“It was a peaceful scene, the morning light, the bit of open country framed in steep stony slopes, a high peak or two in the distance, the thin smoke of some invisible caserios, rising straight up here and there. Far away behind us the guns had ceased and the echoes in the gorges had died out. I never knew what peace meant before. . .
“Nor since,” muttered Mr. Blunt after a pause and then went on. “The little stone church of her uncle, the holy man of the family, might have been round the corner of the next spur of the nearest hill. I dismounted to bandage the shoulder of my trooper. It was only a nasty long scratch. While I was busy about it a bell began to ring in the distance. The sound fell deliciously on the ear, clear like the morning light. But it stopped all at once. You know how a distant bell stops suddenly. I never knew before what stillness meant. While I was wondering at it the fellow holding our horses was moved to uplift his voice. He was a Spaniard, not a Basque, and he trolled out in Castilian that song you know,
“‘Oh bells of my native village,
I am going away . . . good-bye!’
He had a good voice. When the last note had floated away I remounted, but there was a charm in the spot, something particular and individual because while we were looking at it before turning our horses’ heads away the singer said: ‘I wonder what is the name of this place,’ and the other man remarked: ‘Why, there is no village here,’ and the first one insisted: ‘No, I mean this spot, this very place.’ The wounded trooper decided that it had no name probably. But he was wrong. It had a name. The hill, or the rock, or the wood, or the whole had a name. I heard of it by chance later. It was—Lastaola.”
A cloud of tobacco smoke from Mills’ pipe drove between my head and the head of Mr. Blunt, who, strange to say, yawned slightly. It seemed to me an obvious affectation on the part of that man of perfect manners, and, moreover, suffering from distressing insomnia.
“This is how we first met and how we first parted,” he said in a weary, indifferent tone. “It’s quite possible that she did see her uncle on the way. It’s perhaps on this occasion that she got her sister to come out of the wilderness. I have no doubt she had a pass from the French Government giving her the completest freedom of action. She must have got it in Paris before leaving.”
Mr. Blunt broke out into worldly, slightly cynical smiles.
“She can get anything she likes in Paris. She could get a whole army over the frontier if she liked. She could get herself admitted into the Foreign Office at one o’clock in the morning if it so pleased her. Doors fly open before the heiress of Mr. Allègre. She has inherited the old friends, the old connections . . . Of course, if she were a toothless old woman . . . But, you see, she isn’t. The ushers in all the ministries bow down to the ground therefore, and voices from the innermost sanctums take on an eager tone when they say, ‘Faites entrer.’ My mother knows something about it. She has followed her career with the greatest attention. And Rita herself is not even surprised. She accomplishes most extraordinary things, as naturally as buying a pair of gloves. People in the shops are very polite and people in the world are like people in the shops. What did she know of the world? She had seen it only from the saddle. Oh, she will get your cargo released for you all right. How will she do it? . . Well, when it’s done—you follow me, Mills?—when it’s done she will hardly know herself.”
“It’s hardly possible that she shouldn’t be aware,” Mills pronounced calmly.
“No, she isn’t an idiot,” admitted Mr. Blunt, in the same matter-of-fact voice. “But she confessed to myself only the other day that she suffered from a sense of unreality. I told her that at any rate she had her own feelings surely. And she said to me: Yes, there was one of them at least about which she had no doubt; and you will never guess what it was. Don’t try. I happen to know, because we are pretty good friends.”
At that moment we all changed our attitude slightly. Mills’ staring eyes moved for a glance towards Blunt, I, who was occupying the divan, raised myself on the cushions a little and Mr. Blunt, with half a turn, put his elbow on the table.
“I asked her what it was. I don’t see,” went on Mr. Blunt, with a perfectly horrible gentleness, “why I should have shown particular consideration to the heiress of Mr. Allègre. I don’t mean to that particular mood of hers. It was the mood of weariness. And so she told me. It’s fear. I will say it once again: Fear. . . .”
He added after a pause, “There can be not the slightest doubt of her courage. But she distinctly uttered the word fear.”
There was under the table the noise of Mills stretching his legs.
“A person of imagination,” he began, “a young, virgin intelligence, steeped for nearly five years in the talk of Allègre’s studio, where every hard truth had been cracked and every belief had been worried into shreds. They were like a lot of intellectual dogs, you know . . .”
“Yes, yes, of course,” Blunt interrupted hastily, “the intellectual personality altogether adrift, a soul without a home . . . but I, who am neither very fine nor very deep, I am convinced that the fear is material.”
“Because she confessed to it being that?” insinuated Mills.
“No, because she didn’t,” contradicted Blunt, with an angry frown and in an extremely suave voice. “In fact, she bit her tongue. And considering what good friends we are (under fire together and all that) I conclude that there is nothing there to boast of. Neither is my friendship, as a matter of fact.”
Mills’ face was the very perfection of indifference. But I who was looking at him, in my innocence, to discover what it all might mean, I had a notion that it was perhaps a shade too perfect.
“My leave is a farce,” Captain Blunt burst out, with a most unexpected exasperation. “As an officer of Don Carlos, I have no more standing than a bandit. I ought to have been interned in those filthy old barracks in Avignon a long time ago. . . Why am I not? Because Doña Rita exists and for no other reason on earth. Of course it’s known that I am about. She has only to whisper over the wires to the Minister of the Interior, ‘Put that bird in a cage for me,’ and the thing would be done without any more formalities than that. . . Sad world this,” he commented in a changed tone. “Nowadays a gentleman who lives by his sword is exposed to that sort of thing.”
It was then for the first time I heard Mr. Mills laugh. It was a deep, pleasant, kindly note, not very loud and altogether free from that quality of derision that spoils so many laughs and gives away the secret hardness of hearts. But neither was it a very joyous laugh.
“But the truth of the matter is that I am ‘en mission,’” continued Captain Blunt. “I have been instructed to settle some things, to set other things going, and, by my instructions, Doña Rita is to be the intermediary for all those objects. And why? Because every bald head in this Republican Government gets pink at the top whenever her dress rustles outside the door. They bow with immense deference when the door opens, but the bow conceals a smirk because of those Venetian days. That confounded Versoy shoved his nose into that business; he says accidentally. He saw them together on the Lido and (those writing fellows are horrible) he wrote what he calls a vignette (I suppose accidentally, too) under that very title. There was in it a Prince and a lady and a big dog. He described how the Prince on landing from the gondola emptied his purse into the hands of a picturesque old beggar, while the lady, a little way off, stood gazing back at Venice with the dog romantically stretched at her feet. One of Versoy’s beautiful prose vignettes in a great daily that has a literary column. But some other papers that didn’t care a cent for literature rehashed the mere fact. And that’s the sort of fact that impresses your political man, especially if the lady is, well, such as she is . . .”