.
He repeated insistently, ‘Now!’
I shouted angrily, ‘What now?’
Layla said, scared, ‘What’s with now? What’s with you?’ She pulled the car over to the side of the road, confused.
‘Nothing, it’s nothing. I think I’m tired, that’s all,’ I said.
We continued on our way. Layla had regained her composure and tried to justify the confusion that had taken hold of me. According to her I had internalised the scene of violence in the show, and the slow and clean movements depicting mutual seduction and pleasure had led to a sudden desire to kill.
I said, ‘Yes, it might have been that.’
As a special consolation, she suggested that we sleep in the same place, an idea I deemed a good ending to a trying day.
So here she was on the snow-white bedding, bathed by the glow of a distant lamp, her hand resting on my chest as she slept curled up in the foetal position. I asked myself what love was. For many years I had been unable to identify a feeling connected to this emotion. As I watched her face, radiant in peaceful sleep, I told myself that perhaps love was being with a woman at the right time.
As we were eating breakfast the next day Layla said, ‘You must visit Bahia as soon as possible. It isn’t Ahmad Majd who will make her feel at peace.’
‘No one can do anything for anyone else,’ I said.
‘I don’t like to begin the day in a bad mood,’ she said angrily.
Whenever I travelled from Rabat to Marrakech, I would look out the train window and see places I had known for years, barren fields, square patches of cacti and a scattering of withered eucalyptus trees. Nothing had changed in these poor landscapes, where every now and then I would spot somebody crossing these badlands with the assurance of someone living in paradise. One day the motorway would pass through that arid poetry, and we would have to draw another landscape to put in train windows. The motorway would extend all the way to Agadir, and the journey from there to Tangier would take only eight hours instead of the two days it did before. We would become a small country that could be crossed from north to south in less than a day.
Bahia quietly greeted me when I arrived. She did not look like she was suffering from a fatal illness or the devastating anxiety linked to it. We sat in the garden and she talked to me with amazement about the war waging between her husband and his rival. The latest chapter involved land that was open for development on the mountain road, land that was on the books as security at one of the banks before the ferocious rival got hold of it through scary pressure tactics, fraud and byzantine manoeuvres.
Bahia knew the tiniest details of what she called the new scandal. She was trying to deduce what should be deduced, in the form of a pessimistic analysis of our general condition, which did not seem about to be cured of rampant illnesses like those.
I said, joking, ‘But the wheels are turning, or so I believe. There are no breakdowns, and I only hear stories about the huge fortunes being made here and there. I have not heard so far about a bankruptcy declared or about to be declared.’
‘Bankruptcy is like a terrorist operation,’ Bahia said. ‘Nothing on the horizon predicts it, and then suddenly you hear about it on the news.’
She asked me if I knew about her illness. I nodded and said, ‘It’s an illness like any other illness.’
She was moved for the first time and talked about young Ghaliya. ‘I don’t worry about leaving her alone, but it hurts not to have spent more time with her.’ She said that she had not noticed any emotional attachment on my part towards the child, and added, ‘You don’t like her very much.’
I defended myself, saying that I considered her our baby, but Bahia was not convinced. But said she understood and did not blame me. Human nature was supremely complex, she said, and oddly enough she did not see any logic in all that was happening to her except her illness, because it was the only thing in total harmony with her human condition.